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An Interview with Authors Chris Allen & Patricia Walkow

Chris Allen and Patricia Walkow are both award-winning authors and editors of fiction and nonfiction who discovered each other’s work as members of Corrales Writing Group. Their individual articles, essays, and short stories have been published in a variety of venues that include newspaper columns and anthologies. Chris and Pat’s first novel collaboration is Alchemy’s Reach (2023), a murder mystery with a touch of romance. You’ll find Chris on Facebook and her SWW author page. Look for Pat on PatriciaWalkow.com, Facebook, and her Amazon author page. For more about Pat’s work, read her 2016, 2020, and 2023 interviews for SouthWest Writers.


What is your elevator pitch for Alchemy’s Reach?
Detective Jennifer Murphy’s life is torn asunder when lightning splits the sky and a rifle shot splits the air. Only her dog, Fi, understands what happened.

What formed first in your minds that grew into the story idea: a character, a setting, a what-if question? How did you proceed from there?
The idea for Alchemy’s Reach came from a true event, a mass murder, that happened in southeastern New Mexico in 1885. We set our story in the present day in that setting and created characters that had ties to that prior event. A strong female character and giving the reader a sense of place were important to us. Our main character, Jennifer Murphy, is a deputy sheriff in Lincoln County where she lives on a ranch of rolling hills she and her younger brother, Ethan, inherited from their parents. We wanted the reader to understand how independent Jennifer is, how competent she is. We also wanted to highlight the sights, scents, and sounds of Lincoln County.

You two have collaborated before on writing projects. How did you divide the responsibilities of writing/producing this book? What was the greatest challenge in the collaboration process?
We previously collaborated to write short stories with both current and previous members of the Corrales Writing Group. Each of those stories has been published. Alchemy’s Reach is the first time it was just the two of us.

As with any collaborative effort, it is important for all parties involved to be committed to the project. It means working to reach common ground regarding what the story is about. Although we did not have major differences regarding our story in Alchemy’s Reach, we learned to give a little, get a little, and in the end, create a third voice that belongs neither solely to Pat nor to Chris.

As we discussed our story, one of us would volunteer to write a part, and the following week we’d review it, revise it, and then assign the next chapter. Sometimes one person wrote several chapters in a row; sometimes we simply wrote one at a time. There is also administrivia involved when authoring a book. For example, Pat developed a timeline for the story; Chris kept the character sketches up-to-date. Regarding research of the physical location or anything else related to our story, we would decide who would do what. It was pretty painless, but that goes back to our agreeing on what the book was about in the first place.

How did the book come together?
It took us about two years to write the book, mostly during the pandemic. We presented each chapter to our critique group — the Corrales Writing Group — for review and revision. Often, this was accomplished by Zoom. We edited the book ourselves multiple times by reading it as well as having the computer read it to us. We sent the book to five or six beta readers for their comments and suggestions.

We have both published through KDP but were each involved in other writing projects, so we decided to seek a publisher. We received two publishing offers and decided to go with a vanity publisher, which was a mistake. The chosen publisher provided the cover art and did some additional editing. We thought that though it cost some money, it would free us to attend to our new projects. We signed a contract with Austin Macauley for an e-book, paperback, and audiobook, and the audiobook is still pending. Not all the reviews we read about this company were positive, yet not all were negative. We took a chance. With our own experience publishing books, we learned we are far better at it than the publisher we chose, and we will not choose that route again.

Tell us about the main characters in Alchemy’s Reach.
Jennifer Murphy: Co-owner of Montaña Vista Ranch and Deputy Sheriff of Lincoln County, New Mexico. She is our main character. Loves both her job and the ranch. Ethan Murphy: Younger brother of Jennifer Murphy; co-owns the ranch, does not like ranch life; takes odd, dangerous jobs away from home. Pablo Baca: Ranch manager, hired long ago by Jennifer and Ethan’s father. Pablo has known Jennifer and Ethan since they were born. Rose Baldwin: Office administrator for the Lincoln County Sheriff’s Office. She has been like a second mother to Jennifer and Ethan all their lives. Fi: A black Labrador Retriever. Ever faithful. Belongs to her and Ethan…but mostly, Ethan. Jeff Reynolds: Owner of the local hangout (bar and restaurant) called The Rusty Keg. Sheriff Cooper: Jennifer’s boss and sheriff of Lincoln County. Detective David Chino: Mescalero Apache and New Mexico State Police Detective. Joe Stern: Klamath Native American and friend of Ethan.

Why did you choose New Mexico as the setting for the book?
The inspiring event occurred in New Mexico, and since it is such an exotic and beautiful state, we chose to set the story here. The mass murder that occurred at Bonito City provided us with some background genealogy for our main character, Jennifer Murphy, and her brother. In Alchemy’s Reach, the fictional town of Alchemy was flooded when Lake Fortuna was built. In real life, Bonito City was drowned when Bonito Lake was created. The lake still exists today, and it has recently been dredged, removing years of silt.

What was your favorite part of putting this project together?
We worked well together, and the discussions of character and plot inspired each of us to be more creative. Building on each other’s ideas led to improved scene development, better character development, and twists in the plot which, as individuals, we may not have thought about. No matter what problem we encountered, talking it out and coming up with alternatives always worked.

What kinds of scenes did you find most difficult to write?
Chris: Really none posed any issues.

Pat: No type of scene presented a problem. As always, we had to ensure we were consistent with what came earlier in the book. An example of that would be:  how come my character has blonde hair in Chapter 1 and all of a sudden, we are saying she has black hair in Chapter 26?

What is the best encouragement or advice you’ve received in your writing journey?
The input from Corrales Writing Group has been invaluable. Even if we don’t feel a specific critique is appropriate for our styles, we find the members’ comments often spur us to review our work and make it better.

What writing projects are you working on now?
Pat: I’ve sent my novel-in-progress, The Far Moist End of the Earth, to beta readers.

Chris: I am currently working on two books, both science fiction, with my husband Paul Knight. One book, The Music of Creation, is out for review by a publisher. The other, The Mirror of Eternity, is going through the critique process with Corrales Writing Group.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kat has a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Lynne Sebastian

Retired archaeologist Lynne Sebastian is a published author of nonfiction books, research papers, and journal articles who now considers herself a storyteller. After switching from nonfiction to creative writing, she published stories in the 2021 SouthWest Writers’ contest anthology, Ramblings & Reflections, and in Holes in Our Hearts: An Anthology of New Mexican Military Related Stories and Poetry (2023). Besides being a short story and nonfiction writer, she can also call herself a novelist since her 2023 debut release of One Last Cowboy Song. You’ll find Lynne on her SWW author page and on Facebook. Look for Lynne’s books on Amazon.


Please tell us about yourself.
I grew up in southern Michigan, but my family all live in the mountains of eastern Kentucky and have lived in those hills and hollers for many generations. I always wanted to live in the West, and I have had the great fortune of doing so for 50 years, the last 42 of those years here in New Mexico. My husband and I came to Albuquerque in 1980 so that I could enter the PhD program in Anthropology at University of New Mexico, and somehow, we never left. We have lived in Corrales, New Mexico since 1998.

In my archaeology career, I carried out fieldwork in all the Four Corners states and served as the New Mexico State Archaeologist and as the New Mexico State Historic Preservation Officer. I also had the honor of being elected as President of the Society for American Archaeology and as President of the Register of Professional Archaeologists. For the last 15 years before I retired in 2016, I worked as a consultant and expert witness on historic preservation issues for clients throughout the United States.

Tell us about your recent release, One Last Cowboy Song. How did you come up with the idea?
Funny you should ask. For several years, I have been in a creative writing critique group. One of the short stories that I shared with them was about a couple who would seem to have nothing in common and be unlikely ever to have met. And if they did meet, one would not necessarily expect them to have gotten along very well. The short story took place several years after they not only met, but fell in love and created a shared life that is unconventional but brings them great happiness.

My critique group colleagues said, “Oh! We like this story, and we love these characters. You should write more about them.” Flattered, I wrote a second short story about these same characters, and the group said, “This is great! But we want to know more, like how did they meet? And what is her backstory? And….” Soon, I realized I was writing a novel, and I had started in the middle. Which is not a process I recommend.

Where do you draw inspiration for your characters and settings?
My settings are, at least so far, versions of real places. One Last Cowboy Song is set in the San Juan Mountains of southwestern Colorado, which is an area that I love very much. I’ve traveled quite a bit, and I’ve experienced so many wonderful, vivid, special places in this world. I’ve never felt any need to create a place in which to set a story, although I really admire people who can imagine whole worlds and bring them to life.

As for characters, they tend to be composites — imagined people who incorporate some aspects or characteristics of real people, often multiple people, that I have known. For example, one night as I was working on a piece of dialog spoken by the best friend of my male lead character, a rancher named Dale, I realized that every time I wrote or read Dale’s dialog, I was hearing in my head the voice of an old friend, an archaeologist who lives in Las Cruces, New Mexico. Dale doesn’t look anything like my friend, and his life experiences are very different, but their voices and way of talking are identical. I’ve no idea why.

What typically comes first for you: A character? A story idea?
I’d have to say that the story idea comes first and that the story idea often comes with a character, or characters, already attached.

When did you realize you wanted to write western romance?
I didn’t. This book would be characterized that way, I guess, because he’s a rancher and she’s an English professor, and it is — at its heart — a love story. But it’s also a story about the way childhood trauma can create patterns of behavior that work against our happiness throughout a person’s adult life. And it’s a story about resilience in the face of loss and grief. And about the way country and western music can capture a moment and carry with it a memory.

Do you think your previous occupation as an archaeologist working in New Mexico influenced your choice of genre?
No. My love for the West and its people predates my life as an archaeologist. But stay tuned for my next book. It is about being an archaeologist working in New Mexico.

What did you find most rewarding when writing One Last Cowboy Song?
Interesting question. My first thought was “FINISHING IT.” But that’s not really true. I did much of the work during the COVID-19 pandemic, and it was a wonderful escape being able to slip away from the reality of life during that time and live for a few hours with Virgil and Amanda and all the other characters in beautiful landscapes and happier times (depending on how one experienced the mid-1990s).

Tell us how and why you chose the title of the book.
There is a country and western song called “The Last Cowboy Song” that was co-written and sung by the late Ed Bruce who was one of my favorite singer/songwriters. The song plays in the background at two key moments in the story, and the sense that Virgil and Dale are part of a dying breed and of a way of life that is passing on into history lingers in the background.

What prompted your first writing project?
I discovered that I’m really bad at painting. No, I’m serious. My plan was to take up painting with watercolors when I retired. I made a gallant effort, but finally had to admit that I have no talent for visual arts. Fortunately, just about the time I faced this ugly truth, I was taking a Writing Memoir class at UNM Continuing Ed, and a very nice lady in the class told me she thought I had a talent for creative writing and asked me if I would be interested in joining a critique group of which she was a member. Which brings me to the next question….

What is the best encouragement or advice you’ve received in your writing journey?
Join a critique group. The regular feedback, the gentle but firm critiques of other writers, the camaraderie (even when we were stuck meeting on Zoom), and especially the structure provided by having to produce something to share every two weeks were all essential to getting me through the process of writing three drafts of a novel-length work.

Would you mind sharing with us what you’re working on now?
Something very different. It is a combination memoir/creative nonfiction story about an archaeological project south of Farmington, New Mexico, in which my husband and I participated in 1981. It has it all — humor, pathos, danger, miserable weather, unique characters, unforgettable dogs, and cool stuff about archaeology. And like my first book, this work is the result of my having written a short story about an experience with a flash flood that we had on the project. And once again, my critique group colleagues said, “Oh, we like this! But we want to know more about these characters and why you were digging there and weren’t there any dogs in the field camp? And….” So, watch for another book-length work that will, hopefully, be finished this winter. Current working title is Stories from the Field: Archaeology and the Waterflow Mine.


Su Lierz writes dark fiction, short story fiction, and personal essays. Her short story “Twelve Days in April,” written under the pen name Laney Payne, appeared in the 2018 SouthWest Writers Sage Anthology. Su was a finalist in the 2017 and 2018 Albuquerque Museum Authors Festival Writing Contest. She lives in Corrales, New Mexico, with her husband Dennis.




Author Update 2023: Patricia Walkow

Patricia Walkow is an award-winning editor and author of fiction and nonfiction including magazine articles and newspaper columns, essays and short stories, and memoir and novels. Her newest release is Life Lessons from the Color Yellow (February 2023), a story collection of people and events who have influenced her life. You’ll find Pat on her website at PatriciaWalkow.com, on Facebook, and her Amazon author page. Read more about her writing and editing projects in her 2016 and 2020 interviews for SouthWest Writers.


What is at the core of this memoir collection?
This collection of stories represents significant people, events, and places that have shaped me. It is not an autobiography, but a collection of separate stories from my childhood through the present day. I have learned something about life from each of these stories, not only as I lived them, but also, years later, as I wrote them.

Which story in the book means the most to you? Which one revealed something unexpected as you wrote it? Give us a one-sentence description of each story.
“Golden Meadow” holds a special place in my heart, as it tells the tale of sharing my youthful dreams and aspirations with two friends, all in the encompassing embrace of a beautiful meadow. What surprised me was how difficult, emotionally, it was for me to write “My Mother’s Kitchen.”

“Mr. Howard’s Roses” — a school-age child learns how to care for roses. Lesson learned: Friendships happen between people even when they are quite different from each other, and there are things in life worth fussing over.

“The Dog Against the Yellow Wall” — a dog photographed by the author turns out to be almost identical to the dog she adopted many years later. Lesson learned: Serendipities exist in this world. Enjoy them without analyzing them.

“Sunny” — the author encounters a woman who always wears yellow. Later on, she finds out why. Lesson Learned: Despite terrible things that can happen to a person, it is ultimately a choice to be happy.

“Lemon Love” — some relationships are intense and beautiful, but cannot last. Lesson Learned: Always be true to yourself.

“My Mother’s Kitchen” — a dysfunctional family forever affects your life. Lesson learned: You can get beyond the issues of your childhood.

“The Promise of the Yellow Box” — when life gives you a gift, make the most of it. Lesson learned: Make your choices reflect your hopes and dreams rather than your fears.

“The Estate Sale” — a young woman comes across an estate sale and realizes she would have enjoyed knowing the person who once owned the house. Lesson Learned: Seize the moment to make a new friend.

“Golden Meadow” — three teenage girls bond during weekly hikes through a meadow as they share their hopes and dreams for the future. Lesson Learned: Friendships on the cusp of adulthood are among the most precious.

Why did you decide to write short pieces as opposed to a longer-length memoir?
From my past, I wanted to distill specific people and events that helped form the person I am today. As a result, I wrote the book as a set of discrete short stories, unrelated to each other, rather than creating a flowing set of chapters in sequential order over a long arc of time. I know this approach is not the typical way of writing a memoir, but it is the method I found satisfying.

What was the most challenging aspect of putting this project together?
The most challenging part of writing this piece was deciding which events and people helped form me into the person I am today.

Tell us about the book’s connection to the color yellow.
As I wrote, the color yellow surfaced over and over in my stories. It is not as though I was seeking out the color…or any color at all. Yellow simply turned out to be an integral part of each story and revealed itself as my teacher over the years. It was a surprise to me.

What do you love about your writing in this book?
Writing each story reconnected me to parts of myself, to people, to places I had not thought about in years.

What writing projects are you working on now?
I coauthored Alchemy’s Reach with SouthWest Writers’ member Chris Allen. It is a murder/mystery with a romantic undertone set in southern New Mexico’s Sacramento Mountains. It was published by Austin Macauley on August 18, 2023 and is available in paperback, e-book, and audiobook.

Another project I’m working on is The Far Moist End of the Earth. It’s a literary novel about a young widow who volunteers to work at a Methodist mission in Siam in the early 1900s. Prejudice, limitations on women’s lives, and multicultural appreciation are the key themes in the book. It is scheduled to be distributed to beta readers by the end of 2023.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kat has a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




Author Update: Jasmine Tritten

Jasmine Tritten is an artist, poet, memoirist, and short story writer whose work can be found in over a dozen publications. In her second memoir, On the Nile with a Dancing Dane (August 2020), she explores the land of the pharaohs while following her love for dance and the Egyptian culture. Visit Jasmine on Facebook and her Amazon author page. Read her 2016 SWW interview to learn about her debut memoir, The Journey of an Adventuresome Dane. And in a 2019 interview, she and husband Jim discuss their first children’s book collaboration.


What would you like readers to know about On the Nile with a Dancing Dane?
The book is an adventurous travel memoir filled with mystery and surprises, from galloping a horse in the Sahara Desert to belly dancing on the Nile River. It’s a safe and inexpensive way to travel with me to Egypt, exploring the land of the pharaohs before iPhones and computers.

What unique challenges did this work pose for you?
About 37 years ago, when I went on a trip to Egypt, I wrote by hand a detailed journal. I used the journal to write this memoir. Photos were taken at the time using a plastic Brownie camera with one white button. I had to scan all the small photos into my computer and enhance them.

When did you know you wanted to write a second memoir?
While joining a critique group in Albuquerque, I shared one of my short stories from Egypt. Afterwards the leader of the group said to me, “I don’t want you to tell me about your adventures. I want you to take me with you on a trip to Egypt.” That triggered something in me to write the memoir and show (rather than tell) the reader about my experiences.

Tell us how the book came together.
In the beginning of 2020 before the pandemic, I started writing the book and then worked on it every day, since I had all the time in the world. After the summer, I used several beta readers to go through every page. Finally, I took it through two editing programs on the computer (AutoCrit and Grammarly). The book cover, the eight ink drawings, and the six scratchboard images I created myself. In August 2020, I self-published the memoir with the help of my husband.

What was your favorite part of putting this project together?
Rewriting and editing. Deciding which photos and artwork to use.

What is the best compliment you’ve received as an author?
When somebody in one of the reviews of On the Nile with a Dancing Dane said, “I was entertained with exciting experiences at every turn of the road – or river. I felt as if the author had slipped me into her backpack, and I was with her every step of the way.”

How did you become interested in memoir specifically, as opposed to fiction?
Because I have lived an exciting life and written detailed journals since I was a young girl, I have so much material to use that I don’t need to make up any stories.

What advice do you have for discouraged writers?
Write down what comes to your mind right away without worrying about whether it is good or bad. Later, you can work on the writing and make it into a good story.

What writing projects are you working on now?
My next project will be writing a memoir about a trip to Greece I made long before iPhones and computers were invented. The Universe is pushing me in that direction.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy posts to a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Authors Jasmine Tritten and Jim Tritten

The husband and wife team of Jim and Jasmine Tritten share not only a love of one another from their home in Corrales, New Mexico, they also share a love of writing. Jasmine is an artist, as well as a short story and essay writer, and the author of the memoir The Journey of an Adventuresome Dane (read her 2016 interview). Jim, a retired U.S. Navy officer, has published six books and over three hundred chapters, short stories, essays, articles, and government technical reports. Kato’s Grand Adventure is the authors’ first children’s book collaboration. For a complete list of Jasmine’s published work, visit her SWW author page. You’ll also find her on Facebook. Jim’s work is listed on his own SWW page, and you’ll find him on Facebook and Twitter.


What is your elevator pitch for Kato’s Grand Adventure?
An adventure story written from the perspective of a kitten named Kato who gets lost looking for his sister. With the help of several animals he overcomes obstacles and finds his way home. Suitable to be read-aloud to children and grandchildren or as a first chapter book for anyone with a 4th–5th grade reading level.

Who are your main characters, and why will they appeal to the book’s audience?
Kato is the adventurous main character and the protagonist. He has all of the characteristics of a young child who will meet obstacles on life’s path. The story includes Kato getting help from some unlikely animals in nature who adults might consider predators.

What part did each of you play in creating the book?
We both worked back and forth on the text. Jasmine did all of the original artwork and designed the cover. Jim took care of the grunt work of uploading files to CreateSpace for a finished product.

What was the hardest part of collaborating, and what was the easiest?
Collaborating was easy since neither one of us was pressured by time. The hardest part was to learn how to write for an early reader. Jasmine and Jim have collaborated on other pieces which include the soon-to-be published “KALE—the Ultimate Vegetable” that will appear in Kale Chronicles (working title) to be compiled by the Corrales Writing Group.

How did you decide what aspect of the story to illustrate?
Jasmine first wanted to capture Kato to put him on the cover of the book. Next she decided to depict the other characters in the story that helped Kato, so the reader could imagine what they looked like. Finally she drew a couple of scenes with setting and characters.

What is the greatest challenge of writing for the children’s market?
The professional children’s publishing market is dominated by requirements set by school districts. We learned that Kato’s Grand Adventure would not fit because it did not follow guidelines for teaching in today’s classrooms. Somewhat disheartened by this reality, we simultaneously got appreciation for the story from potential purchasers who were not connected to the professional children’s market. Since receiving so much positive feedback from just plain folks we decided that an independently published book with original artwork by Jasmine would work. This year we were rewarded by recognition in the form of professional contest awards from the NMPW Communications Contest 2019—first place for Book Designed by Entrant and second place for Children’s Books, Fiction. The book design went on to win an honorable mention at the national level.

Tell us how the book came together.
The story idea originally came from a telephone call from Jim’s daughter telling us she and her daughter were going to pick up some new kittens at a neighbor’s house. That day we both happened to be en route for the first class of a University of New Mexico Continuing Education course of writing about animals. It sparked the idea of the story and we went to additional classes on how to write for children and additional drafts. We worked on it for many years and donated copies of the text to two different charitable organizations for fundraising anthologies. Finally we thought the text was as good as we could ever write it, and Jasmine turned to the illustrations and then Jim to the mechanics of book production.

What was your favorite part of working on Kato’s Grand Adventure?
Jasmine says: Doing the illustrations. Jim says: Hitting the button to publish.

Do you prefer the creating or editing aspect of writing? How do you feel about research?
Jim really likes doing the research and all aspects of the creating stage. Jasmine enjoys creating, rewriting and editing. Both Jim and Jasmine detest marketing.

What is the best compliment you’ve received as an author?
Jim is the recipient of the Alfred Thayer Mahan award from the Navy League of the United States. This is the highest honor awarded to authors who write in this field. Jasmine received an honorable mention award for her memoir The Journey of an Adventuresome Dane in 2016 from the New Mexico Press Women (NMPW) Communications Contest.

Do you have a message or a theme that recurs in your writing?
You can overcome obstacles.

What is the best encouragement or advice you’ve received on your writing journey?
Keep writing no matter what happens in your life.

What writing projects are you working on now?
Jasmine is working on several short stories for anthologies and contests. Together they have outlined a new children’s picture book. Jim has completed two novellas (one is a romance and the other is an adventure) co-written with a member of the Corrales Writing Group. They have a contract for one of those books. Jim has another novella (historical fiction) out for consideration in two different contests. He is in the final stages of re-writing the first of three planned novels set in Sandoval County. The second novel is fully outlined and the third is in the concept development stage. In addition, he has a number of short stories and essays scheduled to appear in anthologies and journals.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy posts to a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




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