Blog Archives

An Interview with Author Yvonne Williams Casaus

For over a decade, counselor and play therapist Yvonne Williams Casaus has helped children, adolescents, adults, and families in her private practice. Now with her first book, A Drop of Water: A Spiritual Journey (2016), she continues her outreach as she shares about healing, grief, and personal growth. You can find Yvonne at LaughingAtMyself.lol and on Facebook and Twitter.


What is your elevator pitch for A Drop of Water: A Spiritual Journey?
A Drop of Water: A Spiritual Journey is a tangible way out of depression, trauma, and loss. I was spiritually inspired to share from my knowledge as a therapist and suicide loss survivor. I lost my first husband, the father of my children, to suicide. It is my own personal story that I share to help others. My love of water transforms it into a lighthearted, uninhibited, and fun poetic journey.

When readers turn the last page, what do you hope they’ll take away from it?
I hope they will learn that we can all overcome profound tragedy, grief, and depression because we are all connected. We all feel loss; we all have dark nights of the soul. It will remind you that no matter how lonely you feel, you are never alone. Of the 8 billion species on earth, there are 7.24 billion people of different cultures, ages, and genders. What is the universal link that connects us all? Water. A drop of water, an ocean of water, we are all connected.

What unique challenges did this work pose for you? 
Writing the book definitely took me out of my comfort zone. I never thought I would share my personal story of loss. It was so painful I never imagined I would put it on paper. However, it has been very healing. I have now met so many people who have been affected by suicide. It is considered a taboo subject, but it is so important to start talking about it and end the stigma of mental illness. It was also challenging because I wrote it while working full time as a mom, wife, counselor and play therapist, so I really had to learn to manage my time.

How did the book come together?
I had a calling for many years to write a book. I did not know what I would write about, but I felt there was a book inside me that needed to come out. I truly believe it was spiritually inspired. I attempted to write it many times. Finally, during a weekend writing retreat the words came out so quickly I started typing with my eyes closed. The first draft was written in a weekend. The editing process took much longer. It took a year to create a cover, edit, and self-publish the book. I learned a lot in the process.

Do you have a favorite quote from your book that you’d like to share?
From the Chapter “Dancing”: “Feel the vibration, the connection, the knowing. We are all souls, connected and growing.”

Was there anything surprising you discovered while doing research for this book?
The entire process of writing this book has been a surprise. One of the most delightful things I discovered was that I could write in rhyme. I have never rhymed, so I was literally laughing out loud and laughing at myself while writing this book. That is why my website is LaughingAtMyself.lol. I discovered that my ability to laugh at myself has been a huge part of what has helped me heal and grow. I found it extraordinary that the joy I felt was in direct proportion to the pain I experienced during my grieving process. I was also completely taken aback by the statistics—nearly 800,000 people die from suicide each year. When you’re dealing with a loved one’s suicide, you think you are the only one.

What was the most rewarding aspect of writing A Drop of Water?
The most rewarding aspect is knowing my words are helping people. So many people have reached out since I opened up about my loss. I have gotten amazing feedback about how my book has helped others struggling with depression. I am proud to be fighting the stigma of mental illness. I hope these words will give people courage to talk about how they are feeling and ask for help if they are struggling. I was honored to be asked to run a writing workshop for Long Term Survivors of Suicide at the Grief Resource Center. I have also been featured in many blogs, television, and radio programs to discuss suicide, depression, anxiety, and grief.

Do you write other than nonfiction?
Yes, I am halfway through my next project which is a fantasy novel dealing with spirituality. It is a young adult book. I work with many adolescents so I was drawn to this genre. I have really enjoyed writing paranormal fiction and creating my own fantasy world. So far there is a lot of suspense, romance, betrayal, and vampires. All of which I love to read.

What has writing taught you about yourself?
Writing has helped me heal more than I thought I could. Sharing my deepest, darkest moments with the world has to be the most terrifying thing I have ever done. I have gone skydiving, and I have snorkeled with sharks. I am pretty adventurous. I don’t mind heights, and I love big, scary roller coasters. However, I tend to be a very private person, so sharing the loss of my husband to suicide was not easy for me. It has given me more courage and confidence in myself. I learned that I am much stronger than I ever imagined.

What advice do you have for discouraged writers?
Just write. Editing can come later. Write from the heart and let the words flow quickly. I found that if I stopped to correct my mistakes, it would take me in a different direction. We all have stories to tell. I say, “Do it!” Courage is not the absence of fear; courage is doing what you are called to do in spite of your fear.

What writing projects are you working on now?
Besides my young adult fantasy novel, I have been working on blog posts for my website. And I was recently awarded an Honorable Mention in a SouthWest Sage short story writing contest. My story “Awakening” is featured in the February 2017 edition of the Sage (page 8).


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. She has a new speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Zachry Wheeler, Part 1

Science fiction novelist Zachry Wheeler is a web applications developer and self-professed nerd who also writes nonfiction articles for BrewChief.com and HerringtonPost.com. You’ll find him on his website ZachryWheeler.com and at SFF conferences throughout the Southwestern United States (see his website’s Events page). Transient, published in 2016, is his debut novel.


What is your elevator pitch for Transient?
I got a lot of pitch practice at the Albuquerque Comic Con this year. It sold a lot of books, so I guess I’m doing something right:

“You can think of Transient as a re-imagination of vampire lore through the lens of science fiction. Now here’s the fun part. I took the widely abused trope of a young adult vampire romance … and shoved it face-first through the meat grinder of post-apocalyptic science fiction. The story is dark, sinister, and morally ambiguous. Consider it the anti-Twilight.”

Tell us about your main character in the book.
From the rear cover blurb: “Jonas is a young transient deep undercover in downtown Seattle. He lives underground, works at night, and drinks his daily blood rations, just like any normal eternal. He is a model spy, but also an apostate among extremists, torn between ideologies (as well as lovers) from either side.” That sums him up quite well and foreshadows his struggles as the protagonist. You can think of him as a young idealist trying to navigate a world of extreme moralities. He’s an easy character to connect with because, at a baseline, we all just want to get along.

How did Transient come together?
Transient took 10 years to publish. When I wrote the first draft, I wasn’t a writer at all. I was barely a reader. I just had an interesting idea that I put down on paper. And boy was it terrible. It was a study in how not to write. I used every crutch and cliché you could imagine, but I didn’t know any better. Once I learned how bad it was, I set it aside and went on to other things with the assumption I sucked at writing.

I credit beer for teaching me how to write (totally serious). I started a craft beer review site (BrewChief.com) shortly after I wrote the first draft of Transient. I had no intentions of becoming a writer at that point; I just wanted to talk about the wonders of the craft beer movement. A thousand articles later, I realized my writing had improved dramatically. I decided to revisit the Transient manuscript and was surprised by how much I had learned. Not only could I see what was wrong, I knew how to fix it.

What is your writing process like?
Stephen King said, “Amateurs sit and wait for inspiration, the rest of us just get up and go to work.” That’s me in a nutshell. I’m a very motivated person, a task master who is uncomfortable with idle time. I write every day, and I never have trouble getting started. The only x-factor is topic. Writer’s block is not something I experience. I’ll get hung up on an idea from time to time, but instead of faltering, I just shift focus onto another writing avenue while it simmers. I own and operate several online writing ventures, including BrewChief.com and HerringtonPost.com. So if I get stuck on something in a novel, I’ll go write an article or blog post to reset my brain.

What comes first for you before you write: a character, a scene, a story idea?
Definitely the story idea. Every novel I write can be boiled down to a “what if” question. I refuse to outline my stories, so the characters and plot emerge organically.

Do you have a message or a theme that recurs in your work?
I don’t construct messages or themes because I never want to come across as preachy. I let the settings and the characters do that for me, no matter how ambiguous (I downright loathe some of my characters). However, I do employ some recurring elements. I enjoy taking jabs at religion, both critically and comically. I also like to explore misanthropic personalities.

What are the hardest kinds of scenes for you to write, and what do you do to get over this hurdle?
Sex scenes are quite vexing, mostly because everyone’s sexuality is so different. The things I enjoy will turn off someone else, and vice versa. To get around it, I just set up the foreplay and kill the scene, leaving the reader to their own imagination.

Who are your favorite authors, and what do you admire most about their writing?
My favorite author by far is Douglas Adams. I adore his entire catalogue. When writing humor, there are a few ways to do it right and a million ways to do it wrong. Adams had an unapologetic wit and a storytelling voice that hooked you from the first sentence. I dedicated my latest work to his memory (a science fiction comedy entitled Max and the Multiverse).

When did you first consider yourself a writer?
To be honest, I still don’t. I consider myself a compulsive dabbler.

What writing project are you working on now?
I just released my latest, a young adult science fiction novel titled Max and the Multiverse. It was so much fun to write that I immediately launched into the sequel. From the back cover of Max and the Multiverse: “Max is a teenage gamer with an exceptionally dull life. That is, until a bizarre accident leaves him with the ability to shift between parallel universes, but only when he falls asleep… Determined to escape his mundane existence, Max and his cyborg cat venture into the black, only to entangle themselves in an intergalactic conflict. A ruthless criminal overlord, a corrupt planetary system, an ornery walrus, a secret society of super nerds, and a pair of plucky orange lesbians round out this crazy, clumsy adventure.”

To learn more about Zack and his writing, go to Part 2 of this interview.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. She has a new speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Lucille Friedland, M.S.

Author Lucille Friedland, M.S. believes the purpose of her life, her marketing consulting firm, and her writing is to “help create prosperity, health, and well-being for all.” Her first book YOU CAN PROSPER: How to Do More with Less was published in 2016 by RainbowExchange.NET Books. You can find her at Friedland Marketing and on LinkedIn.


What is your elevator pitch for YOU CAN PROSPER?
“Live long and prosper,” alien Spock famously said on Star Trek as he held up his signature hand sign. Today, many people here on Earth want to live better with what they have as well. Some may even find they have less money than they thought they would. In this book you can discover many ways of enjoying life and living longer. It explains how to do so in a way that you can save money, save time, prepare and follow a budget, plus live spiritually. Often based on recent research studies, I share ideas new and classic. In almost all cases, I have tried and/or regularly do these items myself.

What challenges did this work pose for you?
After I wrote the book, I sent it to a group of friends and relatives who critiqued it. Their input and insights were excellent. The most profound came from my sister Jenny Friedland Tender, M.D. She said a large number of my ideas are actually supported by scientific research. Then she asked me to go through the entire book and look up the related research. It took me over a month to do so, thereby adding greater merit to my book. Now readers can read YOU CAN PROSPER quickly or take their time reading dozens of related articles and see the details behind the studies.

What is the most rewarding aspect of having the book in the hands of readers?
When it relates to their lives, people who read my book love it. My greatest reward is hearing that they want to implement my ideas to improve their own lives. I also enjoy their excitement about the book. To my surprise, I have started to take my own advice even more seriously than when I earnestly wrote the book. For instance, I de-cluttered almost my entire home. I donated 30 bags of clothing (and other items) that no longer fit me or I no longer use. And I established a new company called LucilleRuffleScarves. Today I see my life becoming better every day by following the advice from the book.

Tell us how the book came together.
While bedridden and recovering from car crashes (gratefully, I’ve since mostly recovered), I needed to figure out how to live my life and prosper. I wrote and revised the book over a span of about 10 months, taking a break for a few months total during that time. However, I collected content for over 10 years. Ideas in the book arrived as a result of necessity—“necessity is the mother of invention,” as the saying goes.

What makes your book unique in the self-help market?
The book explains how to live well on a budget, then goes into how to increase income, live spiritually, and even shares my personal bookkeeping system. Because it is based on research, it turns out (to my surprise) that many of my ideas and recommendations for living well on a budget also help people live much longer. I wrote complex concepts in a simple way, so it’s a quick read—enjoyable for many in one sitting from cover to cover.

Anything else you’d like readers to know?
When researching and writing YOU CAN PROSPER: How to Do More with Less, I discovered many products that are extremely useful and in some cases fun. It turns out I could create dozens of online stores that offer these products and other ones that are fun, eco-friendly, useful, and unusual. This is how I developed EcoFunShop.com that dovetails with my book. As a Business/Personal Coach, Marketing Trouble-Shooter, and Consultant with Friedland Marketing, I am also able to help readers, business owners, and others to prosper. Please see my website for information about my marketing and coaching services. For paperback and ebook options for YOU CAN PROSPER, go to Where to Buy at RainbowExchange.net Books. And contact me by phone with any questions (including about speaking engagements) at 505-504-3404.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. She has a new speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Bilal Khan

Author Bilal Khan is a Muslim American physician (writing as Hubshey D. Rogers) who lives in Albuquerque, New Mexico. His first book, Caterpillar, was published in 2016. You can find him on his website Hubshey.com and on Twitter: @bilmkhan and @Hubshey.


caterpillar150_3What is your elevator pitch for Caterpillar?
Caterpillar is a philosophical journey of the protagonist Zarathustra through various periods in time. Using similar methods as used by Nietzsche, I have tried to bring out in this fictional work my own objective of revisiting the causes of antagonism seen between the Muslim world (a post-colonial world) and the rest (which includes the more developed nations and the former colonists). I have tried to bring out some universal concepts and ethos that I believe are important in bringing people together as we move forward to a better and a more dependent future together. We are moving towards a more global society. The sooner we realize this and see beyond the divisiveness, the better service we would be doing to humanity in general.

What makes this work unique in the metaphysical market?
In a very non-controversial way I have pointed to reformation in Islamic thought; and also a reinterpretation of the way western democracies see the post colonial Islamic world. This work helps to understand the other side and also helps each party to look at itself better. For this reason I have also made this work more into a bilingual work so that if zealots want to exploit any aims at reformation of thought in Islam they would be handicapped as a portion of this book is written in Urdu. The aim was that the message should not be lost in translation. A problem reformist writers, writing in English, face.

How did the story idea come about?
The idea of the book started with my loving devotion towards my Beloved Blessed Prophet Mohammad. For some time I have wanted to show his evolution. He was born an orphan in a tribal society, broke traditions by marrying an older widow. Let her continue with her business, in fact assisted her. As someone with some experience growing up in a society where tribal affiliations are a big deal, I was always in awe of his breaking away from traditions, and yet he remained famous and well respected because of his character. He was a truly liberated mind. We would not have known him had he not received divine revelation. I find my life richer for it.

Tell us about your main character.
The main character is Zarathustra. In Nietzsche’s writings he is the harbinger of the new age and brings the news of the death of God. I used the same name and to some extent the same personality of character. The protagonist now travels in different historic times to bring about the important universal principle of universal thought. My protagonist faces great problems in the sense that he has to deal with different ages, while dealing with my insistence of bringing out universal principles. The need to reform and reinterpret.

I have a great respect for liberated minds and wanted to bring about an emphasis on the importance of such minds. Walter Kaufman in the opening of his book Without Guilt and Justice: From Decidophobia to Autonomy explains the importance of liberated minds. Those are the sort of characters I want to create. It is these strong characters that move the society forward and make (the way) for a brighter future.

What was the most rewarding aspect of writing the book?
The most enjoyable aspect during the writing of Caterpillar was bringing forward the Central Asian bureaucrat, Otuk. Creating this autonomous man was fun. The other fun part for me personally was writing the dialogue of Malik Taus, the peacock. He is the character of the fallen angel in the Middle Eastern Yazidi religion. I knew little about his historic fall in the Yazidi tradition and how he was forgiven by the mercy of the creator of the universe. Writing dialogue from a fallen angel perspective, adding a tone of humbleness along with the experience of ages to his persona, and showing it in dialogue was especially challenging. I loved it!

Was there anything surprising you discovered while doing research?
When I found out about some of the earlier reformers in the Islamic tradition, I realized those Muslims had much more freedom of thought and expression than we do in this day and age.

Do you have a favorite quote from the book that you’d like to share?
One I really enjoyed coming up with is found in the opening: “It was then as it is now. Or may be not.”

What else would you like readers to know about Caterpillar?
The opening scene is a dialogue between Malik Taus (the fallen angel) and Zarathustra. The reason I chose this for the beginning was that this book is a quest, even a personal quest, to find a new subrogate for the times that lie ahead. Free from fear and societal domination of the individual. Towards a new autonomy of the individual person where expectations are set by the individual. Where religion or way of life is simply a means to finding inner harmony, to help build a personal palace or temple of the mind. The opening scene had to start from the beginning. So I started by bringing about an early character from human history as much as I could dare. It is a heavy beginning. The scenes which come later are much easier to digest. Another scene has Zarathustra conversing with Ariel. He is the wise young brother of a societal reformer. I will leave it at that. I have treaded very carefully here so as not to offend anyone. It is this part of the book that necessitated an explanation in a language spoken in a Muslim country (in this case Urdu). So my reader understands, this endeavor in no means intends any disrespect. Far from it.

Why did you decide to use a pen name?
I like to keep my privacy in everyday life. My livelihood is such I do not want the people I interact with at work to recognize me and be uncomfortable as if I am keenly observing them or anything. Something I do not do, especially in the role of a physician. Besides, for the English speaker, I think it is easier to pronounce Hubshey (pronounced almost like Hershey) than my name Bilal.

What books have had a strong influence on you or your writing?
Thus Spoke Zarathustra (Friedrich Nietzsche), The Glass Bead Game (Herman Hesse), The Brothers Karamazov (Fyodor Dostoevsky), and Without Guilt and Justice from Decidophobia to Autonomy (Walter Kaufmann).

What is your writing routine like? Is there a place and time of day when you feel most inspired?
The most inspirational time for me is around dusk. The time for Maghreb Prayer. I can only write at night.

What has writing taught you about yourself?
I am an idealist waiting for the best of times.

What is the best advice you’ve received on your writing journey?
Writing is a lonely journey. I avoid all advice. I would suggest others do the same.

What writing projects are you working on now?
I have started working on my second book, Dreams in American. I think it should have some form by April 2018.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. She has a new speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Patricia Walkow

Author Patricia Walkow thinks of a blank page as a canvas that can become anything she imagines. She has written magazine articles and newspaper columns, and currently writes memoir, essays, short stories, and longer fiction. Her debut novel, The War Within, The Story of Josef (2016), is historical fiction based on the life of her Polish father-in-law. You can find Patricia on Facebook and her website, as well as her SWW author page.


thewarwithin200What is your elevator pitch for The War Within, The Story of Josef?
A teenage boy is a slave laborer in Nazi Germany. Young German man saves his life.

When readers turn the last page in the book, what do you hope they will take away from it?
Heart to heart, there are no enemies.

What unique challenges did this work pose for you?
This story is a fictionalized account of real events that happened to specific people in Nazi Germany during WWII and the post-war years. Some of the people in the story are still living, and their remembrances of an event are not always identical. I had to determine which one to incorporate into the story and let the people know which I was using and why.

Furthermore, I interviewed family and friends in both Germany and Poland, and there was a language barrier. Interviews took place in the form of a list of questions, as well as face-to-face via Skype in some instances. I was able to use software to convert my questions into either Polish or German, and then convert the interviewee’s responses into English. Software also read my questions aloud in German or Polish. I learned to keep my questions simple! I never completely trusted the software to properly translate complex sentences into another language.

How did the book come together?
I first thought of writing Josef’s story a long time ago. Josef was my Polish father-in-law. In 1969, on a hot summer day in New Jersey, my boyfriend (now my husband, Walter) and I were visiting his parents at their weekend cottage. I asked Walter why his father wore long pants on such a sweltering day, and he said it was because his dad had an artificial leg. He had lost his left leg during the war, not because he’d been in the Polish military, but as a result of an accident in the factory where he worked as a slave laborer in southern Germany. Josef was Catholic, captured from Poland at about age fifteen, and sent to work throughout Germany and its conquered lands. It was the first time I knew people other than those of the Jewish faith were targeted for slave labor and that all Poles (regardless of religion) were considered sub-human.

I tucked Josef’s story away for a long time. Over the years, Josef and his wife, Ella, revealed snippets about their lives during and after the war, and I squirreled those away, too. They never dwelled on the past and always looked to the future. The war was a topic I thought they preferred to forget. Once I retired, after Josef had died and Ella had descended into dementia, I thought earnestly about writing their story.

When I joined the Corrales Writing Group in 2012, I wrote a very short story about the subject, and it blossomed into The War Within, The Story of Josef, which I started writing in 2013 and published in 2016. Members of the group were instrumental in making the book both readable and real. I could not have done it without their insights, critiques, and encouragement. Thank you, Don Reightley, Leon Wiskup,  Sandi Hoover, Tom Neiman, Chris Allen, Jim Tritten, and Maureen Cooke.

Tell us about your main characters.
Josef’s ability to face any situation with dignity and ingenuity inspired me. Ella’s steely persistence blossomed in the story, helping the family survive in the post-war years. Willie was the young German man who saved Josef’s life. He took a big gamble helping a slave laborer, breaking every rule a German citizen could break to help the teenager.

What was the most rewarding aspect of writing the book?
I enjoyed the research. It greatly expanded my knowledge of World War II. Besides, it was a good excuse to buy books. I can deduct them on my taxes, too.

Any surprises while doing research for The War Within, The Story of Josef?
Yes, there were surprises. 1) There were relatively “few” casualties for the Americans (about 500,000) compared to the Russians, Germans, and Poles, each of whom endured enormous losses of both military and civilians—tens of millions of deaths for each country. The US experienced fewer than 2,000 civilian losses. In other countries, the civilian losses far exceeded the military losses. 2) Many Polish slave laborers were reluctant to be repatriated to Poland after the war. Their country had turned Communist, and they did not want to live under Communist rule. 3) I had thought the Marshall Plan served a primarily humanitarian purpose, but during my research I realized its primary objective was to prohibit a starving, decimated West Germany from turning to the east—the Soviet Union—for food and assistance in rebuilding, turning Communist in the process. The Marshall Plan did offer direct aid in terms of food, but also worked with the West Germans to rebuild the defeated country’s agricultural, industrial, and commercial infrastructure, and thus sowed the seeds for a robust economy.

If you suffer from writer’s block, how do you break through?
Regarding the writing process itself, sometimes I just need a break…a few weeks off, for example, to let things gestate in the background.

What are you most happy with in your writing?
In The War Within, The Story of Josef, I am most happy with offering the reader insight into a little known aspect of WWII: slave labor. I have learned many people do not know there was another holocaust—against all Slavic people. In addition to the 6,000,000 Jews killed by Hitler, there were over 5,000,000 non-Jews who were also killed, often through work-to-death programs.

What is the most difficult aspect of writing historical fiction?
One difficult aspect was the many revolting things I had to read about from this particular period in history. I often wound up with an upset stomach. Another difficulty came in writing dialogue. Much of The War Within, The Story of Josef tells the story through dialogue. It’s really the fictional part of the book. What would Josef say, and how would he say it? Same with the other characters.

Why do you think people like reading historical fiction?
Historical fiction roots the reader to the past. It lets us understand how people lived in a specific era, or how they dealt with very real events in human history.

What typically comes first for you: a character, an era, a story idea?
It depends. For The War Within, The Story of Josef the story came first, with Josef in the lead. For my novel in progress, The Far Moist End of the Earth, a writing prompt started the story. I wondered where the story could go with the prompt. Well, it took me to the early 20th century in Southeast Asia…who knew?

What’s on your to-read pile?
I have some books I’m using for research for The Far Moist End of the Earth about making paper, the history of various countries in the region, Buddhism, and the challenges of missionary work. I recently enjoyed Corran Harrington’s Follow the River Home. The two books I am currently reading are Mark Steyn’s After America and JJ Amaworo Wilson’s Damnificados.

What writing projects are you working on now?
The Far Moist End of the Earth is my novel-in-progress. It’s set in a Protestant mission in Southeast Asia during the early 1900s. Do you think people are missionaries just to spread their religion? Think again. The first chapter of the novel won third place in the 2016 William Faulkner Literary Competition (short story entry). The novel is about sixty percent written. Projected publication is 2018.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. She has a new speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Loretta Hall

Space enthusiast, former math teacher, and award-winning nonfiction author Loretta Hall received the Communicator of Achievement Award from the National Federation of Press Women (NFPW) in 2016. Her newest book The Complete Space Buff’s Bucket List: 100 Space Things to Do Before You Die (Rio Grande Books) was awarded the New Mexico-Arizona Book Award in the travel book category (2016). You can find Loretta at her websites SpaceBucketList.com, NMSpaceHistory.com, SpacePioneerWords.com, and AuthorHall.com.


thecompletespacebuffsbucketlist200What is your elevator pitch for The Complete Space Buff’s Bucket List?
Space buffs want to do more than revel in someone else’s achievements. We want to be involved. We want to participate. This book has a hundred ways to experience space exploration without being an international astronaut or an unmanned space probe.

What unique challenges did this work pose for you?
I found it challenging to search out 100 space activities that weren’t all visiting museums, reading books, and watching TV shows or movies.

Tell us how the book came together.
My publishers at Rio Grande Books decided to produce a series of bucket list books on many different topics. Since they know how spacey I am, they asked me to write a bucket list about space exploration. It’s a short book, only about 12,000 words. The research, writing, and finding photographs took about two months.

Any “Oh, wow!” moments when doing research for this book?
Searching online, I discovered some really cool activities I had never heard of or imagined. For example, I didn’t know you could buy jewelry that contains bits of meteorites or that there are several resources for helping you learn to speak Klingon. And I discovered citizen science projects for furthering knowledge about things like planetary formation, formation of galaxies, and searching for impact sites of several artifacts on the Moon that haven’t been located yet.

How many things on the bucket list can you cross off? What thing on the list do you wish more than anything you could do?
So far, I’ve done 59 of the 100 items on my list. I’d love to spend three or four days at the US Space and Rocket Center’s adult space camp.

What was your favorite part of putting this project together?
I enjoyed discovering space activities I didn’t know existed. And I particularly liked cutting loose and writing text that would be fun to read.

outofthisworld150You have two other nonfiction books dedicated to the topic of space—Out of This World: New Mexico’s Contributions to Space Travel (2011) and Space Pioneers: in their own words (2014). What was the most rewarding aspect of writing these books?
I wanted to make space exploration and its history interesting to people who didn’t think they wanted to know about it. Instead of focusing on the technologies, I wrote about the experiences of the people who developed them. I tried to humanize the topic. When I give talks based on my books, I’m really gratified by the comments that indicate I’m accomplishing that.

What marketing techniques have been most helpful to you?
Giving talks related to the topics of my books works well for me. That way, I’m sharing fascinating information with people rather than just asking them to buy my books. Here’s an example I enjoy sharing: In a half-hour social period before a presentation to a small audience, three people bought copies of Out of This World; after my talk based on Space Pioneers, five people bought that book, which costs twice as much.

What is the most important part of a nonfiction book proposal that a writer needs to get right?
All of it! But seriously, I think it’s being realistic about what readers want. Authors can get enthused about a topic, do the research, and write a great summary; but if the author is the only one who’s interested in it, a publisher won’t buy it. For the proposal, we have to understand and explain why a significant number of people will be interested in our topic. Then we have to keep that in mind as we write the sample chapters and, ultimately, the book. If we think we’re providing worthwhile information, it’s up to us to write it in a way that will attract and hold interest.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. She has a new speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Victor Acquista

After a long career in the medical field, Dr. Victor Acquista has turned his focus of helping and healing to writing fiction that raises awareness of social issues. The science fiction story Sentient (Mirror Matter Press, 2016) is his debut novel. You can find Dr. Acquista at his website VictorAcquista.com.


sentient200What is your elevator pitch for Sentient?
Two highly evolved, telepathic species clash. One is driven by the desire to be the supreme sentient race in the galaxy—highly competitive and determined to dominate. The other is highly cooperative, united in collective consciousness, peaceful—this is our progenitor race and we are nearly annihilated. The genocide of our parent species by the Mind Warriors of T’rox leads us to establish a colony on earth, where telepathy is genetically blocked to avoid detection by T’rox. There are unintended consequences to this survival strategy.

What unique challenges did this work pose for you?
While I had published a nonfiction book and have written several short stories, a full-length novel represented a new endeavor for me. There is a gap between having a good story idea and telling that story in a compelling way. I was uncertain whether or not I could bridge that gap. Upon completion of the novel, I then had to get a publisher. This is more of a left-brain task as opposed to the creative engagement of the right brain required to spin the tale. I also chose to do this by leaving my normal work life/career in the rearview mirror. This posed some economic issues and some writing discipline challenges to say the least.

Tell us about your main characters. Will those who know you recognize you in your characters?
The protagonist, Anyeuros, is a musician who escaped the genocide of his home world and arrives on earth in current times. He is rather distraught by the war, violence, poverty, etc. he observes. He connects with Professor Jeremy Strickland, a brilliant, but troubled physicist who struggles with mental illness. This character has a sense of humor and is rather incorrigible. He is enrolled in an experimental drug program run by Dr. Rebecca Flores. She is a bit of a conflicted anti-heroine.

The story unfolds across three settings. Modern earth (the colony) is only one. The alien world of T’rox is stagnating and their leader Ka ‘Stan recognizes the social decay. He has plans to resurrect their society with new achievements beyond conquering other species. His champion is a ruthless clan leader determined to bring glory to his outcast clan. The third setting involves the early colonists of whom there are only four women and two men. Each has a unique personality and they all struggle with separation from the collective while trying to survive on a harsh new world.

There are bits and pieces of me in almost all of the characters. I am particularly fond of Nathan, Professor Strickland’s teenage neighbor. I like to think he embodies something I aspire toward.

Describe the societies you created for Sentient.
T’rox is an alien civilization strongly acculturated to compete as individuals, as clans, and as an entire planet. Always, they strive to be the best. In spite of having telepathic consciousness which allows sharing, they closely guard secrets and strategies in order to gain advantage over competitors. They are conquerors and kill or enslave other species. A problem occurs when you run out of new species to conquer. This hyper competitiveness turned inward, causing social stagnation and strife.

Adden, the home world of our species, also has evolved to telepathic consciousness, but they share collective knowledge and feel each individual has something valuable to contribute to the collective. As a result, their society is peaceful and without social problems such as poverty, discrimination, injustice.

When these societies meet, an event occurs resulting in our species intentionally blocking telepathy and shared consciousness. How this develops and is resolved over the arc of humanity’s history is the predominant plot element.

What was the most difficult aspect of world building for this novel?
This story had been percolating in my mind for quite a few years, so when it came down to actual writing, the world and society were essentially already built. The challenge for me came more with using examples via plot/character details that illustrate the world and social structures. In many ways, Sentient mirrors our own world and the things we struggle with.

How did the book come together?
I have a background in medicine, but I have been quite intrigued with neurobiology and behavior, social and cultural aspects to development and evolution. I believe we have latent human capacities such as telepathy. I imagined what it might be like to have an entire world linked in collective consciousness, and then asked myself, “Why are we not that way?” The answer I came up with—we intentionally blocked telepathy through genetic engineering as a way to hide from destruction. What problems would likely occur and how might that play out over the course of human history? Since individuals suffering with schizophrenia may experience auditory hallucinations, I posited this represented an incomplete genetic block of telepathy (mischaracterized as mental illness). I thought it would be interesting to cast a character with schizophrenia as one of the protagonists.

I had penned a couple of chapters over the years and many notes, but I really did not sit down to write the book until March, 2015. I finished a first draft by September, edited it umpteen times, and tried without success to get an agent. A small press requested the manuscript in December and we eventually moved to a signed contract. Sentient was released October 15, 2016.

Do you have a favorite quote from Sentient?
“When you rise to power on the wings of fear you must depend on fear to remain aloft.” ~Ka ‘Stan, Ghal of T’rox, 5th Epoch

pathwaystohealth150In your past life you were a physician for many years—and you published the self-help book Pathways to Health: An Integral Guidebook. How did your experience writing nonfiction affect/benefit your fiction writing? Now that you’ve written both fiction and nonfiction, do you have a preference?
I think writing nonfiction requires a different sort of creativity, specifically, weaving thoughts, ideas and information about some aspect of reality and communicating this to readers. For me, writing fiction enables me to play in the vast playscape of imagination without restriction. I enjoy writing and communicating through language. I do feel fiction gives me more expressive latitude and therefore it is my current preference.

What do you want to be known for as an author?
“Writing to Raise Consciousness”—whether fiction or nonfiction. I want to raise awareness of social issues and somehow help to make our lives better, both individually and collectively.

Looking back to the beginning of your writing career, what do you know now that you wish you’d known then?
Writing something to completion is just the first of three mountains I now appreciate as necessary to climb. The second is getting a publisher, which may or may not include getting an agent. The third involves aspects of marketing and promotion such that people actually purchase what you have written. Each of these requires different skills and energy. Looking back, I was particularly naïve about steps two and three. There is a learning curve to writing as a career. I feel as though I have transitioned from newbie to novice, but still have a lot to learn.

Do you have other creative outlets besides writing?
I enjoy gardening, cooking, and contemplation.

What writing projects are you working on now?
I have completed Serpent Rising, the first of a two-book adventure series, Saga of Venom and Flame, and am currently pitching this. I am half done with a satire, The Nihilist’s Pocket Survival Guide to Modern Society. I also am slowly gestating a fantasy novel, but do not have a working title yet. Although many genres are represented here, the common thread of incorporating social themes and issues into the characters and plots links all.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. She has a new speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Kit Crumpton

Author Kit Crumpton is a history lover, a public speaker, and a former engineer. The inspiration for her first book, Raiding the Empire of the Sun: Tinian 1945 (2015), was her father’s own manuscript based on his experiences flying B-29 bombers during World War II. You can find Kit at her website KitCrumpton.com.


raidingtheempireofthesun200What is your elevator pitch for Raiding the Empire of the Sun?
This book is about B-29 Superfortress bombing missions over Japan during the last year of WWII. It is written like an adventure novel, for good storytelling, but it is historically accurate. The main character is a Superfortress Airplane Commander based on the real life experiences of my father. It is well annotated with over 70 footnotes, and it includes a bibliography in the back of the book. There are four authentic letters that have historical significance to the story. The book also contains my father’s WWII bombing mission list.

How did the book come together?
Since sometime before 1975, I have had the three-ring notebooks that held my father’s manuscript for this book. I don’t know if he lost interest at some point or decided to nix it altogether, but since I had an interest in it, my father gave his manuscript to me. He also gave me a hand-written journal of all the B-29 missions he flew.

My dad died in 2008, and the one day I had vowed came to pass. I was enthralled when I read his manuscript, so I transferred the material into Microsoft Word and began re-writing the book. Research took me to places I would never have gone to otherwise. I now own a healthy library of B-29 technical manuals and WWII books of the war in the Pacific Theater. I have my dad’s military A2 file and the WWII monthly reports written by the historical officer at Tinian in 1945. I also have the letters my dad wrote to my mother while he was on Tinian. And he left behind negatives of pictures taken on Tinian Island. WWII Army Air Corps training films on YouTube were helpful as well. There at my fingertips, I had all I needed to follow the WWII adventures of the B-29s in the Army Air Corps on the Mariana Islands. This project took me five years to complete. Finally, I actually flew on the B-29 FIFI on September 20, 2015. My seat was right behind the pilot. Metaphorically speaking, during flight, I was looking over my father’s shoulder.

Tell us a little about your main characters.
The main character, the Superfortress Airplane Commander (who is based on my father), feels the weight of responsibility for the aircrafts he flies and for each crew member. There are two B-29 crews in my book, each having eleven men (i.e. Pilot, Co-Pilot, Bombardier, Flight Engineer, Radio Operator, Navigator, Radar, and four gunners). The bombing missions are dramatic. Crew members deal with tension from combat differently. I knew my father and could fashion the main character after him. I could not do this with the other characters, so they are more fictionalized.

Is there a scene in the book you’d love to see play out in a movie?
Yes, it is mission number three (depicted on the front cover) that shows an artist’s rendition of the B-29 named Eddie Allen in combat over Tokyo. If you look closely, you will see engine number one is disabled and the bottom of the aircraft is damaged like Swiss cheese. What makes the Eddie Allen poignant is that it was funded by war bonds purchased by Boeing factory workers who then built this aircraft. Eddie Allen was a B-29 aircraft designer who died in a test flight. My dad and his crew actually flew this mission on this special B-29.

How did writing this book impact you?
I have become more appreciative of “The Greatest Generation” and my country. United States citizens came together under extreme calamity, with a war in Europe that was started by Nazi Germany, and then we suffered an attack by the Japanese at Pearl Harbor. By sheer internal fortitude, commitment and resolve, we were able to push back the predators in our midst and defeat them.

Also, there are pivotal moments (i.e. “come to Jesus” moments) that sometimes happen to people. I think some of these moments did something to my father and members of his crew. The main character of my book digs in his heals, is a leader and a survivor. My father really was all about the structured life and Standing Operating Procedure (SOP). I knew him to be a man who took responsibility seriously. For years after WWII, my dad and his crew kept in touch with the exception of one crew member who disappeared. Using twenty-first century technology, I was able to find him, but he has since passed away. In researching and writing this book, I feel like I experienced what they experienced. It’s truly amazing.

What interesting discoveries did you make while doing research for this book?
The B-29 was an elite, state of the art aircraft, especially designed to fight the Japanese on their own turf. It could fly higher, be stronger, go faster and carry heavy bomb loads. Too large for the runways on naval ships, the airplanes were housed on the Mariana Islands (Guam, Tinian and Saipan). When the United States used atomic weaponry, it was a surprise to the island’s inhabitants that “Little Boy” and “Fat Man” were housed on their island. It was a well-kept secret. My dad was able to fly his Superfortress Dark Eyes back to the United States after the war was over. This airship was named after my mother. I have a picture of the flight crew and the ground crew celebrating news of the end of the war under the nose of Dark Eyes.

The Eddie Allen was supposed to fly twenty-five missions and then be flown back to Spokane, Washington to be put on display as a war memorial. Heavily damaged, the wounded war bird had to fly all the way back to Tinian. Iwo Jima was closed due to an accident on the runway. It was a precarious trip back to Tinian. Years ago, my dad told me the last two miles were flown on pure fumes. The Eddie Allen never made it back to the United States, but it was strong enough to bring my father and his crew home.

What was the most rewarding aspect of writing Raiding the Empire of the Sun?
Pride. Proud of my country, of our military, of my father and his crew. Proud that I have been given the privilege to tell and publish their story. And then also, thanksgiving. I was at a book signing at the Double Eagle II Fly-In aviation event on August 27, 2016. A gentleman, I think in his nineties, came to my table, and I told him about my book. He burst into tears. I think he was moved that I wrote a book about his generation and, most important of all, about my dad. I put my arm around this man while we shared a moment of reflection and thanksgiving. The same thing happened at another book signing I had in September 2016. This is evidence that my book strikes the heart strings of aviators and military historians. I am pleased that I have “hit the mark”, so to speak, with members of this group.

Why do you write in the historical fiction genre?
Because life is astonishing and history helps explain why things are the way they are.

How did your 25-year experience working as an engineer impact your writing?
My experience in computers and project engineering taught me how to plan, research, dig for the data and analyze it, organize, produce artifacts and figure things out. I’m not shy to ask for help, and I get it when I need it.

How has participating in Toastmasters helped in marketing and promoting your book?
I have been a member of Toastmasters for over sixteen years. I have found it compliments writing, promoting and marketing. It’s all about effective communication. I give my Toastmasters experience credit for my success at book signings and public speaking engagements. Toastmasters is an organization where people hone their leadership and public speaking skills. (You can find out more about Toastmasters at Toastmasters.org.)

What writing projects are you working on now?
I am working on my next book, The Fading of Lloyd. Lloyd was my uncle. He was born retarded in 1911 and died at Elgin State (Mental) Hospital in Illinois in 1941. On his death certificate the cause of death is listed as “exhaustion incidental to psychosis.” This sounds like psycho-babble to me, so I did some sleuthing, going down the dark crevices of mental institutions in the early twentieth century. I’ve been a genealogist for many years, and I’ve collected family stories, many of them about Lloyd. The Fading of Lloyd is a sad story but a riveting one. I hope to publish it in December 2016.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. She has a new speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Lucy St. Clair

Author Lucy St. Clair is a healthcare professional whose long-time dream of becoming a writer began with an early passion for reading. Her love of the science fiction, fantasy, and paranormal genres was sparked by the discovery of Peter S. Beagle’s The Last Unicorn. Lucy’s debut novel, Scattered Years: A Paranormal Adventure Across Time (2016), is the first in the Time Passages trilogy. You can find her on her website at LucyStClair.com.


scattered-years200What is your elevator pitch for Scattered Years?
Scattered Years is a paranormal time-travel adventure based on Tibetan Buddhist practice. Alice is a latent psychic whose abilities she explains away to herself. She lives a normal life until tragedy strikes and she sinks into a deep depression. A chance encounter with Buddhism soothes her spirit, but also awakens her psychic abilities, culminating in a deep meditative state that takes her back twelve years. She re-emerges in an energy vortex near Sedona, Arizona with a chance to avert the death of a loved one.

What unique challenges did this work pose for you?
This is my first full-length novel, so it was also my training ground for learning the ins-and-outs of both writing and publishing. It was my first experience with a writers critique group, which was invaluable. Now it’s my impetus for learning about websites and book signings. When you are new to the craft of writing, every step of the process is a learning challenge.

How did the book come together?
The death of a child in my family really brought home to me how soul-searing and traumatic that experience can be. Anyone who has lost someone so young understands the desire to undo time and reclaim that young life at any cost. The story itself took about two years to write (I have a day job, too!). Editing took a lot longer, mainly because of a combination of work, health issues, and learning how to use editing programs. Unlike many younger authors, I am not computer literate.

Tell us about your main characters. Did they surprise you as you wrote their story?
The protagonist of the story is Alice. The growing awareness of her psychic abilities takes her by storm, and she often feels like she’s just keeping her head above water. Her inner strength and moral compass keep her going as she deals with the unbelievable. Naomi is very down-to-earth and no-nonsense. She takes Alice in and gently nudges her along on her quest. In this first novel, Naomi remains a mystery. Book 2 of the trilogy will reveal more about her and why she elects to support Alice. Martin is Alice’s love interest. While he plays a smaller role, he is important to this first book and the trilogy as a whole. He’s a solid stand-up guy, a former marine turned cop. He’s also very sexy, and he has his own dark past.

As for the second part of the question, I was often surprised by the characters and the unfolding of events. I know it sounds crazy, but they drove the story. Sometimes I felt like I was just the recorder of events.

Do you have a favorite quote from the book?
It’s hard to choose just one, but this is one of my favorites: “We all work within the confines of our nature until we evolve beyond them.” (You’ll find it on page 306.)

Any surprising discoveries while doing research for Scattered Years?
A few minor ones. I didn’t know there was actually a Tibetan Buddhist Monastery near Sedona, Arizona until I started researching the Sedona area. My critique group buddies (two of them are lawyers) helped me with legal details that I wasn’t familiar with.

What first inspired you to become a writer?
I can clearly remember sitting in front of the huge glass-front bookcase at my grandmother’s house when I was around 4 years old. I looked at all those books and realized that every story, every world, every exotic place and time, could be mine if only I knew how to read. It was the most exciting idea my 4-year-old brain could conceive of. As I became a more and more avid reader, I began to consider writing. It’s taken me many decades to realize that dream.

Who are your favorite authors, and what do you admire most about their writing?
I love Peter Beagle’s blend of fantastic and mundane, as well as his humor. Douglas Adams and Neil Gaiman always have me in stitches. Katherine Kurtz has great characters and a seamless consistency to her worlds. I also love Stephen Donaldson’s tortured anti-hero (Thomas Covenant) and his versatile multitude of styles. And of course, Stephen King is a master storyteller whose characters are unbelievably well developed.

Knowing what you know now, what would you do differently if you started your publishing career today?
I would have started sooner, for one thing! I would also have found a critique group, and figured out the whole networking thing, a lot earlier in my process.

Why do you write in the particular genre you’ve chosen?
I love paranormal/fantasy/science fiction for the freedom to construct any world you can envision and the discipline to remain consistent in how you maintain that world. It allows me to communicate the essence of my story in ways that can have a deeper impact due to the richness of their environs.

What’s your writing routine like?
Not nearly as disciplined as I’d like it to be. I recently made sweeping changes to how my “day job” and lifestyle are structured, and I’m still sorting out how that is going to work. I’d like to settle into a solid routine, because I feel it is such an invaluable tool for accomplishing anything. It’s a work in progress right now.

If you suffer from writer’s block, how do you break through?
Sometimes I have to just write any old thing that pops into my head. Sometimes I walk away from the computer and tend my little garden. Other times, clearing my head with meditation really shifts my perspective, and I suddenly stumble over a missing piece that moves the story along.

What are the hardest kinds of scenes for you to write?
Love scenes, without a doubt. I’ve read so many poorly written love scenes that are either so graphic that they sound clinical, or so laden with flowery euphemisms that they sound silly and sophomoric. In Scattered Years I tried hard to strike a balance and let the emotion of the encounter shine through the physical connection. Also, my writers’ group at the time was composed of me and three men, all young enough to be my sons. I cringed every time I handed them those scenes to critique. They, however, assured me they didn’t mind at all!

What advice do you have for writers still striving for publication?
The best thing I did for my book was to get a competent editor. Trust me, you won’t see your mistakes after you’ve read through it a dozen times. I know I sound like a broken record (does anyone even know what that means anymore?), but a critique group of honest, working writers is unbelievably precious. Writers associations like SouthWest Writers are a wealth of encouragement and information. It’s also very important to write every day: writer Vicky Petterssen nailed it when she told me, “Butt in the chair, rinse and repeat!”

Do you have other creative outlets besides writing?
I love growing things (I grew up on a farm) so my tiny garden gives me the joy of watching that happen. I love music and take voice lessons, which is a great expressive outlet, and I try to take every opportunity to put my camera to good use.

What are you working on now?
My second book in the Time Passages trilogy is in the rewrite and edit process, and the third is in the planning stages. I have a short story I’m shopping around, and I’m working with a virtual assistant to get my website up and running. I’m also hoping that Scattered Years will be available in electronic format soon.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. She has a new speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Joyce Trainor

Author Joyce Trainor writes and weaves, and loves on her grandchildren and 92-year-old mother, from her home in northern New Mexico. Joyce didn’t start out to be an author, but an encounter with a homeless man sparked the story idea that became her first book, No Handbook for the Homeless: A Novel (Sunstone Press, 2015).


nohandbookforthehomeless200What is your elevator pitch for No Handbook for the Homeless: A Novel?
A middle-class woman, overcome by debt caused by a drunk-driving accident, loses everything and everyone except her deceased son’s Belgian Shepard. The two must learn to survive among the homeless as she slowly rebuilds her life.

What do you hope readers will take away from the book?
I want readers to gain a new perspective when they see a homeless person, one filled with empathy—there but for the grace of God go I. I also want those who read the book to think it was time well spent.

Tell us a little about your main characters. Did they surprise you as you wrote their story?
Aileen, the narrator, is an ordinary person who finds herself in extraordinary circumstances. She is both mystified and terrified by what is happening. The other major characters, Wizard, Cesar, Father Rico, and Billy Dean all developed as I wrote the story. Occasionally, I wrote a scene, read it back, and decided it was something that would never have happened with that character—and it was back to the keyboard. Wizard especially was looking over my shoulder to make sure I got it right, and believe me he is opinionated. Billy Dean was pure fun. Everything about him still makes me laugh. And then there is Peanuts. His picture is on the cover. A lot of my readers became emotionally attached to him. They expressed more concern for the dog than Aileen.

How did No Handbook for the Homeless: A Novel come together?
I have to begin by saying the book is not autobiographical. I am blessed with a wonderful home, family, good friends, and neighbors. But it’s based on things I’ve observed in the world around me. The story began as one of those “I wonder” moments. My husband and I were stopped at an intersection and a homeless man was panhandling. He held up a sign to about every third car, but he was agitated, walking in circles, talking to himself and trying to cope. For the next few weeks he stayed in my mind. I wondered who he was and how his circumstances led him to that street corner. I wondered what my life would be like if I found myself without a home. It took a few more months before I wrote my first chapter, which I later moved to the middle of the book. From there the book took off. I wrote a chapter at a time, not always in chronological order. It took two years to write and rewrite the book and another year to find a publisher. I received dozens of rejections before Sunstone Press picked it up. I’m inexperienced when it comes to the business end of books and publishing. I was lucky to have a mentor, Santa Fe author Robert Mayer. He was generous with his advice.

What unique challenges did this work pose for you?
I needed to make the situations believable but also respect the reader. That is, I wanted the reader to feel an emotional connection with Aileen without betraying her thoughts. Some of the chapters were incredibly hard to write and rewrite. For example, the Christmas Eve and Christmas morning scene at the motel, I wanted to engage the reader without being overly sentimental. I paid a lot of attention to the details that set the scene, the little things, like spirals of snow in the stairwell.

Why did you choose New Mexico as the setting for the novel?
It’s a New Mexico story, but it could easily have been set in another state except for the weather. The weather is a key element in the story and helps drive the plot. You have to remember the impact weather has on the homeless. If it rains or snows or winds are thirty miles an hour, the person on the corner has no place of refuge. Most shelters are only open part of the year, and only at night. The people who stay there have to be up and outside early in the morning no matter what.

What was the most rewarding aspect of writing the book?
Once the book was published and people started to read it, I got a tremendous amount of feedback from readers who told me it changed their way of thinking. They do things they never would have before, like buy an extra hamburger and give it to the man or woman standing on the corner.

What are the hardest kinds of scenes for you to write?
There are a number of deaths in the book. They were emotionally draining for me. I cried with my characters. I knew what was about to happen but couldn’t bring myself to write it down. I would write around it until I was in a mindset that allowed me to finish the chapter.

Who are your favorite authors, and what do you admire most about their writing?
I love good storytelling. Tony Hillerman, Barbara Kingsolver, James Lee Burke, John Grisham come to mind immediately. I appreciate the way they use setting to drive the plot and characters and the way they engage all five senses.

Do you have other creative outlets besides writing?
I weave. I have two Rio Grande walking looms at home, and I love the feel of the wool as I weave. It’s gratifying to see the design develop from tiny threads set in just the right place. I find it very meditative. I do some of my best writing while weaving a rug.

What are you working on now?
I’m in the rewrite stage for another novel, Code Name Simpson. It’s a spy story set during World War II. It’s loosely based on my mother’s experience as a WAC assigned to a secretarial pool in Germany during the waning days of the war. Times being what they were, she was called upon to serve in a classified capacity. I may decide to self-publish this one because Mom is about to turn ninety-two, and I want her to be able to read it. If I wait to find a publisher, and then get it into print, that may never happen. I can’t wait to apply what I learn from SWW’s Self-Publishing Conference in October.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. She has a new speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




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