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An Interview with Author Mike Gerrard

Mike Gerrard is an award-winning travel and drinks writer who has contributed to newspapers, magazines, and websites in the UK and worldwide. He has also published over 40 travel guides, a collection of travel stories, and two novels. His newest nonfiction release, Behind Bars: True Crime Stories of Whiskey Heists, Beer Bandits, and Fake Million-Dollar Wines (Prometheus Books, October 2024), is filled with stories of what happens when alcohol meets crime. Look for Mike on his website MikeGerrard.com, on Facebook, LinkedIn, Twitter/X, and several travel sites including Travel Distilled and Arizona Travel Guide. You’ll find his books on his Amazon author page. Behind Bars is also available on all major online bookstores through links on Prometheus Books.


In the year before releasing Behind Bars, you published three travel guides, a book about tequila, and another about bourbon. During what led up to a remarkable publishing schedule, why did you choose the project that became Behind Bars?
Before Behind Bars I had written a book about the history of barrels, Cask Strength (Matt Holt Books, 2023), and prior to that numerous travel guidebooks for publishers including National Geographic and AAA. After Cask Strength, I wanted to write another book about drinks, and I thought I was writing a book that would be filed under Food and Drink in the bookshops, but when I saw it in my publisher’s catalogue they had filed it under True Crime. Which is a much more suitable home for it. So, to my surprise, I became a True Crime writer without knowing it! I was delighted as I’m an avid reader of crime novels and True Crime stories, and I’m working on a crime novel as well.

According to your introduction to Behind Bars, a “connection has always existed between booze and crime.” You then take readers from “Scotland’s Illicit Stills” (chapter one) to great wine and whiskey frauds in “It’s Not the Real Thing.” Do you have a favorite story among all those you relate in the book?
My favorite story is definitely of the moonshine gang that operated in a place called Merry Hill in North Carolina. Two of them acted as a regular married couple and leased a mobile home, and underneath and behind it the gang built a moonshine distillery, without anyone local noticing their activity. They operated for 18 months without anyone becoming suspicious, and when they were caught they were charged with defrauding the authorities of over $1.6 million in tax revenue. That was over 50 years ago, so imagine the equivalent today, and imagine how much they must have made. And when they went to trial, some were found Not Guilty, and the ones who were sentenced to prison had their sentences later reduced to probation. Who says crime doesn’t pay?

Any “Oh, wow!” moments while doing research for Behind Bars?
Well, I was prompted to write the book partly by discovering what went on in the White House during Prohibition. Researching it further and finding that from the President on down, most of DC simply ignored Prohibition and did not go short of something to drink. I did think, “Wow, that’s how corrupt our politicians are.” You would hope things have improved, but I don’t know….

When looking for inspiration for your works, what things motivate you to write?
I’ve wanted to be a writer ever since I was about seven or eight years old. My father wrote a humor column for the local paper in the town where I grew up in the north of England, not far from Liverpool. He also did cartoons and sold some to national newspapers. This was all in his spare time. I thought it was brilliant. I started writing myself at the age of about 17, when I sold a poem to a local magazine, followed by writing one or two articles for them, and then expanding my horizons.

So to answer your question about what inspires me… simply the desire to write. To tell stories. To get experiences down in words and entertain people… and to make a living from it, which fortunately I’ve managed to do. I’ve mostly been a travel writer, so what inspires me there is seeing something that sounds like an interesting story, selling the idea to an editor, and then having to go away and write it.

What challenges have you faced as a writer, given your voluminous writing history?
The challenge is always selling a story or an idea, whether it be for a travel piece or a non-fiction book. I’ve always loved the writing, so for me the challenge is selling something, finding the right outlet. I hate pitching ideas and stories, love writing them.

Before writing travel guides, what kind of work did you do?
I started off writing general journalism pieces, a few humorous pieces, for newspapers and magazines in the UK. I liked the idea of being a travel writer so I sent in a story on spec to one of our national newspapers, based on a holiday in Greece, and to my amazement they bought it. Next time I went on holiday I wrote another piece, and they took that one too. After one or two more I asked the editor about press trips, and she explained to me that I should pitch her with a few ideas, and if she commissioned them then I could go on a press trip, or contact a tour company or tourist board, and they would set up a trip for me. In that way I built up a portfolio of work. I didn’t really think about writing guidebooks, till I got approached to do one to the Yorkshire Dales, which I thoroughly enjoyed researching and writing, and that then led to other commissions, and to me approaching other editors.

Do you have a literary agent? Why or why not?
My last job before I went full-time freelance when I was about 30 was with a literary agent in London. So I’ve always believed that you should have an agent, if you can get someone to take you on. My own agent is Linda Konner, who specializes in food and drink writers, and self-help books. I approached her with my proposal for Cask Strength, and she liked it and thought she could sell it. But she was also an enormous help in improving the proposal. I thought I’d written one that was good to go, but Linda showed me how to improve it, and there were several back and forths and me adding to it or rewriting bits of it before she was happy with it.

Who are your greatest mentors in writing? Authors who have either helped you or inspired you on your writing path?
Number one is and always has been John Steinbeck. Not that I could ever hope to write like him, but when I read Of Mice and Men as a teenager, I was hooked. It seemed to me to be the highest level of writing, and if I could only be 10 percent as good then I’d be happy. Reading good writers always inspires you to do better yourself. My other all-time favorite is Flannery O’Connor, a very different kind of writer. I used to love Hemingway but I re-read some of his stuff recently and didn’t like his mannered style at all. For travel writers, my all-time heroes are Norman Lewis, Paul Theroux and Bruce Chatwin.

Of the forty-plus books you’ve written, which one was the most challenging and which was the most enjoyable to write?
The most challenging was the first guidebook to Greece that I wrote, covering just the Greek mainland. I had to plan the trip (pre-internet days) of about 4-5 weeks, and, never having driven in Greece before, ended up driving some 5,000 miles, including through Athens, and in some remote mountain areas, all the way to the northern border with Albania, and the eastern border with Turkey. There were some hairy moments.

The most enjoyable was after I met my wife and we started writing guidebooks together, as she is also a writer. We were commissioned to write most of an official travel guide for the Rugby World Cup in France in 2007. So in 2006, we did a trip of several weeks around southern France spending several days in beautiful cities like Lyon, Montpellier, and Toulouse. My wife was less interested in touring the sports stadiums, which we had to do and which I loved, but overall it was probably the best trip we’ve ever done.

Tell us about your writing process and your writing routine.
I’ve mostly written nonfiction, so when it comes to books, they have to be worked out in full in advance, in order to sell a proposal to a publisher. When it comes to fiction, I am 100 percent a plotter. I have to know the full story, and know where it’s headed, before I write it. But strangely when it comes to travel writing, it’s very different. I always take copious notes on trips, but never plan out a story. I always need to have an opening sentence in my head before I sit down to write, and then from that sentence I just let it go wherever it takes me, using my notes and photos and my most vivid memories. Luckily that always worked for me. I’m just able to do it, in a way I can’t when writing fiction. I won several awards for my travel writing, so it must have been OK.

I write almost every day and always have several ideas on the go. I used to feel guilty about this and kept telling myself I should focus on one thing at a time, till I went to a talk by Joanne Harris who said she always had lots of projects on the go, at different stages, and she just waited till one of them took over.

Knowing what you know now, what would you do differently if you started your writing/publishing career today?
I think for travel writing, I would focus on my own websites, rather than working for other people. For fiction, in a similar way, I would strongly focus on self-publishing, but go in for it 100% rather than just sit back and wait for something to happen. The more personal control you have over your work, the better.

You’ve written both fiction and nonfiction. How does your experience as a nonfiction writer benefit your fiction writing?
When you’re writing non-fiction you have deadlines, briefs and word counts, and you’d better pay attention to them all. It teaches you that you can’t sit around waiting for inspiration. A newspaper wants 1,000 words by such a date, or a guidebook publisher wants 30,000 words by such a date — and you cannot miss those deadlines. It teaches you to sit down and write, every day, for as long as it takes.

In writing hundreds of travel pieces for newspapers and magazines, I learned that you have to have an opening that grabs people’s attention, then you have to make the piece flow so you never lose their attention. You also have to wrap it up in a satisfactory way. That discipline then carries across to fiction and you can apply it to either scenes or chapters or a whole book. Start it well, keep the momentum going, and then have a good ending that ties things together. Easier said than done, of course!

What advice would you give to writers who are just starting out?
Develop a thick skin as you will probably face rejection after rejection. Almost everyone does — JK Rowling, The Beatles, Stephen King…even Dr Seuss was rejected by 27 publishers but went on to huge and long-lasting success.


Christina Sultan is a former Albuquerque and Santa Fe, New Mexico resident who joined SouthWest Writers in 2022. A graduate of the English literature program at McGill University, Montreal, she has been an avid reader and writer of literary criticism all her life. She interned as a journalist at United Press International before working at the Whistler Question Newspaper and Whistler Magazine. She then went on to obtain a master’s degree in business in California. She was named to Who’s Who U.S.A. in 2007 and devotes much of her time to working in the arts, investments, and the humanities.




An Interview with Dr. Rinita Mazumdar, Part 2

Rinita Mazumdar, PhD is an author and poet and one of the leading feminist scholars in the Southwest. She has taught Philosophy for over 30 years in different locations across the U.S., including the University of New Mexico and Central New Mexico Community College. Her nonfiction book Unspoken Hindu Genocides and Ethnic Cleansing is a translation of Sandip Mukherji’s Noakhali 1946 and was released by Community Publishing in October 2024. Look for Dr. Mazumdar on her blog and podcast, as well as on LinkedIn, Twitter/X, and Amazon. To read more about Unspoken Hindu Genocides and Ethnic Cleansing, go to Part 1 of this interview.


The subject of genocide and ethnic cleansing is a difficult one to approach and to face. What kind of emotional journey did you go through as you read Noakhali 1946 and prepared to translate it?
This was an extremely difficult journey. Most modern Indians grow up with the stories of partition horrors, the genocide, and stories of millions of refugees, and the stories from the medieval torture of Islamic invasion, and the stories of Jwahar (An act that Hindu women of the North Western states did of mass self-immolation together to resist sexual assault and sexual slavery of the Islamic invaders of which the most important story is the story of the invasion of the fort of Chitor by the invaders from Turkmenistan, led by Alauddin Khalji; Khalij’s aim was to subjugate Chitor and abduct the beautiful Hindu Queen Padmini. The king Rana Ratan Singh was killed in a battle, and Queen Padmini with 12,000 women performed the Jwahar).

Nonetheless, when the actual stories of killing were coming live via the translation of Noakhali 1946, it was very hard. This was aggravated by the latest news of the continuous attacks on Hindus in Bangladesh trickling in via the news and social media. The same stories as Noakhali 1946 were happening in Bangladesh as I was planning to translate this book: attacks on Hindu festivals, desecration of Hindu temples, killing, abduction of Hindu girls, using various methods to prohibit them from performing their festivals. There were times when I thought I needed a break from this and go and do something else. Nonetheless, I kept telling myself that I owed it to my people and other people who have gone through similar experiences and to the future generations indeed to bring this out, for a lot of our past and how people responded to these past incidents will determine our future. If we as a human community with our diverse way of thinking and acting and our diverse belief systems must survive and thrive, we must recognize our past, our failures, our successes and how what people did to each other in the past can affect our relationship with each other in the future. So, it is not just a story about Hindu genocide and oppression, but a story about humanity and about our global future.

Interesting, for the first time, I starting to connect with some family members whose parents (or grandparents) fled East Pakistan during or after the partition. Many of their stories were like well-preserved family secrets. When I was growing up, I felt that whenever people started talking about the days of their refugee status, they tried to suppress it. Now I know they felt ashamed and guilty talking about their victim status. I am finding out that it is globally true.

People who have been victims of colonization and genocide feel guilty and ashamed to talk about it, although, they were never at fault for their suffering! For generations they built a life by getting education and wealth. Many in the second generation had well off sophisticated lives and did not wish to talk about this. In fact, their refugee past was an embarrassment. When I started asking them questions, some of them opened up and this gave me a sense of anchorage and a reason to follow through the translation despite the mental agony. It also gave me a chance to investigate some of the intergenerational issues with my mother, who is usually more intolerant of Muslims than I am. I could slowly understand her pain and the reason for her intolerance. I called my mother, who lives in India, to talk about her memories when they had to leave East Bengal (now Bangladesh) to come to a more secure place in West Bengal, the bordering state of India, before the partition of India. She said that my grandfather knew that bad days were coming for Hindus, and they had to leave their homes. Interestingly, she said, that they were lucky that they left Bangladesh before the partition of India; in 1947, 14 million people were fleeing and there was no place in trains or boats to flee. I connected with others who have worked on this and some groups who support Hindu refugees.

What sustained me through this journey of translation was my decision to visit Bangladesh and my ancestral home. It was a difficult decision as my family was scared for my safety; nonetheless, something told me that I had to do this. This journey was very important for me to go back into the past and visit some of the Hindu pilgrimages in Bangladesh, that my mother and grandmother always talked about. I visited several Temples and even those that were destroyed and rebuilt. I visited a Buddhist Monastery built in ancient India that was destroyed and rebuilt. I spoke to many people, both of Hindu and Buddhist faith, who were persecuted and still feel unsafe. They gave me important insights into how they negotiate this daily. With this journey, I felt anchored and empowered to continue my translation work. I felt I was not alone in the world struggling with specters of the past in bringing the past to light, there were thousands of others who were living with these memories but never talked about them.

When did the idea to translate the book first come to you? What was the impetus to finally get started?
I came to know about the book via a message from a friend on social media. The idea to write something on the historical colonization of Bharat is not new for me. I was thinking of it for a long time and doing my research on this issue. When I read Noakhali 1946, I decided to start by translating this book. The Hindu genocide in Noakhali is a watershed that brings the past, present, and future of Islamic colonization of Bharat, and of Asia in general; reading this, one gets a sense of a seamless history of the brutality of forced conversion, the breaking of the Temples, and the taking of millions as slaves to the Middle East.

The issue perhaps that is most important here is the phenomenon of forced conversion as part of that invasion. For often Muslims in the Asian nations like Afghanistan, the Indian sub-continent, Malaysian, Indonesia, etc. are negotiating their present Islamic identities and their Hindu and Buddhist past from which they often derive many of their cultural practices. This is possibly the case in Africa where Islam came in first with the merchants and then via the sword. Often Muslims in the sub-continent are not regarded as “pure” Muslims by those in Arabia, because they have retained some of their past cultural practices. Efforts are made to transform their identities into strong Muslim identities. This process is not just something on the local or personal level but will have a global impact on inter-faith communications, relations of nations in many parts of the world and indeed the entire global politics. So, when I read this book, I had the idea immediately to translate it for a global audience and use this as a platform for further research and writing.

The impetus was the continuous trickling in of the news from Bangladesh of harassment of Hindus, the killing, the burning of Hindu homes, the iconoclasts, the desecration of their temples and festivals. Again, this is not merely political, but personal for me, for Bangladesh, a place that passed through two identities. In 1947 it was a state in India, Bengal, and then a state in Pakistan, East Pakistan, and then an independent nation, Bangladesh. Again, all this is personal for me, as this is where my forefathers were from and where they overnight became Kafirs or unbelievers and had to leave. Furthermore, the impetus came from the ongoing conflict of Hindus and Muslims in the sub-continent. The hatred of Muslims towards the Hindus and vice versa form a background narrative of the daily lives of people in the Indian sub-continent and round the globe. All these conflicts are rooted in the past and the Noakhali 1946 genocide was one of these moments and a vital confluence of the past, present, and future.

In addition, another impetus was my interest in the philosophy of Ahimsa of Gandhi, something I also talk about in my classes. To fight against the British Raj, Gandhi used the method of Ahimsa, loosely translated as nonviolence. This is also the same method he tried to use in Noakhali in the face of extreme brutality faced by the unarmed Hindus. As I did my research on Ahimsa, I realized that Ahimsa was not merely nonviolence, as most believe. It is a complete transformation of the Self. It involves an acknowledgement of the existence of the other in the fullest sense. In its purest form, Ahimsa is a type of Yoga that must be practiced continually. The more I read about how Gandhi advised the victims (Hindus in Noakhali, especially Hindu women), the more I was intrigued and felt I either did not understand the philosophy of Ahimsa or Gandhi was completely wrong in his approach in dealing with extreme brutality and oppression. I wanted the world to judge this philosophy for themselves by reading about its application in Noakhali and thinking if in the present world Ahimsa is a viable form of resistance. This gave me a further impetus to translate this book.

Do you have a favorite quote from Unspoken Hindu Genocides and Ethnic Cleansing that you’d like to share? Or one that gets to the heart of the whole?
I think my favorite quote from the book is a lecture from Pir Golam Sarwar, as it summarizes the reason for the killings and is the pillar on which the past, present and future Hindu genocide is based.

“Sarwar took the microphone and started speaking. He said, “Alhamdulillah! We are Muslims, we have two types of countries. Dar Ul Islam and Dar Ul Harb. In 1803 when the British captured Delhi then the famous Alim Shah Haji gave a fatwa that the nation is now a Dar Ul harb. It is not of a Muslim to accept Dar Ul harb. It is said in the Quran. Now the Europeans will leave this nation. In their places will come the Musrik (h)indus…. Muslims can never live under Musrik (H)indus. (H) can never live in Pakistan. Only Jews and Christians can stay there as dhimmis paying Jiziya tax. But Musrik (Hindus) are dirty, and profane. They have no place in Dar ul Islam. We will not accept their idolatry. Our Prophet broke all the idols after occupying it, so that no one can make idols, it is your duty to destroy all the idols, and the Monasteries and Temples. If we break their temples, it will break their guts. Then everyone must read the Kalima (or the five pillars of Islam), and they must be fed beef. We must do this work together. But not everyone will accept your words. A spear must be pointed at their chest. If they refuse, then a couple could be killed. …As the Sura Anfal says, In the booty, the wives, and daughters, of the (H)indus are also yours… you can do whatever you wish…But yes you must give all the booty to the Amir…” (Unspoken Hindu Genocides and Ethnic Cleansing, pp. 28-29).

This is not only my favorite quote but also historically and politically the most important quote that bring history to the present. This quote shows that it was not a one-time killing of Hindus in a place called Noakhali, now in Bangladesh at that time part of India. It is a planned annihilation of an entire civilization, called Jihad. The word “Jihad” comes from the Arabic word Jahada meaning “strain,” “exertion,” “endeavor” on behalf or for the sake of something. Jihad is translated by E.W. Lane as “the using, or exerting one’s utmost power, efforts, endeavors, or ability, in contending with an object of disappropriation… namely a visible enemy, the devil, and one’s self.” There are three senses of the term Jihad:

Jihad bi al-nafs: Jihad against one’s sinful inclinations.
Jihad Al qwal: Preaching of the tongue.
Jihad bi al-sayf: Jihad of the sword.
∙ The last is the greater Jihad as opposed to the first, which is the lesser Jihad.
∙ Most mainstream Sunni tradition takes Jihad in the last sense.

This is important for us globally to be how some systems of colonial power work. It wants to bring the entire world under one faith, one law, and one State with no diversity, no pluralism. It is important to note that in the Islamic Jurisprudence there are two main types of lands, Dar Ul Harb, the ungoverned land, and Dar Ul Islam, the governed land with (Islamic) laws. There are “in between” lands, like the Dar Ul Sulk and Dar Ul Ahd, these are the lands of covenant or truce. A Muslim is not allowed to live in an ungoverned land or Dar Ul Harb, but momentarily can live in Dar Ul Sulk and Dar Ul Ahd, until a Jihad is declared and then society is transformed into Dar Ul Islam, the Utopian land governed by Islam and everyone submits to Islam. In this sense, parts of Africa, India, Europe, and other continents are all Jahiliyas, that is pre State lands that have to be transformed to “civilized ones.” Jahiliya is much like Hobbes’s State of Nature and have to be eventually transformed into a civilized land. This idea is not much different from other colonial mission of “civilizing the natives.”

The entire idea from the first Islamic invasion in a military campaign led by Muhammad ibn Qasim al-Thaqafi in 711 CE. was the establishment of the Dar Ul Islam. So the Jihad or struggle to annihilate the last ancient civilization is the real aim and Noakhali 1946 is only a symptom. We cannot understand Jihad as terrorism, but a highly structured and organized system of power that makes it a moral duty of every Muslim, as prescribed by their faith. Of course, one could say that it all depends on how one interprets the scriptures. Nonetheless, we as Kafirs see the playing out of violence on our lives via colonization and genocide and that is what makes sense of us. Via the use of the word “Musrik” and (H)indus, cutting of the “H”, the Pir is already “othering” a group of people, who can then be annihilated and that it is the moral duty of Muslims to do so.

Tell us how the book came together.
My publisher, Community Publishing, published a poetry book prior to this. It took me over a year to translate Noakhali 1946. A student, who is interested in Hindu genocide, helped me with some of the editing. Prof. Lakshmi Bandlamudi wrote the foreward. The actual publication took longer than expected as the printer had some issues with the formatting and the cover. Nonetheless, it was solved after a six week delay and Unspoken Hindu Genocides and Ethnic Cleansing was published in October 2024.

What writing projects are you working on now?
I am writing on the Hindu Genocide in Kashmir, Sindh (now in Pakistan), and the genocide in East Pakistan (now Bangladesh), with special emphasis on forced conversion and occupation of Hindu women’s womb. I am specially focusing on how Kashmir, the seat of Hindu civilization was Islamized over 700 years and now how slowly the last of the Kashmiri Hindus who were forced to leave in the 1990s are trying to rebuild some of their past. I am also trying to research on Muslim identities in Asia, who have been converted a couple generations ago and follow many Hindu and Buddhist traditions and how they negotiate some of the conflicting features of their identities, and what it means for them to be a “Muslim.” I am also building communities with Yezidis of Iraq and some of the African people who have kept memories of their pagan pasts alive via research into the trans-Saharan African slave trade, the brutal castration of African slave boys, and the history of eunuchs. This feature is specific to the Islamic colonization. My research interest is, what was the life of these eunuchs once they were castrated? Did they have any pleasure after castration? How did they negotiate their identities and sexuality?

Is there anything else you’d like readers to know?
Both Noakhali 1946 as well as my research have implications for the future of our earth. The conflicts between Jews and Christians and Muslims are, I believe, a political conflict; the conflict between Hinduism and Islam, on the other hand, is an ontological one and it is the ultimate conflict. In fact one of the Hadiths in the Quran says that the last Gazwa or raiding will be the land of the infidels, India or Bharat. Why? If we go through the history of Islam in Arabia, we will see that the Prophet of Islam was neither a Jew nor a Christian, although there were minority Jews and Christians in Arabia at that time. The Prophet belonged to the Quraysh tribe who prayed in the Temple of Hubal (now the Ka’baa, the most Holy site of Islam) to Hubal and the three Goddesses, Al Manat, Al Uzzat, Al Lat. Then, after his marriage to Khajida, a local wealthy widow, the Prophet was influenced by Waraqah ibn Nawfal, an elderly cousin of Khadija, who converted to Christianity, and inspired the Prophet to follow monotheism. The Prophet went to meditate on Mount Hira and heard some voices and revelations about a new faith. He related this to Waraqah ibn Nawfal who told him to rely on what he heard. The revelations said that the Prophet was born to teach a new religion, following the teaching of Prophet Abraham, and reform Prophet Abraham’s teachings. Interestingly, there was a monotheistic system in Arabia at that time, Hanafi, which was adopted as one of the Jurisprudences in Islamic law, apart from Hanabali, Salafi, and Maliki. The Prophet was not very successful in spreading his new religion, he was persecuted for it. Some of the new converts fled to Christian Ethiopia. The Prophet with his followers performed a Hijra or migration to Medina. Then after several Gazwa or raiding on Meccan caravans, of which the Battle of Badr is decisive, he was able to win over Mecca and the Temple. After one unsuccessful attempt, the Prophet with an army of 10,000 went to capture Mecca and converted the most influential person, Abu Sufiyan, destroyed all the idols of the Temple and converted it to the Ka’baa.

The above history is important for us, for it shows that the primary antithesis of Islam was the polytheists, his tribe Quraysh and their Gods and Goddesses, very similar to Hinduism. It is also important to note, that the Hubal, probably a descendent of the Canaanite God Baal, was a God of fertility with a crescent moon and whose mound was a bull. This is what the Hindu God Shiva is. He is the Supreme destroyer, who wears the crescent moon on his head, and rides the bull. Probably, both Gods symbolize fertility which is why the bull is the mound. Hence, ontologically, Hinduism is the primary antithesis of Islam. The call of Gazwa I Hind or the Gazwa Tul Hind, the battle for Hindustan or Bharat (India) will be, according to one Hadith, the last most bloody battle, after which a world Caliphate will be established. All these are of course part of a story, like in all scriptures, nonetheless, we cannot take these lightly and brush it aside, for many take this as the coming history of the world. This is important for us in the present scenario of world politics and conflict and who will take which side and how the future of the world will be settled.

Noakhali 1946 (Untold Hindu Genocides and Ethnic Cleansing) is not just a genocide of Hindus and the danger of Hindu existence. It is a historical document about the future of humanity and global peace. I hope this book will encourage readers to do more research on the origin of Islam, the meaning of Jihad in Islam, and how those who dream of a global Caliphate via Jihad, think. It is a book that should make us curious about the days and how in a world that is fast globalizing and transforming. I was brought up where culturally there is belief amongst people in rebirth and cyclic time. In feminist theory, too, we talk about cyclic times. If rebirth is true, then it is possible we will all be back again in a different form in a different place, maybe as a tree or an animal. In whatever form, in whatever race, ethnicity, or faith we come back, one thing is certain, our lives, including those of nature and animals are interconnected and we cannot ignore each other or our past, however brutal that is. It is our connection to each other, friends or foes, in this or past lives, that shapes our identities. This is why, these stories have to be told and retold. They are the glues like the Vedas, Ramayana and the Mahabharata, that binds us, Hindus, Buddhists, Muslims, Christians, Zoroastrians, whites, Africans, Natives, mammals, birds, plants, or trees. Our future lies in our effort and intention to create a space where we can live with differences and talk of past injustices and still be at peace and harmony with each other.


KLWagoner150_2KL Wagoner loves creating worlds of fantasy and science fiction. Her current work in progress is The Last Bonekeeper fantasy trilogy and short stories in the same universe. A member of SouthWest Writers since 2006, Kat has worked as the organization’s secretary, newsletter editor, website manager, and author interview coordinator. Kat is also a veteran, a martial art student, and a grandmother. Visit her at klwagoner.com.




An Interview with Dr. Rinita Mazumdar, Part 1

Rinita Mazumdar, PhD is an author and poet and one of the leading feminist scholars in the Southwest. She has taught Philosophy for over 30 years in different locations across the U.S., including the University of New Mexico and Central New Mexico Community College. Her nonfiction book Unspoken Hindu Genocides and Ethnic Cleansing is a translation of Sandip Mukherji’s Noakhali 1946 and was released by Community Publishing in October 2024. Look for Dr. Mazumdar on her blog and podcast, as well as on LinkedIn, Twitter/X, and Amazon. To read more about Unspoken Hindu Genocides and Ethnic Cleansing, go to Part 2 of this interview.


When you began translating Noakhali 1946, what did you hope to accomplish? By the end of the journey, do you feel you were successful in your goals?
By translating this book, I hoped to bring to the global audience an intensely personal story that is also 100% political, based on the shared experiences of millions of people on this planet for over eight hundred years. Noakhali 1946 (the original Bengal title of this book, which is how I will refer to the book in the rest of this interview) is a watershed in the history of the Indian sub-continent and indeed the human history of a people’s tragedy, horror, resilience and survival.

Little does the outside world know the story of the Hindus and Hindu civilization. The Hindu journey, covering 6000 years, spatially stretches from what is now Afghanistan (depicted as Gandhara in the Hindu epic Mahabharata, the world’s longest poem), Pakistan, India, Bangladesh, Myanmar, stretching to Khamboja (Cambodia) and Indonesia is not only a history of the Vedas and the millions of philosophical sutras and art and architecture, but also one of persecution, forced conversion, genocide, iconoclasm, abduction, humiliation, culminating in modern time in the brutal partition of a land considered sacred by millions, India, that they know as Bharat (I will refer to India both as India and Bharat subsequently; India is also called Hindustan, the land of the Hindus) into India and Pakistan (West Pakistan and Bangladesh) in 1947; a division where 99% of the people had no choice and almost no Hindus had consent. I wanted to tell that story as it is unique in world history for its civilizational continuity. It is a story of my people who showed tremendous resilience, an unwavering faith in their own belief system, and their strength to sustain a wounded civilization and reconstruct it from time to time.

According to anthropologist Levi Strauss, myths give structure to absurdity; probably it is the millions of stories and myths passed from generation to generation that maintained the continuity of this culture despite numerous invasions, conquests, and brutalization. It is a story that the world needs to know how sacred text, epics, and tales constitute the glue and backbone of this continuity. In this long civilizational history, Noakhali 1946 has an important place as it marked the history of the past, present, and future in a moment by being the catalyst to India’s independence in 1947 and her entry into modernity at the same time, creating two nations out of one, a land of believers, Pakistan, and a land of Kafirs or unbelievers, India. It is a trauma of not only lost homes and of displacement and killing but also of realizing that despite their numerous deities and long philosophical traditions, they are Kafirs, unbelievers, and “others” with whom the followers of one true faith, Islam, cannot live in the same space. It was not only a history of partition, but also a history of the largest movement of human beings, refugees, across borders.

An estimated official record says that 14 million people were displaced and were refugees in 1947 during India’s independence and the partition. A legacy of this brutal partition was carried on again in 1971 when Pakistan was further divided into Pakistan and a new nation Bangladesh after a decisive war between Pakistan and India when India helped the Bangladeshi Mukti Bahini, the guerrilla freedom fighters to win their freedom against a brutal oppressive Pakistani regime. This time an estimated 10 million refugees moved into India from East Pakistan. This also is an important event in global history. India won the war led by Mrs. Indira Gandhi standing against the U.S. continuous support of Pakistan and its army by supplying weapons and logistics by President Nixon. The wound of 1947, the partition, was partially healed when India won the war and made Bangladesh into a free nation. The historical Noakhali genocide foreshadowed the coming war of 1971, the biggest after World War II.

I hoped by reading Noakhali 1946 people in the West would get a sense of how an ancient civilization was brutalized and yet how the world still has not recognized that brutality and how despite resistance from religions like Islam and Christianity, the Hindu faith is still the third largest in terms of followers in the world.

On the personal side, I wanted to tell my story and hoped to build bridges with others whose stories of civilizational memory are still hidden. I wanted to build a bridge with colonized people whose stories are being told, or had never been told, by telling our stories of invasion, forced conversion, and genocide. After 1947 each family in Bharat had a story that is different nonetheless, woven in a thread of loss, trauma, and the realization that they could never return to their place of birth. My mother’s family, landowners and wealthy, had to flee the Hindu genocide happening in 1947 in the Eastern part of Bengal, where Noakhali was situated, a continuation of the Noakhali 1946, and which eventually became East Pakistan after August 1947. Except my mother’s uncle (my grandfather’s older brother) and his wife, the entire family fled to India. Overnight, wealthy landowners became penniless refugees, surviving on the small stipend from the Indian Government. Those who were not that lucky got killed or had to convert to Islam.

Noakhali 1946 had an additional interest for me. My paternal uncle was in Noakhali in 1946 with Gandhi. Gandhi called upon young men and women to participate in assisting the victims of Noakhali. My uncle joined him and spent a year in Noakhali, worked with Gandhi’s team. We grew up hearing some of his experiences, although looking back, I realize that he did not give up a full picture of how Gandhi used his philosophy of Ahimsa, loosely translated as nonviolence and did not fully succeed. In addition, in Calcutta, where I grew up and went to college, a metropolis in the Eastern part of India, bordering Bangladesh, where once were open fields was completely inhabited by Hindu refugees who fled during the Noakhali genocide. The trickling of Hindu refugees did not stop once partition happened in 1947. Hindus, Buddhists, and all other persecuted minorities fled East Pakistan and Calcutta, and the rest of India gave them shelter during and after Noakhali in 1947, 1950s, and 1960s. Then came another shock wave of ten million fleeing during the Bangladesh liberation struggle in 1971 that saw one of the world’s most brutal genocide and mass rape with Hindus as specific targets of the Pakistani army. Even after the liberation of Bangladesh from Pakistan, the story remains the same, Hindus were coming in from the neighboring Bangladesh in 70s, 80s, 90, 2002, 2021, 2024….

All this formed the background of my growing up and shaped my consciousness. These also are my reasons to translate Noakhali 1946. I hoped to build a community with similar personal stories of persecution, loss, and brutality around the world by translating this book. I hoped that others who are in this situation now, evicted from their land, persecuted, facing ethnic cleansing and genocide will slowly tell their stories. For it is only our personal stories that can create a sense of community. I am in touch with the Yezidis of Iraq, with similar histories, and some other native communities in Central America, but Africa, with similar histories, must work harder to reach out to more people. I am talking about this book getting translated into other indigenous languages so that more people can see how our communities are connected.

I cannot say that I have fully accomplished my aim in either making the world aware of the brutal history or our resilience nor building cross cultural communities with similar histories, nonetheless, I think it is a start. Hindu genocide, as, unlike other genocides, is an ongoing process.

According to Raphel Lemkin, “… the destruction of a nation or an ethnic group… generally speaking genocide does not necessarily mean the immediate destruction of a nation, except when accomplished by mass killings of all members of a nation. It is extended rather to signify a coordinated plan of different actions aiming at the destruction of essential foundation of the life of national groups, with the aim of annihilating the groups themselves.

Noakhali 1946 is just a symptom. The aim of Hindu genocide is to completely eradicate the Hindu civilization. To make that clear to the reader is a daunting task. With the publication of this book and many articles coming out, I am hoping that slowly the past genocide and the aim will become clear to the global audience. I am not alone in this effort. Across University campuses in North America and other places the Hindu Student Council is trying its best to pass on this history onto the next generation. I hope one day this will be a part of the public discourse in the West and we will be able to accomplish the task of building global communities with shared experiences and proceed in our healing process.

In every language certain words, phrases, or concepts don’t translate well. How often did you encounter this dilemma with Noakhali 1946, and what are some examples?
This was one of the biggest challenges in translating this book. I did my best to translate the book as it is given. When there were words that needed to be explained, I put a footnote so that readers can read those. There are several footnotes in the book, not only of words but also of cultural events and cultural icons, deities, so that the readers are able to put them in context. For example, this genocide started after Pir Golam Sarwar, an Imam, gave a call to annihilate all the Hindus in Noakhali. This happened in the first week of October and he said that the Prophet called for an action against the idolators of Arabia in Badr in the same month of the calendar of that time in Arabia. This battle was decisive in Islamic calendar as it eventually led to the Prophet’s army to capture Mecca and the Temple of Hubal and the Goddess, Al Manat, Al Uzaat, Al Lat, and convert the polytheists of Mecca to Islam and turn the Temple in the Qa’baa. Interestingly, as per the Hindu soli lunar calendar, this is the month that Hindus celebrate their largest festival, the festival of Goddess Durga, the demon slayer spanning nine days and culminating in Diwali, the festival of lights. Also, about a week after the festival of Goddess Durga comes the festival of Goddess Laxmi, the Goddess of wealth and prosperity. The mayhem and destruction of Hindu households and temples started on the night of the festival of Goddess Lakshmi. To explain the significance of these events I put elaborate footnote in the battle of Badr in Arabia and the Hindu festivals of Goddess Lakshmi, including her image.

What are some surprising facts you discovered while doing research for this book?
One surprising fact is Gandhi’s reaction to the Noakhali Hindu genocide. We who grew up in India knew from our history lessons about Ahimsa that Gandhi taught. It was more a lesson in theory than praxis. In translating this book, I was amazed how Gandhi applied this. In Noakhali 1946, we read about Sucheta Kripalani, an activist, who later became the Chief Minister (Governor) of Uttar Pradesh, a state in Northern India. She was in Noakhali in 1946 and worked with the victims, especially women. She recounted the absolute degradation of Hindu women and her own life during this time. Her husband, Professor Kripalani, was a politician and activist, and he said in an interview that Gandhi advised Sucheta to carry potassium cyanide and consume it if she was sexually assaulted by a Muslim mob! Is this the kind of Ahimsa resistance that Gandhi was preaching? Also, even when Hindus were being forcibly converted and babies were thrown into fire and killed, Gandhi told them to maintain calm and harmony! This was very surprising, for I thought Ahimsa was a general practice of nonviolence, but did not include this complete passivity on the part of the victim.

I did more research on this issue and saw that Gandhi did the same thing in the Moplah genocide in Southern India in 1922. Moplah is a place in the Malabars, along the coast of Southern India, where in the 12th century some Arab merchants and their families settled. Under their influence many Hindus converted. In 1922, some of them revolted and wanted the Hindus who owned land to convert or leave. When they did not, they were killed. Gandhi said it should be seen as part of the class struggle against landowning Hindus and should be forgiven! He had no explanation of why only Hindu landowning people and not Muslim landowning people were killed! Throughout, he only gave advice to Hindus to be patient, especially Hindu women, who had suffered most and said they must practice Ahimsa, even when they see their children being butchered. Translating this book showed me the irrationality of the entire philosophy of Ahimsa. Nonviolence is certainly, I believe, a better option than violence as a form of resistance; nonetheless, it is also a duty to preserve oneself. I wonder how Gandhi reconciled it in his philosophy of Ahimsa.

Another fact is the number of forced conversions, and the method used to do it. The method was the same everywhere, in Sindh and in Kashmir: First they force fed a Hindu beef, a prohibited meat for Hindus, then they made him read the Kalima, the five pillars in Islam, break an idol, and be declared a Muslim, usually by an Imam. Also, another thing that is surprising is the gendered nature of this conversion. The above type of conversion was/is for men only. For women, it is either rape or forced marriage with a Muslim man, and the process of conversion was complete.

What was the most rewarding aspect of putting this project together?
According to psychoanalytical theory, when the ego is overwhelmed by painful memories, usually, a mechanic called repression works and that memory is repressed. Later sometimes the memory returns covertly in the form of a metaphor. In the gaps and silences when talking about the partition, genocide, forced conversion, and iconoclasts, I felt that people in my family were often silent and there were gaps. Now, when the stories are coming out and when several of my family members have read the book, they are starting to talk about it openly. This has been rewarding for me and for the family in general. Another rewarding thing is that people from outside the Hindu communities with similar past histories are coming out and reading the book. This is a global issue, and one needs to reach out in order to overcome the feeling of guilt, shame, isolation and loneliness that these painful memories bring.

What did completing this translation teach you about yourself?
It taught me that as a person I am very resilient. I have gone through ups and downs in my life and have come out of them. Working on this book and doing all the research for this book, I realized that I am, like my people, strongly resilient. Many of my extended family who suffered forced eviction and terror in 1947 and in 1971 fled to India, struggled to bring up their children, and now the third or fourth generations are very successful here in the United States and in many places round the world. What sustained them was a strong faith and belief in their own community and in humanity. I also realized that I have strong faith in human beings, despite all the tragedies and conflicts that surround us.

What do you hope readers will take away from the book?
First, while translating this book, I researched on Jihad, as I described above, as a colonial process in the African continent and the Indian sub-continent. Although my research is in no way fully comprehensive, I have reached certain tentative conclusions about this process which I would like to share with the readers. Jihad, as portrayed by the popular media, is not terrorism, but a highly organized network of power, a colonial system that aims at establishing global hegemony. In this sense one could compare it to other global hegemonic powers, like global capitalism or global communism, who want total domination of the globe. Jihad is also intricately linked to racism and the idea of a supremacist philosophy that aims at bringing the entire world under a Caliphate via violent means. Although, it is a utopia at this moment in history, nonetheless, it is possible that it will infiltrate our everyday lives and will change many things we take for granted.


KLWagoner150_2KL Wagoner loves creating worlds of fantasy and science fiction. Her current work in progress is The Last Bonekeeper fantasy trilogy and short stories in the same universe. A member of SouthWest Writers since 2006, Kat has worked as the organization’s secretary, newsletter editor, website manager, and author interview coordinator. Kat is also a veteran, a martial art student, and a grandmother. Visit her at klwagoner.com.




An Interview with Author R.M. Tembreull

R.M. Tembreull is an author, an artist, and a twenty-six-year veteran of the U.S. Air Force. His life experience and love of the natural world informs his writing and led to the concept of telling his stories through the eyes of a sentient planet. Fractured State in the Blighted Earth (Atmosphere Press, September 2024) is Raymund’s debut eco-fantasy novel and the first of a nine-book series. Look for him on his website TheBlightedEarth.com, on Instagram and his Amazon author page.


What would you like readers to know about the story you tell in Fractured State?
From my lens, we are currently facing a convergence of extremes — of thought, ideology, emotions, climate, violence, etc. — which present a complex set of asymmetric conditions. One could think of it as a synthetic virus, but at the very least, an affliction challenging human existence. One might say this collection of extremes is humanity’s blight. So, I would ask my readers to ponder the following questions as they read Fractured State in the Blighted Earth: Are homo sapiens not the dominant species? Is it not our duty to address this multi-source affliction on behalf of the planet? If you looked at Earth Mother as one living body as she is described in Fractured State, She is hemorrhaging, and who would be in the best position to staunch the bleeding if not Her most gifted children?

By reading Fractured State you are starting a journey into a fantastical world which largely exists outside our known reality and beyond the limits of human perception. I sincerely hope the journey brings you as much entertainment and enjoyment as it did me in the creation of it. While giving you opportunities to think critically about our world, it challenges, and what you could do to cure the blight!

When you began writing this novel, what did you hope to accomplish?
Fractured State is only the beginning of an epic journey in a series which is currently planned to be nine novels. Book one is very much a stage-setter for a supernatural saga, introducing the reader to a world within a world, establishing a primary story arc, and introducing characters; some of whom will not play major roles until later books. As with all world building endeavors, I hope my story keeps the reader engaged, and I make a plausible case for how we could arrive at a continent on the environmental brink and a once proud nation becoming the “Fractured States of America.” I aspire to accomplish this through an artful blending of real-world events and science-backed facts combined with the actions and influences of powerful supernatural beings and timeless universal entities. Some of the feedback I have received from reputable review agencies since release would suggest I was successful in my goals, but whether I can successfully reach a wider audience (and my stories and messages resonate with readers out there) remains to be seen.

Who are your main characters, and what hurdles are they trying to overcome?
Some of the main (enduring) characters for the series are only introduced in Fractured State because they have expanded roles in the story arcs of future books. I also want to highlight that all the characters (except for the Texas-based ones, e.g., Arden, Daryn, Mack, Komkom, Dóatn, etc.) were either prominently featured or referenced in the stories of my first book (Stories, Legends, and Truths from the Blighted Earth). Here is the “short list” for Fractured State:

  • The Mothman: In general, the Mothmen are an ancient alien race, the Inani, whose existence can be traced back to the early universe. The Mothman reference ties them to Earth lore, but they live on a world on the “dark side” of the universe at the center of the cosmos. The Inani are governed by a technocratic society where citizens are organized into hierarchical task classes. The Inani must consume matter from the living side (our side) of the universe to sustain their way of life.
  • Kieran “Arden” McBride: Arden is a disabled Iraq combat veteran who suffers from Traumatic Brain Injury, among other things. He was homeless for a time until he was taken in by the Daryn, the Archdruid of the Druids of Hearthstone Grove in Austin, Texas. Arden serves as his grove’s protector, and with Daryn’s help, has become aware of and is beginning to understand and develop the special abilities of the “Hate-eater.”
  • Ithilbor Moonfist, the North American Guardian Spirit: Guardian Spirits occupy the highest rung on the Hierarchy of Sentience, short of Earth Mother Herself. Guardians are aligned with the Epoch in which they serve. Epochs are distinguished by the planet’s dominant species, and Guardian Spirits are created to blend in with and live among them. The current Epoch is that of humankind.
  • Nilch’i, Sentient Wind: Nilch’i is Chaos’s top field general and commander of the Formless Column of his army, the En’troop-EE (“EE” = Effector Elements). Though Chaos is a powerful entity whose existence can be traced back to the beginning of the universe, he cannot directly impact any world. Thus, he must work through the sentient denizens of a planet to achieve his destructive aims by corrupting them to his cause. Chaos indirectly wields the wind and fire elements through his Corrupted Formless.
  • STEM, the displaced Earth Elemental: STEM is an elemental who suffered a “Dislocation event,” which typically happens when an elemental is transiting their meta’en absent form. Their spirit essence becomes entrapped in some variant of the Manmade; such as urban environments that are constructed from a host of unnatural, human-manipulated materials, or in STEM’s case: the Internet.
  • Komkom “Kwin” Akwini, the Tree Spirit: Komkom is a subspecies of Earth Elemental, who has chosen to permanently manifest within a tree form. Kwin’s assigned protectorate encompasses the whole of Sam Houston National Forest in Texas. After Texas violently secedes from the Union and begins to hunt down non-Christians, Kwin provides sanctuary to the druids of Hearthstone Grove.
  • Parim, Earth Elemental: Parim, a subspecies of Earth Elements known as a Sand Spirit, is assigned to protect what humans call the United States’ desert Southwest. Because the Guardian Spirit Ithilbor is fully engaged in dealing with Formless-driven wildfires up and down the West Coast, he has charged Parim with organizing a holding action in the Southwest to blunt any aggression and violent expansion activities by the seditionist “Lone Star Nation.” Parim and Nilch’i are long time nemeses.

What is the main setting of the book? Why is it the perfect place for your story to unfold?
To set the table for the storyline, I needed the right set of conditions for Chaos to exploit in His relentless pursuit to initiate the Great Cascade and bring about the Discordant on Earth. In the United States, the makings of environmental catastrophe (extended drought, wildfires, natural habitat erosion, human over-settlement, etc.) have been present and worsening for some time with climate change driving more destructive weather extremes. Additionally, the novel was written during the trials and tribulations we all endured during the COVID pandemic and the unfortunate events in the aftermath of the 2020 Presidential election. When coupled with all the global threats, conflict, and uncertainty which have emerged in the last few years, along with their corresponding negative effects on our collective state of mind and emotions, the real world itself provided all the drama and necessary ingredients for ruinous potential on a continental scale. The final step was to inject the enduring struggle of otherworldly entities and supernatural beings into volatile mix—and viola—I had everything needed to create the “fractured state.” During the writing process, very little changed in the overall national setting, but local places, encounters, and characters within Arden’s story arc evolved as I achieved greater fidelity on the Druid’s supernatural powers and the overall impact I wanted him to have in the series. These considerations drove the choice of settings and locations within the state of Texas.

What was the most difficult aspect of world building for the Blighted Earth series?
The most difficult aspect of world building was developing the rule set which governs my fictional world. Without them, the story has no guideposts or structure, and even fantasy needs rules. If anything can happen without any corresponding cause-and-effect or impact, then nothing really matters. That makes it hard for a reader to become invested in the story and the characters. In Fractured State, the Earth-born characters all possess an immortal spirit essence or soul gifted to them by a sentient world (Earth Mother). Consequently, all life on earth progresses through many lives, and ideally, each of us can earn the privilege of becoming a High Sentient in service of the Natural Order by living well during our life chain. I even had to develop my own universe creation myth to explain everything from the origin of the alien race; to how life in our galaxy came to exist; to how the cosmos is structured and functions, etc. Fortunately, for me, the heavy lift for my world building and character-type development occurred in the writing of my first collection of stories. So, Fractured State, for the most part, just had to follow the rule set and employ character types that were already developed.

How did the book come together?
Strangely enough, other books in the series were written first. In fact, the first four books were originally intended to be one book, but it would have been far too long (especially for publishing as an indie author, where you must do a lot of the work yourself). Most of the formative writing happened during the lockdown associated with the COVID Pandemic in 2020. Fractured State was primarily written after the drafts for Books 2-4 were finished.

In terms of project timelines, it probably took about six months for the first draft. I signed a contract with Atmosphere Press in July 2023. After developmental editing, proof editing, interior and cover design, and pre-release promotion work (with multiple reviews/edits in between), the book was released on September 1, 2024. So, in total, I estimate the whole project took over a year and half, excluding gaps associated with work obligations and other projects.

What was your favorite part of putting this project together?
I think my favorite part of this or any other writing project is the beginning: the process of initial, raw creation when you have a concept and need to add the literary “meat on the bone” from idea to actual story. When I am in that creative flow, ideas can come from anywhere, at any time. I have lost more than my fair share of genius thoughts, so I always carry a notepad or some way to capture story ideas, potential research sources, etc. I just love being in the flow. I sometimes get lost “in there” for a couple hours and come out on the other end with 10-15 rough draft pages of potential greatness. Few things in this world drive you to be present in the moment inside your head like writing!

Explain what eco-fantasy is and why Fractured State fits in this genre.
Eco-fantasy, like any good fantasy, involves intricate world building but the created world does not involve one that is separate and distinct from our own. In achieving this, eco-fantasy authors must look inward vice outward. However, because this genre has ecological underpinnings, the world is centered in the natural world even though it involves supernatural forces and beings. Technically, I would describe eco-fantasy as speculative fiction which melds dystopian climate-change, the supernatural, and mythology and folklore to create a world within our earthly world. Finally, on a more serious note, eco-fantasy also seeks to highlight and engage readers to think critically about global challenges in the interests of preserving our planet through maintaining healthy biodiversity and a balanced relationship with nature. When assessed against this criteria, Fractured State in the Blighted Earth exemplifies the very definition of this new genre.

Your 2023 book Stories, Legends, and Truths from the Blighted Earth is a collection of short stories from the same universe as your 2024 novel. What were you trying to accomplish with these stories, and should readers read this book alongside (or before) the novel?
My 2023 story collection progressively knits together the world of the Fractured State with stories that feature everything from a universe creation myth to stories revealing the different character types to how the supernatural world imbedded within our own works. Every world-building exercise needs to establish a set of rules that governs the world. The story collection accomplishes this complex task by unveiling the hidden world through presented artifacts which are intended to draw the reader in. Stories, Legends, and Truths is a diverse collection in which there is something for everyone regardless of preferred genre. Reading the collection first will provide additional insight and enrich the experience of reading Fractured State, but the novel was designed to stand alone.

Tell us about your writing process and/or your writing routine.
I can say I am most productively creative in the morning so that is when I try to carve out time for “real” — initial draft — kind of wring. Ideas seem to flow the best then; probably because I have not allowed myself to get bogged down with the day’s tasks and stressors. I reserve later parts of the day for more tedious activities, like reviewing/editing manuscripts, working on promotions activities, updating websites, etc. I typically work on illustrations and social media posts at night, because I can work on that stuff while the TV is on, etc. I still work full-time, so I must work all this in around my professional obligations.

Do you have a message or a theme that recurs in your writing?
I explore several themes in Fractured State, and to me, some of the more important ones are: human belief systems and the huge impacts they have had on the environment and biodiversity of world; adverse impacts of our technology; rise of incivility in human civilization; storytelling being co-opted to insidious ends; and the process of radicalization and the rising threat of ‘homegrown’ violent extremists to our American democracy.

What writing projects are you working on now?
I am working on the second book of the series, Long Leg from the Blighted Earth, which will unveil a new story arc and more amazing characters. The Long Leg manuscript is completely knitted together, and I am about 50 percent complete on what I call a fine editing run. Like Fractured State, my second novel will also be illustrated so I am concurrently working on the artwork as well. I plan to have the book published in late 2025. I am also working on a heavily illustrated novella entitled Green Girl that follows a character who was introduced in my story collection. However, the novella has been set aside for now so I can focus on getting Long Leg finalized and handed off to my publisher. Besides the art for books, I am always working on content for my website, Instagram posts, etc. Additionally, some of my art will be featured in an anthology published in early 2025 through the Armed Services Arts Partnership.

Is there anything else you’d like readers to know?
Many of the themes of Fractured State may seem daunting, even overwhelming, because they are tied to daunting and overwhelming threats and challenges that we face in our world today: climate change, global warming, the rise of incivility and intolerance, and the fall of truth. However, I want readers to understand that the concerning “state of things” did not happen overnight. It happened over years, decades, and centuries, and it was the result of individual choices. Making the right choices, such as changing our imbalanced relationship with nature and starting the movements that convince others to do the same, are what is going to get us back on a good path and heal our world.

My perfect reader is open-minded and not stuck to one genre. They love good nature-centered, speculative fiction with intricate world building that is rooted in real events, places, and people. They love surprising and unique characters and want to be entertained as much as they want to be challenged to think critically.


KLWagoner150_2KL Wagoner loves creating worlds of fantasy and science fiction. Her current work in progress is The Last Bonekeeper fantasy trilogy and short stories in the same universe. A member of SouthWest Writers since 2006, Kat has worked as the organization’s secretary, newsletter editor, website manager, and author interview coordinator. Kat is also a veteran, a martial art student, and a grandmother. Visit her at klwagoner.com.




2024 New Releases for SWW Authors #6

Daniel Pedrick, Roger Floyd, Patricia Gable, Thelma A. Giomi, and Rosalie Rayburn are just a few examples of the genre-diverse membership of SouthWest Writers (SWW). Their releases couldn’t fit in the 2024 interview schedule, but look for 2025 interviews or updates for some of these authors.

A list of interviewed SWW authors with 2024 releases is included at the end of this post.


Liv’s Story: An Iowa Girl’s Rebellion (June 2024) by Daniel Pedrick. Liv grew up in Elk Horn, Iowa in an era filled with racial prejudices and limiting ideas about women’s roles in society. But she struck out on her own early in life, crossing barriers and diving without reservation into activities considered dangerous for young ladies. Racism in 1950s and 1960s America, middle-class hypocrisy, the plight of unwed mothers and the suffering of the mentally ill sculpt her deeply. Her connection to British Honduras (later known as Belize), and her wedding to a kind, older English chap enable her to find happiness. Korean War chaos, Japanese pearl diving, Cuban underwater follies, and cave diving in Belize are just some of the adventures found in this novel.

You’ll find Dan on RMKPpublications.com and Liv’s Story on Amazon.


Explorer (Part I of the Anthanian Imperative Trilogy, August 2024) by Roger Floyd. The planet Anthanos is dying. Its orange-red sun is in the early stages of becoming a red giant. As the sun grows closer and closer, the planet grows hotter and hotter. Eventually the sun will go nova and destroy Anthanos. Scientists discover another planet to colonize outside their solar system – one with an appropriate temperature, plenty of water, an oxygen-rich atmosphere, and vast areas of solid surface to live on. So they send their best team to explore, but what those explorers find is much more than just the lovely blue planet they were expecting.

Look for Roger on his website RogerFloyd.com. Explorer is available on Amazon.


The Right Discovery (Book Three of The Right Series, November 2024) by Patricia Gable. In this middle grade novel, a dangerous blizzard stops everything in a small town. Five friends are trapped in a large house without their parents. They watch a movie and play games. When they play hide and seek, the danger begins! Where is Willie? Suddenly a large tree hits the house and knocks out the electricity. Will they be able to find him? A voice calls out from behind a basement wall, “Help me!” The adventure begins. History comes back to life. The friends work together and in the end the town benefits. And could there be a Guardian Angel involved?

Visit Patricia’s author pages on Amazon and SouthWestWriters.com.


Weaving Winter’s Magic (November 2024) by Thelma A. Giomi. This book of poetry is a meditative journey through the holiday season. The poems bring light and life into the long darkness of December. Her elegant words are both calming and revitalizing as she weaves spiritual magic through winter landscapes. Weaving Winter’s Magic has been called “true wisdom, true blessing, and true life” that “creates a profound message of hope—that we can create the world anew.”

You’ll find Thelma on ThelmaGiomi.com and her Amazon author page. Weaving Winter’s Magic is available here.


Windswept: A Digger Doyle Mystery (November 2024) by Rosalie Rayburn. Twenty-five years is a long time to keep a secret. But telling the truth can be deadly. Windswept, the third in the Digger Doyle series, finds intrepid reporter-turned-detective Elizabeth “Digger” Doyle reporting for a feisty little online newspaper. Digger brings her fierce energy and dedication to the struggling publication as she grapples with backdoor politics and the powerful oil and gas industry while investigating the death of a New Mexico State Representative who made powerful enemies with her push to ban new oil drilling.

Look for Rosalie on her website RosalieRayburn.com and blog, and on Facebook and her Amazon author page. Windswept is available here.


SWW Author Interviews: 2024 Releases

Tim Amsden
Love Letter to Ramah

Michael Backus
The Heart is Meat

Rachel Bate
Hatch Chile Willie

Irene Blea
Dragonfly

E. Joe Brown
A Cowboy’s Fortune (Kelly Can Saga Book 2)

Gency Brown
A Right Fine Life

Mary Lou Dobbs
Badass Old White Woman: How to Flip the Script on Aging

Lynn Ellen Doxon
The Moonlight Cavalry

Robert D. Kidera
Burn Scars

Kendra Loring
The Saga of Henri Standing Bear

William Murray
Worn Out Saddles and Boot Leather

Jeff Otis
Raptor Lands: The Story of the Harrowing Return of the Dinosaurs

Léonie Rosenstiel
Protecting Mama: Surviving the Legal Guardianship Swamp


KLWagoner150_2KL Wagoner loves creating worlds of fantasy and science fiction. Her current work in progress is The Last Bonekeeper fantasy trilogy and short stories in the same universe. A member of SouthWest Writers since 2006, Kat has worked as the organization’s secretary, newsletter editor, website manager, and author interview coordinator. Kat is also a veteran, a martial art student, and a grandmother. Visit her at klwagoner.com.




2024 New Releases for SWW Authors #5

Zachry Wheeler, Larada Horner-Miller, Dr. Rinita Mazumdar, Mike Gerrard, and Mark Fleisher are just a few examples of the genre-diverse membership of SouthWest Writers (SWW). Their releases couldn’t fit in the 2024 interview schedule, but look for 2025 interviews or updates for some of these authors.

A list of interviewed SWW authors with 2024 releases is included at the end of this post.


Zachry Wheeler published four short stories in 2024 as part of his Twisted Simulations horror series. In Hitchens Manor: A Haunted House Parody (October 2024), two centuries of hauntings have given Hitchens Manor a ghastly reputation. Resident ghosts have maintained a cycle of death, sale, rinse, repeat. The new owner is expected to suffer the same fate…until they meet him. The Asteroid Cafe: A Sci-Fi Horror Short (October 2024) brings us Kevin, who has a front row seat to the end of all things. It’s the off-season in lower orbit and the satellite hotels are mostly empty. For Kevin, it’s the perfect time to enjoy a long vacation at The Asteroid Cafe, but then Armageddon ruins it all.

Calum’s Descent: A Sci-Fi Horror Short (October 2024) takes us to a prison where the only way to escape is to first escape reality. Calum has been locked in a moon prison for thirteen years. The days are long, the future is bleak, and his mind has reached a breaking point. It’s time to escape. But to do so, he must confront a living nightmare. In Bandolier (November 13), betrayal is the deadliest of games. Burke is a member of the Mako Brotherhood, one of the most notorious criminal gangs in the galaxy. He is summoned to a secret haven for an important mission, but the sect is unaware his loyalty has been brutally compromised.

Sign up for Zachry’s newsletter at ZachryWheeler.com and learn about the freebies he has to offer. Look for his books on all major retailers including Amazon.


Was It a Dream?: Navigating Life’s Journey Through Poetry (November 2024) by Larada Horner-Miller. Looking for connection during life’s struggles? Discover a poetic path through pain and loss to the other side of hope and perseverance. With reflections on times of real vulnerability and authentic readability, this moving collection covers tragedy, fun, travel, a spirit coyote, the love of nature, and living. And through whimsical moments and unlimited dreaming, shared lessons can turn any challenge into triumph.

You’ll find Larada on her website LaradasBooks, her Etsy shop LaradasReadingLoft, and her Amazon author page. Connect with her on Facebook.


Unspoken Hindu Genocides and Ethnic Cleansing (Community Publishing, October 2024) by Dr. Rinita Mazumdar. The media is filled with stories about global conflict with extraordinary violence and disdain for life. Society indeed seems like its on the brink of collapse with everything that makes us human being threatened by war, genocide, disease and famine. From Rinita Mazumdar, PhD comes a translation, with additional commentary and analysis, of Sandip Mukherji’s Noakhali 1946.

Unspoken Hindu Genocides and Ethnic Cleansing is available on Amazon.


Behind Bars: True Crime Stories of Whiskey Heists, Beer Bandits, and Fake Million-Dollar Wines (Prometheus, October 2024) by Mike Gerrard. Award-winning travel and drinks writer Mike Gerrard takes readers on a centuries-long journey highlighting the most bizarre — and expensive — alcohol-related crimes all while revealing the inside world of spirits, how they have been distilled, legislated, imbibed, and infused into our culture for hundreds of years. Featuring colorful tangents and detailed appendices, Behind Bars will whet the whistle of any curious reader.

Look for Mike on MikeGerrard.com, Facebook, and TwitterX. His books are available on all major retailers including Amazon.


Persons of Interest: Poetry & Prose (Mercury HeartLink, October 2024) by Mark Fleisher. “Persons of Interest” is a law enforcement term to describe someone who is involved in an incident, not yet a suspect but may become one. In Mark Fleisher’s work entitled Persons of Interest, he investigates, follows up clues and names names. Fleisher, who enjoys dabbling in the kitchen of his Albuquerque home, cooks up a Baker’s Dozen each of poems and stories, fiction and nonfiction alike. The menu ranges from tales of his childhood, through college days and Air Force experiences to more contemporary times.

You’ll find Mark on Facebook and his Amazon author page.


SWW Author Interviews: 2024 Releases

Tim Amsden
Love Letter to Ramah

Michael Backus
The Heart is Meat

Rachel Bate
Hatch Chile Willie

Irene Blea
Dragonfly

E. Joe Brown
A Cowboy’s Fortune (Kelly Can Saga Book 2)

Gency Brown
A Right Fine Life

Mary Lou Dobbs
Badass Old White Woman: How to Flip the Script on Aging

Lynn Ellen Doxon
The Moonlight Cavalry

Robert D. Kidera
Burn Scars

Kendra Loring
The Saga of Henri Standing Bear

William Murray
Worn Out Saddles and Boot Leather

Jeff Otis
Raptor Lands: The Story of the Harrowing Return of the Dinosaurs

Léonie Rosenstiel
Protecting Mama: Surviving the Legal Guardianship Swamp


KLWagoner150_2KL Wagoner loves creating worlds of fantasy and science fiction. Her current work in progress is The Last Bonekeeper fantasy trilogy and short stories in the same universe. A member of SouthWest Writers since 2006, Kat has worked as the organization’s secretary, newsletter editor, website manager, and author interview coordinator. Kat is also a veteran, a martial art student, and a grandmother. Visit her at klwagoner.com.




2024 New Releases for SWW Authors #4

David L. Harrison, R. M. Tembreull, Sequoia Rudolph, Heidi Marshall, and Gary Lucero are just a few examples of the genre-diverse membership of SouthWest Writers (SWW). Their releases couldn’t fit in the 2024 interview schedule, but look for 2025 interviews or updates for some of these authors.

A list of interviewed SWW authors with 2024 releases is included at the end of this post.


Children’s writer David L. Harrison authored, coauthored, or edited four books in 2024. The Fluency Development Lesson, Closing the Reading Gap (Benchmark Education, June 2024) — a must-have for elementary literacy educators — is a ready-to-implement set of 28 fluency development units organized into five knowledge strands.

Introduce poetry to students in the classroom and beyond with 40 Poems for 40 Weeks: Integrating Meaningful Poetry and Word Ladders into Grades 3–5 Literacy (Routledge; 1st edition, December 2024), an anthology of hand-chosen poems written by well-known, beloved poets.

Wild Brunch: Poems About How Creatures Eat (Charlesbridge, September 2024), a nonfiction poetry picture book collection for kids, invites young wildlife lovers to explore how and why animals eat what they do.

A Tree Is a Community (Books for a Better Earth) from Holiday House, October 2024. A tree is more than just a plant, but a whole ecosystem hiding in plain sight, on street corners and in backyards everywhere. Discover how one tree provides shelter, food, and clean air to a host of animals and insects.

Visit David on his website DavidLHarrison.com, his blog, and on Facebook. Look for his children’s books on all major retailers including Amazon.


Fractured State in the Blighted Earth (Atmosphere Press, September 2024) by R. M. Tembreull. Chaos, the Destroyer, has launched his most aggressive and expansive campaign yet. His objective: initiate the Great Cascade and bring about the Discordant on Earth. The eternal struggle between order and chaos is an inescapable condition of the universe. Caught in the middle is the delicate balance necessary for life to exist and prosper in our world. On Earth, the opposing sides in this timeless conflict are Earth Mother’s Natural Order and Chaos’s Force Corrupted.

You’ll find Raymund on his website TheBlightedEarth.com and Instagram. Look for his books on Amazon and Barnes & Noble.


In Time Out (September 2024) by Sequoia Rudolph. Where does a 45-year old Special Ed teacher go when her marriage finally slips through the cracks? Into a self-imposed time out in Paradise, of course. Cynthia Ferguson quickly learns that Paradise is not what it’s chalked up to be. Navigating a challenging school system, an evil principal, rambunctious students, and their fiery parents, Ms. Ferguson finds herself being burned by the real heat of Hawai’i. Hilarious, poignant, and provocative, this is a tale about a woman who takes chances, starts over, and finds out that the world can be yours when you step boldly out of your comfort zone.

You’ll find Sequoia on Medium and Amazon.


The Town That Lost Its Colors (September 2024) by Heidi Marshall. Princess Imogen has never spent a night away from the safety of her castle but, with her father the King on other business, she has no choice but to journey to a remote village and do her best to help the people solve a serious problem. Where have the town’s colors gone? Could someone really have taken them, and how? A story written in the tradition of fine tales of courage and respect, with modern themes of inclusion, forgiveness, and kindness. Illustrated by Adrienne Kinsella.

Look for The Town That Lost Its Colors on Amazon.


In Letting Go: poems of life and death (October 2024 ) by Gary Lucero. This collection of poems explores the travails of life, the inevitability of death, and a fantasy realm where nothing is black and white. It’s poetry that deals with aging, disappointment, war, suicide, grief, loss, and death. Its first chapter focuses on life, the second on death, and the third, on a fantasy world filled with flawed characters who inhabit a realm where the gods aid the nobility and ignore the poor, while the realm of the dead threatens them all.

The paperback is a deluxe print version that includes illustrations for each of the poems in the book.

You’ll find Gary on GaryLuceroWriter.com, Facebook, Instagram, and his Amazon author page.


SWW Author Interviews: 2024 Releases

Tim Amsden
Love Letter to Ramah

Michael Backus
The Heart is Meat

Rachel Bate
Hatch Chile Willie

Irene Blea
Dragonfly

E. Joe Brown
A Cowboy’s Fortune (Kelly Can Saga Book 2)

Gency Brown
A Right Fine Life

Mary Lou Dobbs
Badass Old White Woman: How to Flip the Script on Aging

Lynn Ellen Doxon
The Moonlight Cavalry

Robert D. Kidera
Burn Scars

Kendra Loring
The Saga of Henri Standing Bear

William Murray
Worn Out Saddles and Boot Leather

Jeff Otis
Raptor Lands: The Story of the Harrowing Return of the Dinosaurs

Léonie Rosenstiel
Protecting Mama: Surviving the Legal Guardianship Swamp


KLWagoner150_2KL Wagoner loves creating worlds of fantasy and science fiction. Her current work in progress is The Last Bonekeeper fantasy trilogy and short stories in the same universe. A member of SouthWest Writers since 2006, Kat has worked as the organization’s secretary, newsletter editor, website manager, and author interview coordinator. Kat is also a veteran, a martial art student, and a grandmother. Visit her at klwagoner.com.




2024 New Releases for SWW Authors #3

Christie Palmer Lowrance, Dr. Alan E. Diehl, Donna Pedace, BR Kingsolver, and Roberta Summers are just a few examples of the genre-diverse membership of SouthWest Writers (SWW). Their releases couldn’t fit in the 2024 interview schedule, but look for 2025 interviews or updates for some of these authors.

A list of interviewed SWW authors with 2024 releases is included at the end of this post.


The Last Heath Hen: An Extinction Story (May 2024) by Christie Palmer Lowrance. Experts say the heath hen, a game bird related to the prairie chicken, is the only species of which the last individual in the wild was known and documented before extinction. The Last Heath Hen is a true account of the dwindling days of a species of wild bird on the island of Martha’s Vineyard and the efforts to save it.

Written for young readers to show them the complexity of conservation and the importance of valuing all wildlife.

Look for Christie on her website and on Facebook.


Requiem for Camelot: Whistleblower Reveals Why JFK, Jr. Died (July 2024) by Dr. Alan E. Diehl. While conspiracy theories continue to swirl around the death of “America’s Prince,” many people dismiss the tragedy as another manifestation of the “Kennedy Curse.” This expose explains how the cause of his crash was actually bureaucratic machinations that prevented him from getting critical training. Requiem for Camelot is the inside story of the icon’s tragic death and how official malfeasance continues to threaten everyone who flies.

You’ll find Alan on his website AlanEDiehl.com and his Amazon author page.


Women Warriors: The Hidden Spies of WWII (July 2024) by Donna Pedace. This is an unforgettable collection of wartime exploits by heroines like Virginia Hall, Pearl Witherington, and Noor Inayat Khan. Their patriotism, courage, ingenuity, and sacrifice were indispensable in working with Resistance movements to conduct espionage, sabotage, and reconnaissance in Nazi-held territory. Readers will be awed by the accomplishments of this extraordinary group of patriots and humbled by their sacrifices. Most of these brave women parachuted into France, risking their lives to support the Allied war effort through leadership and coordination with local Resistance networks.

Visit Donna on her Amazon author page.


Demon Dance and Other Disasters (A Spirit Mage’s Journey Book 1, August 2024) by BR Kingsolver. Katy Brown is a tracker. Since her parents were murdered, she’s survived by tracking down the dangerous and the lost—rogue vampires and werewolves, missing children, runaway dogs, even deadbeat spouses. If it pays the rent, she’ll find it. But then a master mage offers her a very different job—track down a wizard-summoning demon. The reward is all her heart desires. This mission is darker, deadlier, and more twisted than anything she’s faced before. Join her on a high-stakes mission where the reward could change her life—or cost her everything.

Look for BR’s books on BRKingsolver.com and Amazon. Connect with the author on Facebook and Twitter/X.


Pele’s Children (September 2024) by Roberta Summers. This sequel to Pele’s Realm is a crime adventure novel set on the Big Island of Hawaii. Maggie and John Kovac are once again in the crosshairs of the Hawaiian Mafia. Maggie is notified of John’s death at the hands of the Mafia, but Madam Pele, the Fire Goddess of the volcanoes, intervenes. Although he was shot and tumbled into Kileaua Caldera, he survives but has amnesia. The Mafia learns of John’s survival and kidnaps Maggie to use as bait to find him. Will John’s memory return? Will he and Maggie survive the Mafia’s attempts to silence them forever?

You’ll find Roberta on RobertaSummers.com and on Amazon.


SWW Author Interviews: 2024 Releases

Tim Amsden
Love Letter to Ramah

Michael Backus
The Heart is Meat

Rachel Bate
Hatch Chile Willie

Irene Blea
Dragonfly

E. Joe Brown
A Cowboy’s Fortune (Kelly Can Saga Book 2)

Gency Brown
A Right Fine Life

Mary Lou Dobbs
Badass Old White Woman: How to Flip the Script on Aging

Lynn Ellen Doxon
The Moonlight Cavalry

Robert D. Kidera
Burn Scars

Kendra Loring
The Saga of Henri Standing Bear

William Murray
Worn Out Saddles and Boot Leather

Jeff Otis
Raptor Lands: The Story of the Harrowing Return of the Dinosaurs

Léonie Rosenstiel
Protecting Mama: Surviving the Legal Guardianship Swamp


KLWagoner150_2KL Wagoner loves creating worlds of fantasy and science fiction. Her current work in progress is The Last Bonekeeper fantasy trilogy and short stories in the same universe. A member of SouthWest Writers since 2006, Kat has worked as the organization’s secretary, newsletter editor, website manager, and author interview coordinator. Kat is also a veteran, a martial art student, and a grandmother. Visit her at klwagoner.com.




2024 New Releases for SWW Authors #2

J.R. Seeger, RJ Mirabal, Melody Groves, Linda Davis-Kyle, and Rosie Kern are just a few members of SouthWest Writers (SWW) who published books in 2024. Their new releases couldn’t fit in this year’s interview schedule, but look for 2025 interviews or updates for some of these authors.

A list of interviewed SWW authors with 2024 releases is included at the end of this post.


A Body on the Shoreline: A WWII Mystery (Mission Point Press, 2024) by J.R. Seeger. It’s 1942, and a body is discovered on the shoreline of a secret training facility in Canada. Warned to expect suspicion, if not total obstruction, Miles Lundin of the Royal Canadian Mounted Police must find a murderer in a camp of trained killers. Fortunately, he is joined in the investigation by a visiting “outsider” from Royal Navy intelligence, Lieutenant Commander Ian Fleming. The questions are clear: who and why? The answers, however, are as murky as the depths of Lake Ontario.

The Swordfish Deception: Book 8 in the MIKE4 Series (Mission Point Press, 2024) by J.R. Seeger. After nearly fifteen years of war zone deployments as a military intelligence officer with the US Special Operations Force, Sue O’Connell is now working for the CIA in a position where it’s unlikely she’ll be shot, blown up, or captured. But US and European agents and sources are dying mysteriously, and Sue’s team is suddenly on its way to Germany. Once again, the separate paths of Sue and her mother, a retired CIA case officer, twist and converge. And they find themselves targeted as obstacles to be eliminated by Russian mercenaries known as SWORDFISH.

You’ll find all of John’s books on his Amazon author page.


Dragon Train War (Dragon Train Quest, Book3, May 2024) by RJ the Story Guy (aka RJ Mirabal). Jaiden’s act of freeing Skye, the blue dragon, and her family became a movement to free all dragons. And that escalated to a rebellion. Now, all-out war seems to be the only solution. Jaiden and friends Tristram, Wyetta, Gorn, and Aleena represent the surge of humanity who join the fight for Dragon Freedom. Skirmishes, ambushes, intense battles, undercover operations, and uncertainty surrounding the strength of the enemy’s human army adds to the tension. Mysteries, surprises, unexpected revelations, and shocking outcomes mark the Final Dragon War.

You’ll find RJ on his websites RJMirabal.com and RJtheStoryGuy.com, and on Facebook, Twitter, and his Amazon author page.


Nolan Gang Unleashed (Wolfpack Publishing) is a three-book classic western series by Melody Groves. The Making of the Texas Kid (book 1, June 2024): Tate Nolan harbors a bold ambition—to surpass the legendary fame of his outlaw idol, Jesse James. Tate makes a choice that will leave an indelible mark on the wild heart of the untamed frontier. Eagan’s Revenge (book 2, July 2024): Eagan Nolan’s goal is simple—remain hell-bent on seeking revenge after a humiliating assault. Eagan faces the complexities of self-doubt and the unexpected twists that life throws his way. Battle at Rio Pedernales (book 3, August 2024): Joe Nolan wants one thing—to catch the men responsible for wreaking havoc on his beloved town. Joe’s courage stands as a beacon against the encroaching shadows of uncertainty and fear.

You’ll find Melody on MelodyGroves.net and her Amazon author page.


Writing about Your Pets #1: Questions & Prompts for ’Tweens, Teens & Beyond (July 2024) by Linda Davis-Kyle. The book offers loads of imagination-stretching and heart-warming prompts that reward young and mature wordsmiths with a more caring view of their pets and a more loving image of themselves. Some unique fiction and nonfiction prompts will engage ‘tweens, teens, and beyond teens to have fun improving and completing “startup” adventures. Perhaps, even more importantly, writers of all ages will appreciate seeing through the eyes of their pets, a beautiful way to love and appreciate themselves more.

Look for Linda on her website WritingNow.com. You’ll find her books on her Amazon author page.


The Competently Quirky Parables of an Eccentric Master Gardener (July 2024) by Rosie Kern. Master Gardener Rosie Kern’s philodendron grows across three walls in her dining room. The Maple sapling in her front yard cries when temperatures top 100 degrees. Starbucks baristas across the city save coffee grounds for her, and plant catalogs choke her mailbox. She also owns a tractor and knows how to use it. Her unusual but effective methods of approaching gardening challenges fuel her garden-club lectures. Friends smile and call her eccentric, fellow gardeners acknowledge her competence, and her kids just think she’s kinda quirky.

Visit Rosie on her websites at SolarRanch.com and RoseMarieKern.com.


SWW Author Interviews: 2024 Releases

Tim Amsden
Love Letter to Ramah

Michael Backus
The Heart is Meat

Rachel Bate
Hatch Chile Willie

Irene Blea
Dragonfly

E. Joe Brown
A Cowboy’s Fortune (Kelly Can Saga Book 2)

Gency Brown
A Right Fine Life

Mary Lou Dobbs
Badass Old White Woman: How to Flip the Script on Aging

Lynn Ellen Doxon
The Moonlight Cavalry

Robert D. Kidera
Burn Scars

Kendra Loring
The Saga of Henri Standing Bear

William Murray
Worn Out Saddles and Boot Leather

Jeff Otis
Raptor Lands: The Story of the Harrowing Return of the Dinosaurs

Léonie Rosenstiel
Protecting Mama: Surviving the Legal Guardianship Swamp


KLWagoner150_2KL Wagoner loves creating worlds of fantasy and science fiction. Her current work in progress is The Last Bonekeeper fantasy trilogy and short stories in the same universe. A member of SouthWest Writers since 2006, Kat has worked as the organization’s secretary, newsletter editor, website manager, and author interview coordinator. Kat is also a veteran, a martial art student, and a grandmother. Visit her at klwagoner.com.




2024 New Releases for SWW Authors #1

Kris Bock (aka Chris Eboch), Lisa Haneberg, Parris Afton Bonds, Carol H. March, and Larry Kilham represent the diverse membership of SouthWest Writers (SWW) with books published in a variety of genres in 2024. Their new releases couldn’t fit in this year’s interview schedule, but look for 2025 interviews or updates for some of these authors.

A list of interviewed SWW authors with 2024 releases is included at the end of this post.


Someone Rotten Riding the Rails: Female Sleuth Cozy Mysteries (The Accidental Detective Book 6, Tule Publishing, January 2024) by Kris Bock. Former war correspondent Kate Tessler has solved multiple murders since returning to her Arizona hometown. Now the FBI needs Kate’s help. Two Russian crime families have rented a private historic train to the Grand Canyon for their children’s wedding. To infiltrate the train, Kate poses as a reporter to cover the society wedding, and her crew of misfits pose as train staff. Their goal to observe is derailed when the groom disappears and a dead body turns up. Everyone’s a suspect and trapped on the train. Kate and friends must uncover the truth before their mission goes off the tracks.

Pride and Prejudice at The Cat Café: a Furrever Friends Sweet Romance (Pig River Press, March 2024) by Kris Bock. It is a truth universally acknowledged, that a single man in possession of a fortune should donate to a cat rescue. The Furrever Friends Cat Café helps people find furry forever friends – and just might lead to romantic love too. This Pride and Prejudice modern adaptation features fresh twists to delight both fans and new readers. The Furrever Friends Sweet Romance series features the workers and customers at a small-town cat café, and the adorable cats and kittens looking for their forever homes. Each book is a complete story with a happy ending for one couple.

You’ll find Kris Bock on KrisBock.com (and Chris Eboch on ChrisEboch.com), Instagram, and Goodreads.


Far From Ordinary: Predicaments, Misadventures, and Illuminations (January 2024) by Lisa Haneberg. This is a hilarious new collection of essays, poems, and short stories about adventures and misadventures. Lisa Haneberg engages readers with fascinating facts and eccentric tales about awkward experiences that went seriously sideways. The essays and poems highlight Haneberg’s quirky personal adventures, while her short stories subject fictional characters to outlandish escapades and entanglements. Dish unto others as life has dished upon you, as the saying goes. The collection includes twenty-six pieces ordered from the most straightforward to the weirdest.

Look for Lisa on her website LisaHaneberg.com, on Facebook, Instagram, and her Amazon author page.


Love and War on the Rio Grande (Paradise Publishing, April 2024) by Parris Afton Bonds. Where the Rio Grande River meanders through the Pass had long been a gathering spot for Anglo and Spaniard and Indian. Determined colonists, fierce Indians, devout padres, pistoleros, cavalrymen, railroad barons, and high-class harlots had all played their roles here. Beginning with the declaration of the Texas War for Independence on March 2, 1836, the stage was set for three females, all born on that same historic day. From thereon, their incredible lives were to be irrevocably interwoven. Their friendship leads them into escapades and romance covering a half-century of El Paso’s illustrious history—forbidden and life-changing adventures.

You’ll find Parris on ParrisAftonBonds.com, Facebook, Instagram, and Twitter/X.


Open the Door to Your Creative Life (May 2024) by Carol H. March. Dare to Discover Your Inner Artist! Something is stirring! Do you hear the call? Get on board with your Creative Self and become the joyful, creative person you are meant to be. If you want to write, paint, compose, sing, start a business, or improve your life in any way, your Creative Self can lead you along the path to success. Say no to the voice of fear. Say no to the inner critic. Say yes to the wisdom within and discover your true potential. Be the person you know you can be. Open the door!

Visit Carol on her website CarolHollandMarch.com and her Amazon author page.


Hope: Poetry for our Future (July 2024) by Larry Kilham. Hope is a collection of Larry Kilham’s best poems through 2024. In this world struggling with identity, culture wars, and forecasts of apocalypse, Kilham’s poetry offers hope through themes of dealing with environmental change, nature, life’s passages, AI, and more. His poems have been included in many anthologies and have received many awards.

You’ll find Larry on his website LarryKilham.net and blog, and on his Amazon author page.


SWW Author Interviews: 2024 Releases

Tim Amsden
Love Letter to Ramah

Michael Backus
The Heart is Meat

Rachel Bate
Hatch Chile Willie

Irene Blea
Dragonfly

E. Joe Brown
A Cowboy’s Fortune (Kelly Can Saga Book 2)

Gency Brown
A Right Fine Life

Mary Lou Dobbs
Badass Old White Woman: How to Flip the Script on Aging

Lynn Ellen Doxon
The Moonlight Cavalry

Robert D. Kidera
Burn Scars

Kendra Loring
The Saga of Henri Standing Bear

William Murray
Worn Out Saddles and Boot Leather

Jeff Otis
Raptor Lands: The Story of the Harrowing Return of the Dinosaurs

Léonie Rosenstiel
Protecting Mama: Surviving the Legal Guardianship Swamp


KLWagoner150_2KL Wagoner loves creating worlds of fantasy and science fiction. Her current work in progress is The Last Bonekeeper fantasy trilogy and short stories in the same universe. A member of SouthWest Writers since 2006, Kat has worked as the organization’s secretary, newsletter editor, website manager, and author interview coordinator. Kat is also a veteran, a martial art student, and a grandmother. Visit her at klwagoner.com.