Retired archaeologist Lynne Sebastian is a published author of nonfiction books, research papers, and journal articles who now considers herself a storyteller. After switching from nonfiction to creative writing, she published stories in the 2021 SouthWest Writers’ contest anthology, Ramblings & Reflections, and in Holes in Our Hearts: An Anthology of New Mexican Military Related Stories and Poetry (2023). Besides being a short story and nonfiction writer, she can also call herself a novelist since her 2023 debut release of One Last Cowboy Song. You’ll find Lynne on her SWW author page and on Facebook. Look for Lynne’s books on Amazon.
Please tell us about yourself.
I grew up in southern Michigan, but my family all live in the mountains of eastern Kentucky and have lived in those hills and hollers for many generations. I always wanted to live in the West, and I have had the great fortune of doing so for 50 years, the last 42 of those years here in New Mexico. My husband and I came to Albuquerque in 1980 so that I could enter the PhD program in Anthropology at University of New Mexico, and somehow, we never left. We have lived in Corrales, New Mexico since 1998.
In my archaeology career, I carried out fieldwork in all the Four Corners states and served as the New Mexico State Archaeologist and as the New Mexico State Historic Preservation Officer. I also had the honor of being elected as President of the Society for American Archaeology and as President of the Register of Professional Archaeologists. For the last 15 years before I retired in 2016, I worked as a consultant and expert witness on historic preservation issues for clients throughout the United States.
Tell us about your recent release, One Last Cowboy Song. How did you come up with the idea?
Funny you should ask. For several years, I have been in a creative writing critique group. One of the short stories that I shared with them was about a couple who would seem to have nothing in common and be unlikely ever to have met. And if they did meet, one would not necessarily expect them to have gotten along very well. The short story took place several years after they not only met, but fell in love and created a shared life that is unconventional but brings them great happiness.
My critique group colleagues said, “Oh! We like this story, and we love these characters. You should write more about them.” Flattered, I wrote a second short story about these same characters, and the group said, “This is great! But we want to know more, like how did they meet? And what is her backstory? And….” Soon, I realized I was writing a novel, and I had started in the middle. Which is not a process I recommend.
Where do you draw inspiration for your characters and settings?
My settings are, at least so far, versions of real places. One Last Cowboy Song is set in the San Juan Mountains of southwestern Colorado, which is an area that I love very much. I’ve traveled quite a bit, and I’ve experienced so many wonderful, vivid, special places in this world. I’ve never felt any need to create a place in which to set a story, although I really admire people who can imagine whole worlds and bring them to life.
As for characters, they tend to be composites — imagined people who incorporate some aspects or characteristics of real people, often multiple people, that I have known. For example, one night as I was working on a piece of dialog spoken by the best friend of my male lead character, a rancher named Dale, I realized that every time I wrote or read Dale’s dialog, I was hearing in my head the voice of an old friend, an archaeologist who lives in Las Cruces, New Mexico. Dale doesn’t look anything like my friend, and his life experiences are very different, but their voices and way of talking are identical. I’ve no idea why.
What typically comes first for you: A character? A story idea?
I’d have to say that the story idea comes first and that the story idea often comes with a character, or characters, already attached.
When did you realize you wanted to write western romance?
I didn’t. This book would be characterized that way, I guess, because he’s a rancher and she’s an English professor, and it is — at its heart — a love story. But it’s also a story about the way childhood trauma can create patterns of behavior that work against our happiness throughout a person’s adult life. And it’s a story about resilience in the face of loss and grief. And about the way country and western music can capture a moment and carry with it a memory.
Do you think your previous occupation as an archaeologist working in New Mexico influenced your choice of genre?
No. My love for the West and its people predates my life as an archaeologist. But stay tuned for my next book. It is about being an archaeologist working in New Mexico.
What did you find most rewarding when writing One Last Cowboy Song?
Interesting question. My first thought was “FINISHING IT.” But that’s not really true. I did much of the work during the COVID-19 pandemic, and it was a wonderful escape being able to slip away from the reality of life during that time and live for a few hours with Virgil and Amanda and all the other characters in beautiful landscapes and happier times (depending on how one experienced the mid-1990s).
Tell us how and why you chose the title of the book.
There is a country and western song called “The Last Cowboy Song” that was co-written and sung by the late Ed Bruce who was one of my favorite singer/songwriters. The song plays in the background at two key moments in the story, and the sense that Virgil and Dale are part of a dying breed and of a way of life that is passing on into history lingers in the background.
What prompted your first writing project?
I discovered that I’m really bad at painting. No, I’m serious. My plan was to take up painting with watercolors when I retired. I made a gallant effort, but finally had to admit that I have no talent for visual arts. Fortunately, just about the time I faced this ugly truth, I was taking a Writing Memoir class at UNM Continuing Ed, and a very nice lady in the class told me she thought I had a talent for creative writing and asked me if I would be interested in joining a critique group of which she was a member. Which brings me to the next question….
What is the best encouragement or advice you’ve received in your writing journey?
Join a critique group. The regular feedback, the gentle but firm critiques of other writers, the camaraderie (even when we were stuck meeting on Zoom), and especially the structure provided by having to produce something to share every two weeks were all essential to getting me through the process of writing three drafts of a novel-length work.
Would you mind sharing with us what you’re working on now?
Something very different. It is a combination memoir/creative nonfiction story about an archaeological project south of Farmington, New Mexico, in which my husband and I participated in 1981. It has it all — humor, pathos, danger, miserable weather, unique characters, unforgettable dogs, and cool stuff about archaeology. And like my first book, this work is the result of my having written a short story about an experience with a flash flood that we had on the project. And once again, my critique group colleagues said, “Oh, we like this! But we want to know more about these characters and why you were digging there and weren’t there any dogs in the field camp? And….” So, watch for another book-length work that will, hopefully, be finished this winter. Current working title is Stories from the Field: Archaeology and the Waterflow Mine.
Su Lierz writes dark fiction, short story fiction, and personal essays. Her short story “Twelve Days in April,” written under the pen name Laney Payne, appeared in the 2018 SouthWest Writers Sage Anthology. Su was a finalist in the 2017 and 2018 Albuquerque Museum Authors Festival Writing Contest. She lives in Corrales, New Mexico, with her husband Dennis.
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