Blog Archives

Author Update: BR Kingsolver

BR Kingsolver is a prolific author of 19 novels published in the speculative fiction genre since 2012. Readers find Kingsolver’s books to be “engrossing with great world building, believable characters who enlist your emotions, and masterful storylines.” BR’s latest release is Soul Harvest (June 2021), the third and final installment in The Rift Chronicles. Find all the author’s books on BRKingsolver.com and Amazon, connect on Facebook and Twitter, and read SWW’s 2020 interview.


What would you like readers to know about The Rift Chronicles?
It’s a science fiction fantasy cross, set about two hundred years in the future. The premise of the book was having technology that can be manipulated by magic.

Between the three books in the series, which was the most challenging to write?
The last one—Soul Harvest. The first book in a series is always the easiest. The premise, the characters, are all new and exciting. By the time I get to the last book, there are a lot of things that have to be dealt with. Plot lines, characters, things that have happened in previous books, and making sure I tie up all the loose ends.

What was the inspiration for the first book, Magitek?
The idea of magic manipulating technology. In most fantasy, you either have technology or magic. Very rarely do the two things interact.

Tell us a little about your main characters.
Danica James is a cop, a detective, who deals with the Magi—the magicians who rule the world—and the Rifters, the monsters who crossed a rift in space-time from other dimensions. She’s from one of the wealthy ruling families, but feels like an outsider because she’s a magitek. Her best friend is her roommate, Kirsten, a witch who owns a shop that sells magical potions, charms, and that sort of thing. Kirsten thinks Dani is too serious, works too much, and has too little love life.

What is the main setting, and why is this the perfect place for your story to unfold?
The primary setting is Baltimore, which is a place I know well after living there for a dozen years. The books take place after a series of nuclear wars and pandemics. Washington was bombed, but Baltimore and Wilmington, Delaware, survived as two of the only major port cities on the East Coast. Since the ruling magical families are all about business, trade, and wealth, seaports are central to control of trade and wealth.

How did the books come together?
I started Magitek in the spring of 2020 and published it the end of August. The second book, War Song, was published in December, and Soul Harvest was released in June 2021. So, three books in a year. That’s a little slow for me. I prefer to publish four to five times a year. The editing cycle usually takes about a month. I send a manuscript to my editor, she returns it with corrections and comments, and after I work through that, she takes another swing at it. I’ve worked with the same editor for twenty-three books, so we know each other pretty well.

What did you do to make your world, with its social structure and magic system, believable and logical?
The big thing with world building in science fiction and fantasy is consistency. Reality has rules, and so should a fantasy world. An author can’t violate the rules or just use handwavium to get around problems unless that handwavium fits within the rules. The social structure I used in these books is an oligarchy with a magical class system. As in most social systems, the powerful rule and reap the riches. Everyone else serves them.

You have five complete series so far. What key issues do you focus on to keep readers coming back for more?
Relatable characters and an interesting story. Good writing is third. There are lots of poorly written best sellers, but they tell a story that interests people.

What are the hardest kinds of scenes for you to write?
Sex scenes, so I stopped trying to write them.

Any advice for beginning or discouraged writers?
Some of the best advice I received when I started was BICHOK—Butt In Chair, Hands on Keyboard. There is no substitute for writing. You have to do it to get better at it.

What writing projects are you working on now?
My new project is an urban fantasy novel in a cozy mystery setting. I know there’s a market for that kind of book, but I have to pull it off. I’ve read lots of mysteries, and I think they’re difficult. Cozies are very hard because the tropes are so specific. I’m hoping to catch people who read both urban fantasy and also like cozy mysteries.

Is there anything else you’d like readers to know?
I didn’t start writing fiction until I was sixty years old. I always wanted to, but didn’t think I had any talent. Whether I do or don’t, people seem to like my stories. You’ll never know if you can do something until you try.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy posts to a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Holly Harrison

Retired university research scientist Holly Harrison devotes her time to writing mystery novels set in New Mexico, the Land of Enchantment. Her debut novel, Rites & Wrongs (Golden Word Books, January 2021), has been called “a thrilling mystery” that keeps “readers riveted with a great story, fascinating characters, and exceptional writing.” You’ll find Holly on her website at HollyHarrisonWriter.com and on her Amazon author page.


What is your elevator pitch for Rites & Wrongs?
Pascal Ruiz, a Santa Fe detective, becomes disenchanted with his job after solving a high-profile case that involved a stolen Stradivarius violin. That is, until the captain asks him, off the record, to look into the disappearance of his niece’s boyfriend, Bobby Pilot. Ruiz finds Pilot alive but unconscious in an abandoned pueblo, clothed in a Jesus costume and tied to a cross. It’s Holy Week and Ruiz suspects the Penitentes. He also believes the costume is the one recently stolen from the Santa Fe Opera Storage Building. In desperation to link the two cases, Ruiz crosses the line and puts his career in jeopardy.

Who are your main characters, and what do they have to overcome in this story?
The main characters are Pascal Ruiz, a Santa Fe police detective, and his friend Gillian Jasper. Ruiz needs to solve two crimes that are linked, by discovering who broke into the Opera Storage building and took the Jesus costume and who dressed Pilot in the costume and tied him to the cross. Jasper needs to decide whether to stay in New Mexico with Ruiz or return to her life in Washington, DC.

Why did you choose New Mexico as the setting for the book?
I wanted to write a mystery rooted in New Mexico’s history, land, and people. I placed most of the action south of Santa Fe between the town of Golden on Route 14 and San Felipe’s Black Mesa Casino off of I-25. I set the story during Holy Week, between Palm Sunday and Easter, so I could write about the Penitente reenactments and the Good Friday procession to Chimayo.

What sparked the story idea?
The story idea came to me one day as I worked in my garden. I uncovered an old brick from the Tonque Tile and Brick Company. Part of it was broken off but the name Tonque was etched on the front. The brick factory had been built in the early 1900s and remained active for thirty years. In the 1980s I had picked up the brick near Tonque Pueblo, a fourteenth century pre-Columbian abandoned pueblo. I decided that Ruiz’s next case would take him to that area south of Santa Fe.

Tell us how the book came together.
I spent three years writing the book. Then another year editing, getting feedback, and rewriting. When I started looking for a publisher, the pandemic hit. The world of publishing came to a halt, book conferences were cancelled, bookstores closed, book releases were pushed back. Pitching the book to editors and agents unsolicited became a daunting process. I decided to go with a hybrid publisher. The publisher does the edits, layout and design, publishing and distribution. The author shares some of the costs but reaps more profit from sales.

Was there anything surprising you discovered while doing research for Rites & Wrongs?
Growing up on the East coast, before coming to New Mexico, I had never heard of the Penitentes or their practices. I was intrigued with the group’s devotion to God as well as their community. There is an abundance of lore surrounding the Brotherhood’s beliefs and practices. My research on the lay Catholic group revealed how and why they came about and dispelled many of the myths and negative stereotypes.

What was your favorite part of putting this project together?
Writing. I love the writing process, creating characters and turning them loose in different situations, letting them get themselves in and out of trouble.

Why do you write in the particular genre you’ve chosen?
I find mystery the perfect genre to unfold crimes and misdemeanors in New Mexico’s multicultural landscape.

Who are some of your favorite authors?
Ann Patchett, Louise Penny, Tana French, Lily King, Susan Orlean, Patti Smith. I guess I have been reading a lot of women.

What are the hardest kinds of scenes for you to write?
Sex scenes. I find them tedious to write and easy to leave out. When writing mysteries, sex often takes a backseat to murder and mayhem.

What writing projects are you working on now?
I am trying to balance the promotion of Rites & Wrongs with work on New Territory, the third book in the series. Ghost Notes (about a stolen Stradivarius violin) is the first book in the series but it hasn’t been published. I have finished a draft of New Territory and am in the process of editing and rewriting. Next task will be to find a publisher.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy posts to a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




Author Update: Lynne Sturtevant

Lynne Sturtevant is primarily a nonfiction author of how-to guides. But in her most recent release, The Good Neighbors (September 2020), she takes readers into the fantasy genre with a different look at fairies and their folklore. Find all of Lynne’s books on her website LynneSturtevant.com and Amazon author page, and connect with her on her blog HiddenNewMexico.com and on Facebook. Read more about her work in SWW’s 2020 interview.


What would you like readers to know about the story you tell in The Good Neighbors?
The Good Neighbors is a different kind of contemporary fantasy. It’s a story about what happens when magic bubbles up in a normal place and disrupts the lives of ordinary people. No witches, wizards, vampires or misunderstood teenagers with magical powers. Just an overweight middle-aged woman and some feisty elderly residents in double-wide trailers trying to tamp down an outbreak of dangerous magical beings.

What sparked the idea for the book?
I was reading a lot of Celtic fairy folklore, not fairy tales, but 19th century rural folks’ descriptions of fairy encounters. My tag line for the book — “People used to know the truth about fairies and they were afraid of them.” — grew out of that research. I wondered what kind of situations would arise if a group of these self-absorbed, capricious, obnoxious creatures appeared in our world and refused to leave. Once I started imaging them roaming around the hills of West Virginia, I was off and running.

Who are your main characters, and what will readers like most about them?
My main characters are strong, smart older women. The narrator is Ginger. She’s blue collar, snarky, smokes and drinks too much and has financial problems. She is a home health aide traveling the countryside calling on elderly clients. And that brings us to Violet, a wealthy, erudite lady in her late 70s. Fairies have taken up residence on Violet’s property, but she doesn’t want anyone to know. Ginger discovers her secret when the fairies vandalize her car. There’s Henry, a retired banker who is romantically interested in Violet, as well as an assortment of other eccentric clients scattered through the hills. And, of course, there are the fairies themselves. They are not tiny, glamorous, sparkly creatures with gossamer wings that flit from flower to flower. They’re scrawny, about four-feet-tall, and they have personal hygiene issues. Plus, they really like artificial sweetener.

People love Ginger for her voice, her attitude, and the fact that she tries to apply a normal world problem-solving approach to an otherworldly dilemma: How to neutralize the increasingly violent and aggressive fairies before they create even more mayhem than they already have.

What is the main setting, and how does it impact the story?
The story is set in and around Parkersburg, West Virginia. I needed a place that was decidedly unmagical but within striking distance of an area that was remote, hidden, and possibly enchanted. Those are the sparsely populated hills and the village of Oberon, which is completely imaginary, about an hour south of Parkersburg. The setting reinforces the contrast between the regular world and the magical one, which is the theme underlying the entire story.

Tell us how the book came together.
I wrote the first version of this book about 20 years ago. I had a literary agent at the time who tried to sell it for two years. No takers. My favorite complaints from publishers were the fairies were too folklorish and Ginger was too old. I was disappointed, but I put it away. I never forgot about it, though.

The years went by, as they say, and I ended up in Albuquerque. I had several short nonfiction titles I wanted to self-publish. I took the SWW workshop on publishing last year and learned how to do just that, as we discussed in an earlier interview. I highly recommend that workshop, by the way.

When the nonfiction titles were finished, I took a deep breath and read my fairy novel for the first time in ages. I was surprised how much I still liked it. The good news was I saw flaws that I couldn’t see before. The even better news was I knew how to fix them. So, I did a rewrite, added two subplots and intensified and expanded several scenes. It only took a few weeks. Then I published it.

Is there a scene in The Good Neighbors that you’d love to see play out in a movie?
The fairies live in a mound. Even though the entrances are concealed, and no one is supposed to come inside, Ginger figures out a way to get in. The Fairyland she manages to get herself trapped in is not the magical realm described in classic fairy tales. I don’t want to give too much away, but I’ll mention a few elements: A dented Walmart shopping cart. Filthy shag carpeting. An amateurish sunset painted on black velvet. Lots of mud.

What was your favorite part of putting this project together? 
The bottom line is this story is fun. The characters are funny. The fairies are despicable. Crazy things happen. I loved writing it. I loved rewriting it. Taking the flawed original version, turning it into something better and helping it finally find the light of day was a very satisfying experience.

What writing projects are you working on now?
Several women told me they wanted to hear more from Ginger. They hoped she would have further adventures in the world of the paranormal, the supernatural, and the just plain weird. So, I’m writing a sequel! It will be book two in a series. I started it in November 2020 during NaNoWriMo. Ginger has a new territory. She’s been assigned to a small college town, which just happens to be the most haunted place in West Virginia. Rather than Celtic fairy lore, this time she’s steeped in the food, legends, folkways and magic of Appalachia. She’s also dealing with an increasingly frantic ghost. I plan to publish by the end of September. After that? I have one or two more ideas . . .

Is there anything else you’d like readers to know?
I love helping other writers develop web content and copy, a totally different writing style for many of us. I also design beautiful websites. You can find out more at www.magicwordscreative.com or visit my author’s site at www.lynnesturtevant.com.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy posts to a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




Author Update 2021: Sarah H. Baker

Sarah H. Baker is a retired engineer turned author of more than 20 published novels and numerous novellas and short stories. In 2020 she released The Prisoner, book one in her Promise Me Tomorrow speculative fiction series. Visit Sarah’s website at SarahHanberryBaker.com and connect with her on Facebook and Twitter. Read more about Sarah in her 2015 and 2019 interviews for SouthWest Writers.


What do you want readers to know about the story you tell in Promise Me Tomorrow?
I wrote Promise Me Tomorrow in order to create a positive picture of the future of human beings. I spent much of the last decade of my career working in sustainability and studying issues like climate change. The whole thing can be depressing. But I believe humans will live on after society as we know it now changes to something totally different.

Who are your main protagonists, and why did you choose them as point of view characters?
Kole is the Protector of New Village. He protects a society based on love and kindness. Shylah, who starts out as a bandit injured and left behind when a group of bandits raids New Village, has never known the concept of love. All her life she’s had to fight to survive and can’t imagine a different world. These two characters represent opposite views of humanity, so they are naturally in conflict.

What is the main setting? How does it impact the story and the characters?
The main setting, New Village, is in the mountains of Colorado, founded at the opening to a cave housing a hot spring. After New Village is attacked, Kole leads a group into the ruins of Denver, looking for the rest of the bandits. He must find them in order to make New Village safe again.

Staying in New Village and watching the way villagers treat each other has a profound effect on Shylah. After a while, she realizes she doesn’t want to go back to her violent past. And when chasing the bandits, Kole must face the fact that he, too, can be violent when he’s protecting the villagers and their peaceful way of life.

Tell us how the book came together.
The spark for the story was the setting—a world based on love and peaceful coexistence. Kole came to me quickly; Shylah I had to work at. The story came together over several months, but then I had a break from writing while battling cancer. Several years later, I picked it back up and finished the story. After editing with beta readers’ feedback, I self-published the book as the first of a series.

What was the most difficult aspect of world building for the book?
The most difficult aspect was putting a group of people with a modern understanding of the world into a stone-age existence. I did a lot of research on edible plants and making clothes from native fibers.

What was your favorite part of putting this project together?
Creating the vision of New Village. I’d want to live there if I were alive at that time.

Promise Me Tomorrow is a departure from your romance releases. Why did you choose to go in this new direction?
The book isn’t a romance, but it certainly has a central romance running through it. Still, you’re right; it is a departure. I chose this because of my need to create a vision of the future that didn’t include zombies or a nuclear apocalypse.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy posts to a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




Author Update: RJ the Story Guy

RJ Mirabal (aka RJ the Story Guy) is a retired high school teacher building a second career as a writer. He’s the author of an adult fantasy series (the Rio Grande Parallax trilogy) and a children’s book (Trixie Finds Her People) inspired by his adventurous rescue dog. His newest release is Dragon Train (2020) which takes young adult readers on a unique quest in a different kind of dragon story. You’ll find RJ at RJTheStoryGuy.com and on Facebook at RJ The Story Guy and Dragon Train Quest Book Series. Read more about RJ and his writing in his 2015, 2017, and 2020 interviews for SouthWest Writers.


­­­What would you like readers to know about the story you tell in Dragon Train?
This is a story that brings together a motherless boy and a mother who fears she will lose her family. The boy’s mother died while he was a child, but he has no memories of her. The mother in the story (not related to the boy) has three children and a mate who are enslaved. She escapes bondage but fears her escape will mean death to her family unless she can rescue them. The boy and the mother team up to attempt a rescue mission. There’s adventure in that quest, but the relationship of a mother without her family and a young man longing for a mother allows them to develop a close bond. I want readers to quickly understand that and watch how the two work together to achieve their mission and find a meaningful relationship with each other.

Who did you write the book for?
The book is aimed mainly at young readers from ages 11 to 15, though advanced younger readers and typical young adult and older readers should find this appealing. Because of the main character and the many action scenes, I suspect boys would enjoy the story the most. The story’s audience includes anyone who likes dragons, a satisfying adventure, and those looking for stories of how mutually rewarding relationships can develop. Readers who enjoy fantasy and elements of magic will like the story because of the existence of dragons in a pastoral society much like the 18th Century. In addition, the fact that Blue Dragons are intelligent and can communicate with humans telepathically makes the story appealing for most any fantasy reader.

What sparked the story idea?
After writing a fantasy trilogy clearly aimed at mature readers, I wanted to write something more appropriate for young readers. I surveyed a number of books in that genre and realized that dragons appealed to me more than vampires, zombies, and the like. However, I wanted to take a new approach to the usual dragon stories, but what?

One evening, as I was dropping off to sleep thinking about dragons, the words “dragon train” popped in my head. Wow, where did that come from? I researched the internet and Amazon and didn’t find anything to do with dragon trains. Later, on an online European book site, Rakuten Kobo, I found a book with that title, but it was a very different instructional story for children. So, I was convinced I had a fresh idea. But do dragons ride on this train or… It occurred to me that because dragons are big, powerful, and can fly, maybe they could tow a train by pulling it as they flew a few feet above the tracks. Dragons could be a source of power in a world where steam power had not been invented yet. But would dragons really want to do that? If they were intelligent — and I was convinced they wouldn’t be interesting characters if they weren’t highly intelligent — would they put up with that? The answer is “no.” They would resist, but clever and devious humans could develop ways to control the dragons. And on went the thought process.

Who are the main characters in the story?
To avoid writing complicated explanations about how the whole situation in the story developed, I decided Skye (a Blue Dragon) and Jaiden (a fifteen-year-old boy) would first become friends. Jaiden, who lives in a small farming town, wouldn’t know much about the world and how dragons were forced to tow trains. This allowed Skye to explain all this through family stories about how the dragons lost control of their lives. Since I needed a major female character, I decided the Blue Dragon would be a mother. The boy begins to think of her as a positive mother-figure and the story develops from that. Jaiden immediately proves himself to be resourceful and fearless when he helps her escape. He continues to be useful as he helps Skye avoid capture by the humans. Her storytelling and their exploits allow the two to bond since each satisfies a need in the other. And since Skye wants to rescue her family before it’s too late, that provided an adventurous quest to attract a decent-minded, but bored, young man who longed for excitement.

What was the most difficult aspect of world building for this book?
Since I had decided I needed a world whose technology didn’t include steam power, I needed to develop details of that world which meant research and some careful thinking about how Blue Dragons (the size of a barn) could be controlled by humans. The fun of fantasy is to create worlds, but you have to make it logical because sharp readers can find flaws if you make it too easy for one group of beings to control another group. However, the intelligence of my dragons, their ability to fly, and their strength allowed them to have dominance over humans just a generation or so before my story takes place, so there is considerable tension between these formidable enemies.

I decided against incorporating a lot of magic because so many fantasy stories depend on it for nearly everything. My challenge as a writer was to find ways that interesting beings and civilizations can overcome one another by means other than magic. However, I did give the dragons the ability to communicate telepathically so that Jaiden and Skye can communicate. That also allowed me to develop the dragons into complex characters. I also included other kinds of dragons such as Gold Dragons and Silver Dragons who are smaller, less intelligent, and have different behaviors than the superior Blues. More will be developed about those dragons in a sequel.

Tell us how Dragon Train came together.
From the inception of the idea to the finished book was a little over a year. I wouldn’t have thought it possible, but with help of the critique group I belong to, the book fell into place quicker than I expected. Their careful reading and suggestions gave me confidence I was on the right track, if I can be allowed to make a pun on Dragon Train! I was concerned about cover art because I didn’t know anyone who could design and draw dragons. Through Divergent Art, a website collective of artists, I found a young lady known by the name Celebril, who creates beautiful dragons very much like what I imagined when I thought of Skye. I had an image in my head of Skye towing a train with Jaiden in the lead car holding the reins on Skye as if he were the pilot. Celebril was able to create a remarkable cover matching my vision and her rates were very reasonable.

What did you learn in the process of completely this project that you can apply to your future work?
To format this book and a previous book, Trixie Finds Her People, I acquired a program that allowed me to format the book precisely the way I wanted it to look. Since publishing Dragon Train, I have also learned how to completely format and create print-ready PDF files using a new program that works the same way as In-Design. I’m now ready to produce my own books from beginning to end and use Ingram Spark as my printing/distribution service provider.

Looking back to the beginning of your writing/publishing career, what do you know now that you wish you’d known then?
First, I eventually realized a writer must learn everything he/she can about writing before trying to get published. Not just the grammar and mechanics, but the process of writing smooth, economical sentences and paragraphs that clearly convey the vision of your story, characters, setting, and theme. And it’s important to find your “voice.” What is, and how do you communicate, your unique perspective of the universe and life as a human being? I found that exploring and discovering those things through writing short works and gaining feedback from fellow writers is how you can learn to write effectively. Without feedback, you’re existing in an echo chamber and may not communicate with anyone beyond the confines of your head. This is what SouthWest Writers, SCBWI (Society of Children’s Book Writers and Illustrators), and my critique group have done for me.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy posts to a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Edith Tarbescu

Edith Tarbescu is a produced playwright and the author of children’s books published by Clarion, Barefoot Books, and Scholastic. Her debut novel is One Will: Three Wives (Adelaide Books, December 2020), which Anne Hillerman says is “packed with a large array of interesting suspects — any one of whom could be a murderer — and a roller coaster ride of plot twists.” You’ll find Edith on her website at EdithTarbescu.com and on Facebook and LinkedIn.


Tell us about One Will: Three Wives?
It’s a who-done-it, and those who’ve read the book were unable to guess, which is the goal of a mystery.

What unique challenges did this work pose for you?
I was totally unfamiliar with police procedure and how the police solve a mystery. I had to familiarize myself with the NYPD (New York Police Department).

Who are your main characters, and why will readers connect with them?
My main characters are two detectives: male and female. They are partners and lovers. I think they are both likeable. The female detective moved to New York from Montana and is part Native-American, and the male detective is a native New Yorker.

What makes this novel unique in the mystery market?
It has hints of romance and betrayal between the two detectives and a fair amount of humor mixed with adventure and murder.

How did the book came together?
I wanted to write something different for me and hit on the idea of a murder mystery. After I finished, I sent it to several agents. A few said it lacked tension. I hired a freelance editor, formerly an editor at Harper. He said it lacked tension because I was in everybody’s head. So I made the female detective my protagonist and everything is seen through her eyes.

Did you discover anything surprising while doing research for the book?
I realized how much research I had to do. I went to New York (my home town) and visited the police station I was writing about. Luckily, a policeman offered to show me the squad room, answer questions, etc. I was incredibly grateful to him and the time he spent with me.

What was the most rewarding aspect of writing One Will: Three Wives?
I came to love my protagonist, Cheri, and her partner, James, and loved spending time with them. They were very real to me. The research I did in New York was also rewarding. In addition to visiting the police station, I also visited a dog shelter. A character in my book is a dog walker and later becomes a person of interest. She was one of the three wives.

When did you first consider yourself a writer?
When I attended the Yale Drama School, I saw my plays performed and got positive feedback from the Head of the Playwriting Department. Then I called myself a playwright.

What kinds of scenes do you find most difficult to write?
Scenes with a lot of description. I am a playwright and best at dialogue, so I have to work at descriptions.

Do you prefer the creating or editing aspect of writing? How do you feel about research?
Definitely creating. I also enjoy research and use Google a lot.

What advice do you have for beginning or discouraged writers?
Persevere. Join a writers group, if possible, and try to attend meetings at SWW (zooming for now). And read a lot — books and magazines.

What writing projects are you working on now?
I’m working on a memoir titled Beyond Brooklyn.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy posts to a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




Author Update 2021: Joyce Hertzoff

Author Joyce Hertzoff writes mystery, science fiction, and fantasy in every length from flash fiction to novels, and for different audiences including middle grade, young adult, and adult. Her newest YA fantasy release is Homeward Bound (2020), the fourth and final book in her Crystal Odyssey series. You’ll find Joyce on Facebook, Twitter, and Pinterest, as well as on her website at FantasyByJoyceHertzoff.com and blog at HertzoffJo.blogspot.com. Read more about Joyce in her 2015, 2017, and 2019 SWW interviews, and visit Amazon for all of her books.


What would you like readers to know about the story you tell in Homeward Bound?
In Homeward Bound, I’ve wrapped up Narissa Day’s story. Nissa, her siblings and friends are sailing back to Solwintor from Fartek with devices and information that the scientists at the Stronghold need. But first, she and her group have to get past an island that wasn’t there before. When they reach home, they’ll have to fight the Legion that threatens to take over the continents of Solwintor and Leara. There are also two weddings that take place.

What unique challenges did this work pose for you?
I had to wrap up a few loose ends. I always have a problem coming up with an ending. And, as usual, I had a hard time with the fight scenes, making them as realistic as possible. I also didn’t want to be saccharine in the romantic and wedding scenes.

How did the book come together?
There had to be at least one more story after the third book in the series. The gang finished their mission in Fartek and had to go home. It took about seven or eight months to write what happened along the way, and then another year or so to get feedback and revise the story. I rely on critique groups, both online and local, and a few of those critique partners helped me.

Tell us a little about your main character and what she has to overcome in this story.
The main character, as in the previous three stories, is Narissa Day, called Nissa. She’s learned quite a bit about her world since her eighteenth birthday when she left home for the first time with brother Blane to find Madoc, her missing magic teacher. She’s definitely grown up. In this particular story, she mainly has to overcome the threat of the Legion on Solwintor, the East Islands and her home continent of Leara. Her sword-fighting skills come in handy in the story, along with the ability to harness the energy all around with her mind.

What did you do to make your story world, with its fantastical elements, believable and logical?
As a former scientific abstracter, I believe in building my story worlds on sound scientific bases. I have a need to explain everything and make fantastical elements scientifically possible. For example, the world of my series relies on crystals to power devices and engines. In the past, crystal radios used similar crystals to change which sound frequencies they were tuned to. In my stories, the crystals are used to focus the energy around us as a power source.

Did what-if questions help shape your series?
All speculative fiction starts with what-if questions. The consequences of those suppositions should be logical, yet interesting for the reader. Those consequences lead to more what-if questions, and so on. For example, if you ask, “What if you find two books written in a strange language that show star patterns different from those where you are?” Then the next question is: “What would you do?” In the second book of the series, Nissa, Madoc and their siblings travel north looking for the source of the books and a place where the stars look like the patterns in the book.

What was your favorite part of putting this project together?
I surprised myself with some of the places the story went, and that I needed four novels to finish the whole story. But my favorite part was brainstorming all the obstacles the characters had to overcome to achieve their goals, and then brainstorming ways to get past each obstacle. Characters, not just mine, have a habit of taking a story places it wasn’t supposed to go. I enjoyed dreaming up ways to bring them back to where I wanted the story to end up. I love solving puzzles, even ones I create for myself.

Looking back to when you wrote book one, The Crimson Orb, when did you know the story was strong enough for a series?
As I wrote the first story, ideas occurred to me that I couldn’t include in the first adventures. But it was those two books that Nissa and Blane found in Madoc’s rooms that made sequels imperative.

If the stars aligned, what past or present television or movie series would you love to write for (or be involved with in any capacity)?
I just finished re-watching the first four seasons of Eureka, and I’m currently watching season five. It appeals to my sense of mixing science and fantasy. Sure, a lot of the science is made up, but so is the crystal-based science in my series. I would have loved to have written for Eureka.

I’ve written fan fiction for other TV shows and movies, including The Princess Bride, Twister, Winnie the Pooh, Northern Exposure, and even the British mystery series Rosemary and Thyme. Always a fun activity. But those were for fanfic exchanges, not as real continuations of the movies and TV shows. Still, I would want to write for them for real.

What are the key issues when writing a series to keep readers coming back for more?
At least two things are needed: a premise large enough that it can take you through a series and characters that readers can relate to. Recurring details can also be good. And, of course, the world building has to be solid and consistent.

What writing projects are you working on now?
I’m working on the sequel to my award-winning novella A Bite of the Apple. I have two near-future/post-apocalyptic series in the works, one for middle-grade students and one for adults. I even have a crime/mystery series that’s partly finished. Finally, I’m writing a few short stories.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy posts to a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




Author Update: Dennis Kastendiek

Author Dennis Kastendiek is a master at creating memorable characters whose life circumstances place them squarely in the underdog category. Reviewers call his debut novel, A Seven Month Contract at Four Thousand Per (2020), “a hilarious romp through the world of theater and life undercover” and “brilliantly written, with compelling characters” and the “unique combination of fun and craziness of Some Like it Hot wonking with the television cast of Fame.” For more information about Dennis and his writing, go to his 2018 interview.


What is your elevator pitch for A Seven Month Contract at Four Thousand Per?
Johnny is just an ordinary Kansas high school graduate being raised along with his sister by a single working mother. But he finds himself in a fix when pranking with his sister results in her broken leg just before a community playhouse review that their mother is overseeing. Catering contracts have been signed, the costumes and set designed and created, rental on the playhouse paid in advance. Johnny learned all his sister’s lines watching rehearsals. Their mother doesn’t need to draw a picture for the guilty Johnny — he must fill in for his sister. The story was written online with a pen pal, swapping scenes and chapters over many months. The characters are original, a lot of the story arc built around classics like Billy Wilder’s Some Like it Hot and Gelbart and Mcguire’s Tootsie. The pathetic hero and his/her surrounding performers just happen to be much younger.

What unique challenges did this work pose for you?
A major challenge was to keep this oft-told tale fresh. We tried to do that by focusing on the characters and their motivations. Johnny’s mother loses her job at Walmart because of having to drive her daughter to and from doctor appointments and rehabilitation sessions. A talent scout lazily passing through another hayseed town stops to watch the local play and is astounded by the talents of the lead actress. One of his major clients is looking for a star to act in what is hoped will be a blockbuster aimed largely at a teenage audience. Hence a seven-month contract at four thousand per is the carrot dangled in front of Johnny/Johnnie (the lead “actress”). The snowball starts rolling from there.

Tell us how the book came together.
A lot of the foundation was in exchanging ideas and scenarios with my coauthor. He has traveled more widely than I have, so I relied on him for the “road story” expertise. We included another Kansas cast member, Johnny’s good friend (and secret crush) Laura, noted by the talent scout and invited to join the traveling troupe. Johnny would now have at least one friend “in” on his crazy conspiracy. The writing itself took months. We rejected ideas, modified others, those kinds of things.

Who are your main characters, and why will readers connect with them?
Johnny and his friend Laura, the town minister’s daughter, are put on a Greyhound to California by their respective parents. Johnny gets put through a wringer but is determined to keep a roof over the heads of his mother and sister. He doesn’t see any other way to earn twenty-eight thousand dollars to do so. Family is his main motive. Laura has had a long dream of attaining stardom and is swept off her feet by another cast member after they arrive in California. Johnny’s hopes of rooming with Laura are thus dashed. A woman named Patricia overhears Johnny’s dilemma and offers to room with “her.” Johnny now has a new deception to portray. When Patricia senses something rotten in Denmark, Johnny invents a false story to share with her, that he is transsexual. Patricia accepts the tale. Good motives and strange mischief.

Is there a scene in your book you’d love to see play out in a movie?
That’s a particularly good question. I’m in a critique group with well-known western writer Melody Groves. As I read my chapters, she kept saying, “I can just see these kids, the bus they travel in, the cities they travel to. This would make a great one of those ‘Afterschool Movies.’” So, long story short, I wouldn’t mind the whole thing as a movie.

What was the most interesting fact you discovered while doing research for this book?
One interesting fact I discovered came from my coauthor. There’s a scene in the book where Johnny and Laura are rolling their luggage from a bus toward a taxi stand. My coauthor had several careers, one of them working on the Apollo Project. My character makes the comment, “I can’t believe we landed a man on the moon before luggage makers decided to put wheels on luggage.” Again, I took his word on that.

What was your favorite part of putting this project together?
Favorite is a tough word to pin down. My favorite genre is just plain good writing. The swapping of paragraphs and scenes and chapters between my coauthor in Kansas and me in Albuquerque was fun. But for a long time I really didn’t think the resulting book was publishable. It needed work. Melody Groves (mentioned above) invited me into her critique group. Advice poured like welcome rain. After all the revision I put into it, my coauthor offered me author credit. I share that gracious gesture of his in the acknowledgments. So I guess my favorite role was being part of a shared effort. This book, like the Apollo Project my coauthor worked on, was a team effort. A goldanged dude landed on the moon. I just hope readers get a similar kick from reading about this straight kid in a dire bind as I got from writing the thing.

Before writing A Seven Month Contract at Four Thousand Per, you were predominately a short story writer. What is it about the short story form that draws you to it?
The swirling and often moving trip of the short story draws me to that genre. I often reread Salinger’s magnificent “For Esme, with Love and Squalor.” I find the quiet space that I need, and I enter that other world, that other dimension as another great named Serling put it, and the story washes over me. The war, the girl with the oversized watch and the semi-obnoxious little brother, the rain, the wisecracks with Clay about pussycats and stamp collections. They all wash over me, and I find myself crying my heart out. Singers like Hank Williams, Neil Young, a retired mailman named John Prine, a Canadian named Leonard Cohen can do the same. They distill the essence of life. They age it in them old oaken barrels. Then they pour it all gently into a glass and silently ask, “Have you ever tasted anything like this before?”

When you start a new writing project, do you have a theme or message in mind or is that something that develops as the story unfolds?
I think every one of my stories started differently. If you read my collection, I partially hope you think, “THIS is the same guy who wrote THAT?” I try not to write the same story twice. In my reflective old age, I wish I had been more prolific. But I’m somewhat happy about the curs I unleashed on this world.

Is there anything else you’d like readers to know?
I’d like my readers to know that I’m just like them. I don’t want to be a carnival barker or a rich encyclopedia salesman whose product is going to go out of date in about a year. I’d like to be remembered as someone who told a few stories, maybe left behind a few tears, a few smiles, a few laughs. Maybe a thought: this place can be better.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy posts to a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Esther Jantzen

Esther Jantzen is a former high school teacher turned author. A long-time family literacy advocate, she published Way to Go! Family Learning Journal in 2006 (now out of print) and Plus It! How to Easily Turn Everyday Activities into Learning Adventures for Kids (2009). She turned to writing fiction after a 500-mile pilgrimage sparked the idea for her first novel for pre-teens. WALK: Jamie Bacon’s Secret Mission on the Camino de Santiago (July 2020) follows the missteps, adventures, and heroism of an 11-year-old boy on a pilgrimage across Spain with his home-schooling family. You’ll find Esther on her Amazon author page.


When readers turn the last page in the book, what do you hope they take away from it?
I’ve heard from some readers that they cried (“good crying”) at the end of WALK. That pleases me. I assume they were touched by Jamie’s spunk in facing a rash of disappointments, choices, and problems — and that they felt relief and pride in his kid-like humility as he meets the moment, encounters unexpected, happy results, and earns a touch of fame. I’m guessing that the readers’ tears were tears of joy because the family is unified at the end, proud of their youngest member, and understands that the whole Camino experience had cracked him (and each of them) open to a new generous way of being.

What unique challenges did this work pose for you?
The biggest challenge for me was making what was essentially a travelogue — characters going from place to place and seeing interesting things — into a compelling narrative with suspense, tension, betrayal, wins and losses, and plenty of growth in the characters. Those are the elements that make a good story.

Who is your main character, and what will readers like most about him?
The main character in WALK is eleven-year-old Jamie Bacon — a clumsy pre-teen whose natural curiosity snaps him out of grumbling resistance and awakens his integrity, awe, leadership, and willingness to help others. He’s up against a quarrelsome older sister, a bossy mother, and a mostly absent father as he discovers that friendships and attachments are fleeting because of the nature of a pilgrimage. Readers will like Jamie’s honesty, enthusiasm, imagination, and willingness to both stand up and back down. His troubles and adventures make him learn and change and ultimately lead to him keeping his word.

How does the story’s setting impact the characters?
The setting for WALK is mighty unusual: an ancient 500-mile route of rough trails, cow paths, woodland walks, scary highways, mountain passes, and urban streets that starts in France, goes over the Pyrenees, and winds through Northern Spain to the holy city of Santiago de Compostela. This location has been known for about 1200 years as El Camino de Santiago. The setting serves almost as a character — challenging, wooing, deceiving, confusing, wowing, and educating pilgrims.

What topics explored in WALK make the book a perfect fit for the classroom?
By design, I think many elements in the book make it a valuable teaching: 1) the hero’s journey narrative structure; 2) the geography, history, references to art, architecture, European literary classics; 3) its values orientation — toward compassion, personal responsibility, honesty, forgiveness, flexibility, initiative, and service; 4) as an introduction to another culture and some of its language; 5) the depiction of a certain parenting style, showing how sibling issues might resolve and the value of allowing children to have their own experiences; and 6) how students can document an experience, work collaboratively, study independently, and more. I was a long-time classroom teacher. I wanted this book to have multiple layers so teachers can emphasize what they think is most needed. And incidentally, I think WALK can be useful for parents, perhaps as a means to inspire them to risk a bit and do more expansive things with their children. Plus, home-schooling families may enjoy many aspects of the story.

Tell us how the book came about.
The idea to write a children’s book about the Camino came to me on my first walk in 2008: I wanted to convey to my family and friends, (and especially grandkids) a sense of the fun, beauty, physical challenge, freedom, and expansion I experienced. How hard could that be, I naively (arrogantly) wondered. Well, it took twelve years before WALK appeared in print. I had to learn how to write fiction (dialog, plot, setting, theme…); learn the conventions and scope of the middle-grade novel as a genre; and become informed about the history and legends of the Camino (which I did through both reading/research and returning twice more to walk the Camino). Further, I had to grasp what real editing and cutting of 30,000 words felt like. Then I experienced the challenge of seeking and not landing a traditional publisher. Eventually I had to face all the decisions, frustrations, and costs of independent publishing. Was it worth it? Absolutely, yes! I love the result that came from my collaboration with my cover illustrator, my graphic designer, mapmaker, and others.

What was the most rewarding aspect of putting this project together?
Three things, not one, from this project were incredibly rewarding: 1) the travel and research that I did to make the book as accurate as possible; 2) what I did to bolster my knowledge of children’s lit — reading several hundred Newbery Award and Honor books; and 3) the lifestyle change that I chose (selling my home and becoming a nomadic house sitter), because I so enjoyed the freedom of the Camino. This book feels like my legacy. I have other story/novel ideas, but who knows what will become of them.

What did you learn from working with the cover illustrator for WALK?
The trick to working with a cover illustrator, I found, is to walk a line between being very clear about what you want (and that clarity is not easy to come by), and trusting or allowing the illustrator’s artistic gifts and sensibility to shape something that may be far better than what you thought you wanted.

Looking back to the beginning of your writing/publishing career, what do you know now that you wish you’d known then?
I wish I had started earlier. I’m retired now, yet I have a dynamite idea I’d like to shape into a book. But it’s a complicated concept and would require years of research. Also, there are different priorities in the world now. I feel a strong responsibility to do work toward climate solutions. Writing another novel seems like an indulgence, almost misdirected energy. So I’m on the fence about what’s next for me, although marketing WALK will be a priority for a while.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy posts to a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




Author Update: Neill McKee

Author Neill McKee is a world wanderer from Southern Ontario, Canada, who now makes his home in Albuquerque, New Mexico. Following the release of his award-winning Finding Myself in Borneo (2019), he published a second travel memoir in 2020, Guns and Gods in My Genes: A 15,000-mile North American Search Through Four Centuries of History, to the Mayflower. You’ll find Neill on Facebook, Twitter, and LinkedIn, as well as his website NeillMckeeAuthor.com. Read his 2019 SWW interview to learn about his first memoir.


What would you like readers to know about your newest book?
My travel memoir starts in 2017 in Ontario, Canada, as I uncover the stories of my rather religious McKee Scots-Irish ancestors in Canada (Chapters 1 to 3). In Chapter 4, I follow the trail of my maternal grandfather, John Addison Neill (my given name is my mother’s maiden name), who enters the USA in 1899, becomes a Methodist minister, and marries a woman in Wisconsin by the name of Effie Jane Haskins. Chapters 5 to 7 are about my grandparents’ adventures as they move west to Nebraska and Wyoming, still very much a part of the Wild West during 1895-1907. The remainder of the book (Chapters 8 to 17) takes the reader deeper into North American history as I discover the stories of my great-grandfather, Lafayette Haskins, in the Civil War. Other ancestors fought in the American Revolution, The French and Indian War, and King Philip’s War, which involved a bloody struggle between some of my Puritan ancestors in New England and the Native Americans they displaced, enslaved, indentured, or killed. Throughout the book, I compare American and Canadian early settlement, the role of religion, wars, the rule of law, and gun control.

What sets this book apart from other travel memoirs?
Many people search for their roots on Ancestry.com or other websites, and in libraries. Often, they end up with pages of family trees, which may be of interest to a few cousins but make most others’ eyes glaze over. I took a different approach and traveled to the places my ancestors lived, farmed, struggled, fought, and prayed, so that I could meet distant cousins, uncover new stories, take photos, and gain insights on the memoir’s theme: the conflict between guns and gods in my genes. I also had a personal challenge to answer that adds some tension: Should I, a peaceful Canadian writer in his 70s living in New Mexico, also become a citizen of gun-happy USA? Throughout the book I use vivid descriptions, historical analysis with some of my own interpretations, dialog, accounts of on-the-spot detective work, lyrical prose, uncovered ancient poems (and one of my own on a “Rowdy Man” ancestor in Connecticut), and 116 photos and illustrations. The pages are unencumbered by tables and chapter notes, which are placed at the back.

When did you know you wanted to write this second memoir?
During my 45-year career in international development, I lacked the time to properly write the stories of my adventures in Asia, Africa, Latin America, the Caribbean, and more recently Russia. After I retired in 2012, I began writing Finding Myself in Borneo, the story of my first job after university. (It has won three awards and gained over 25 five-star reviews.) Simultaneously, during 2013-15, I visited my aging mother in Ontario, traveling from my home in Maryland a few times a year. My dad, who died in 2007, was always interested in old family history but never had the time nor the skills to do much research or writing. I discovered the beginnings of interesting stories in his old files, and I reached out to cousins, one living uncle, and three remaining aunts. I found many leads on both sides of the family and interviewed family members in person, picking up more stories, photos, and records. That’s when I knew I had another book to write. Also, by getting my DNA tested on Ancestry.com, I matched with distant cousins who had additional stories, records, and photos.

What unique challenges did this work pose for you?
I had to verify some genealogical links, which, with my own skills in genealogy research, proved challenging. So, I hired researchers at the New England Historical Genealogical Society (NEHGS), Boston, to do the refined work. I tracked down all the birth, marriage, and death certificates I could find, but NEHGS found some missing links and submitted my application to the General Society of Mayflower Descendants, Plymouth, Massachusetts, and it was accepted. I also visited the Mayflower Society in Plymouth for help in verifying other New England ancestors of interest — many through female lineage.

Tell us more about how the book came together.
When I began the genealogical search on the Canadian side of my family in 2013, I only had a few records and stories from my father and cousins, but did extensive interviews with my only living uncle. On the US side, I had quite a few leads from a now-deceased cousin to whom I dedicated the book. These were anecdotes, website stories, etc. and a lot from Ancestry.com and other records. My cousin had done a great job, and between 2013 and 2015, I put these all together in two 200-page documents — one on my paternal side and one on my maternal side. They are more traditional genealogical accounts and, although I knew they would be interesting to my extended family, I wanted to write the story of our ancestors in a way that would be of interest to a much wider audience.

In 2015, after my wife and I settled in Albuquerque, I began writing stories for the book. That year, I also joined a graduate workshop in creative nonfiction led by Professor Diane Thiel at the Department of English, University of New Mexico. At the same time, I worked on Finding Myself in Borneo, and some of my submissions were on that subject. The feedback I received in these sessions was invaluable. I joined Professor Thiel’s 2016 workshop on writing poetry, as well, and also attended SWW workshops, which helped with both books.

For Guns and Gods in My Genes, I carried out the real travel research during the summers of 2017 to 2019, when I clocked 15,000 miles through Ontario and 22 US states. Besides going to the very places where my ancestors lived and died, I visited many historical museums and societies to dig up more facts and stories, and to uncover mistakes other amateur genealogists (like myself) had made and put on Ancestry.com. The receptions I received from local historians and museum curators were overwhelmingly positive.

Who are a few favorite “characters” you discovered from among your ancestors?
By following female lineage (Neill/Haskins or Hoskins, Robinson, Stevens, Gallop, Thacher, Conant, Fuller), I found real rascals and Indian fighters, as well as some fair and saintly people in my genes. For instance, Reverend Thomas Thacher, first pastor of the Old South Boston Meeting House, was a reformist and “Renaissance Man.” And Roger Conant, founder of Salem, Massachusetts, argued against the increasingly fanatical Puritans — people who brought us the infamous Salem Witch Trials. I also take readers into the foundations of, and myths about, the Puritan Pilgrims and their worldview through two visits to the recreation of “Plimoth” Plantation, Plymouth, MA. There I meet and humorously dialog with educator-actors playing the roles of real Pilgrims such as Samuel Fuller, the colony’s quack doctor and brother of my ninth great-grandfather, Edward Fuller, who came on the Mayflower with his unnamed wife in 1620. (They died in the first winter, but I descend from his son who came to New England in 1640.)

What was the most rewarding aspect of putting this project together?
The discovery through travel was the most rewarding, especially meeting like-minded people with a similar interest in preserving and documenting history. For instance, when I met the people who own the great Haskins house in Windsor, Connecticut, built in 1750, they immediately welcomed me and showed me all around the property, telling me more stories about the place. My former training in communication research helped me uncover myths and mistakes people make by not checking and triangulating facts. In my memoir, I document how this happens and how to avoid it. I also loved listening to many books on US and Canadian history, usually while walking and making notes. I have a pretty full library and, besides the 21 pages of chapter notes, I include a suggested reading list at the end of the book.

Any “Oh, wow!” moments when doing research for this book?
There are many “wow! moments” in my book. Here are two:

  • On top of a hill in Virginia I walk along still-visible trenches used by Confederate soldiers in the Battle of the Wilderness (May 5-6, 1864). I then take an eerie walk down the hill into the woods where my great-grandfather, Lafayette Haskins, a 20-year-old foot soldier in the 7th Wisconsin Regiment (a part of the famous Iron Brigade) received a gunshot in the leg from the Confederate trenches above. (This was his last battle of his two years in the war. He had also endured more dangerous episodes of sickness in rudimentary, unsanitary hospitals.)
  • Through perseverance, I keep asking locals in a small town in western New York, if they know possible descendants of my Stevens ancestor who fought in the American Revolution. The clues I gather finally lead me to an 82-year-old flower farmer who, 25 years ago, had researched his whole ancestry through 25 generations and documented it all in a thick binder. He invited me in for a cup of coffee and a long chat, and this distant cousin and I still keep in touch.

Do you have a favorite quote from Guns and Gods in My Genes?
Here is a short lyrical prose piece from Chapter 6 (“Reverend Neill in the Aftermath of Wounded Knee”), when my maternal grandparents lived in Nebraska during 1904-05. It demonstrates how slim a chance any of us have of being born:

The Prince Albert Suit Coat, 1905: My grandpa Neill, a Methodist pastor, preached one Sunday morning in Rushville, Nebraska, then left for his other churches, 20 miles away. Warmed by a buffalo coat, he drove his sleigh pulled by Indian ponies through drifting snow, arriving in time for evensong. Realizing he’d forgotten his Prince Albert suit coat, with two more sermons to preach on Monday, back he and his ponies went in the cold calm moonlight. Opening the door, he found the house so still, his family breathing in deadly vapors. Grandma had dampened down the coal stove too soon. But Grandpa pulled her and their four children outside — all saved by love for that coat, his mysterious pride.

When writing memoir, is a writer’s responsibility to the truth of the facts or to his perception/feelings about what occurred?
I believe a memoir writer must pay attention to both truth and perceptions/feelings. It is even more important to follow the facts carefully in writing a historical memoir like this, where much has been written about the time and places in which the writer’s ancestors lived. I did extensive research and reading on North American history. But obviously my background, education, perceptions, political leaning, and temperament determined some interpretations in creative nonfiction. If these factors did not play a part in what I wrote, the book would have turned out as a dry piece of academic writing, possibly of interest to a few historians and genealogists only. I hired Pamela Yenser, SWW member, as my literary editor for this book (as well as my Borneo book). She helped a lot with methods of marrying facts and creativity. I tried to rise to the challenge of writing a book which would have wider appeal in both Canada and the US.

What writing projects are you working on now?
I have simultaneously been writing a memoir about my own beginnings in Ontario, Canada, which incorporates some of the stories that are not used in Guns and Gods in My Genes. It also connects with my Borneo memoir. It is presently being sent out for reactions and pre-publication reviews. Here is a brief write-up:

Kid on the Go! Memoir of my life before Borneo is Neill McKee’s third work in creative nonfiction. It is a prequel to his first work in the genre, the award-winning Finding Myself in Borneo: Sojourns in Sabah. In this short book, McKee takes readers on a journey through his childhood, early adolescence, and teenage years, while growing up in the small industrially polluted town of Elmira in Southern Ontario, Canada — now infamous as one of the centers for production of Agent Orange during the Vietnam War. Each chapter is set to a different theme on how he learned to keep “on the go.” McKee’s vivid descriptions, dialog and self-drawn illustrations provide much humor and poignant moments in his stories of growing up in a loving family. In a way, the book is a travel memoir through both mental and physical space — a study of a young boy’s learning to observe and avoid dangers; to cope with death in the family; to fish, hunt, play cowboys; to learn the value of work and how to build and repair “escape” vehicles. The memoir explores his experiences with exploding hormones, his first attraction to girls, dealing with bullying, how he rebelled against religion and authority and survived the conformist teenager rock-and-roll culture of the early 1960s, coming out the other side with the help of influential teachers and mentors. After finally leaving his hometown, McKee describes his rather directionless but intensely searching years at university. Except for an emotional afterword and revealing postscript, the story ends when he departs to become a volunteer teacher on the Island of Borneo — truly a “kid on the go!”


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy posts to a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




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