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An Interview with Lynn Barker

Lynn Barker is a novelist, screenwriter, journalist, script doctor, and screenplay consultant. Her writing credits include scripts for the 1980s reboot of The Twilight Zone and Star Trek: Deep Space Nine, as well as articles in American Cinematographer and Written By, the magazine of the Writers Guild of America West. Her latest work is Futurus Rex, a Sci-Fi/Fantasy adventure novel co-authored with the late Dorothy (D.C.) Fontana. You’ll find Lynn on Facebook, IMDb.com, and her Amazon author page.


What is your elevator pitch for Futurus Rex?
There is a legend that King Arthur is not dead but only sleeping. He will awaken when Britain most needs him to lead a rebellion. Arthur wakes in a far future post-holocaust time, and the only one of his beloved knights to survive the long sleep with him is his nephew the traitorous Modred.

How did the book come together?
In the late 1980s, artist/writer/animator Budd Lewis brought to me and my longtime friend Dorothy (D.C.) Fontana his version of King Arthur’s return which he had originally wanted to release as a graphic novel. We were both intrigued and the three of us worked together to write a screenplay that was probably before its time in many ways. After Budd’s death in 2014, Dorothy and I crafted the outline for a novel adapted from our screenplay. Dorothy wrote a portion of it, I wrote a section, we traded and “edited” each other. Both got busy on other things and, when she died at the end of 2019, I started to finish the short novel still having to match her writing style, adding material etc. all while working as an entertainment journalist. I finished in the summer of 2022. The cover design is art by Budd Lewis. (For more of his cool art for his original graphic novel concept, go to the Photos tab on the book’s Facebook page.)

Tell us about your main characters and why you chose them to carry the story.
Well, there are a lot of them. Of course, we had to have Arthur awaken along with Modred. If you’ve got Arthur, you need his mentor/teacher Merlin in the mix. Now, who do they interact with in a far future British dystopia? We wanted a strong, interesting female lead to equal Arthur in bravado, brains and leadership potential but she appears on the surface to just be a popular, talented troubadour (or songsayer in our jargon) and Aliena was created. We needed a “bad guy” who, in this case, is a female techno-mage—we call them techno-wizards but only a few people are aware that their “wizardry” is mostly left-over science from before a great war—so Grand Wizard Karayahn and her army of mutants filled that bill.

Whew…we’ve also got a band of renegade highwaymen called the Foresters led by Connery Beige, a hot Robin Hood type who may or may not join the good guys in a rebellion against Karayahn. We added three beings from The Enchantment, a well-hidden land of the Fae (elves, fairies, trolls and other magical creatures) whose vast powers Karayahn covets and who also may or may not join a rebellion against her.

Lastly, I have to mention Enchantment resident Yaustis, a thween who appears on the outside to be a large dragon only with feathers and tiny wings instead of scales. He’s very intelligent and is instrumental in helping drive the story.

What was the most difficult aspect of world building for the book?
Two things: Bringing a far future, post massive-war Britain to life without letting that setting (or too much backstory) rule our narrative and secondly, introducing The Enchantment using only a few characters who make only a couple of visits back inside after coming out as “scouts” to see who has been trying to “pick their locks” so to speak and enter without an invitation.  Note: This is a fast-moving Sci-Fi/Fantasy action adventure so we needed to concentrate on that. I will be writing a sequel because I learned that many readers wanted more story that would at least partially take them inside The Enchantment, etc.

What is the main setting and how does it impact the story and the characters?
We are in far future, post devastating-war Britain mostly around the London area and environs. There are ruins of our current 21st Century civilization: crumbled skyscrapers, wrecked museums and pieces of buildings and malls, and what is left of the underground everywhere. This impacts Arthur especially since he recognizes nothing of his realm. There is a debris belt circling the moon, etc. Even though Merlin assures him that he is in his kingdom, this contributes to his feeling like a complete stranger in a strange land and doubting his ability to aid the rebels. Aliena, Connery Beige, etc. are used to living in a semi-wasteland under awful conditions under a despotic ruler but they are sick of it and want their freedom.

What roles did you and Dorothy (D.C.) Fontana play in developing the story?
I covered this a bit in a previous answer, but after basing the screenplay on much of the character and story work of Budd Lewis, Dorothy and I re-worked it a bit for the novel. After her death, I continued to flesh out characters and story as needed. Until her death, we were equal partners in this. Our writing styles are quite similar although she wrote a less detailed style than I would do alone. I had to match her style for Futurus Rex but I won’t have to do that in the sequel which will be loosely based on notes we made for a possible continuing story.

How did you choose the title for the book?
It was always Budd’s title and we liked it…future king Futurus Rex. Worked for us.

What was the most rewarding aspect of putting this project together?
Continuing and finishing work that Budd and Dorothy always wanted to “get out there.” After just too long a wait to hear from some major publishers and getting encouraged by some then finally getting a rejection for various (never the same) reasons, I decided to self-publish. It had already been almost three years after Dorothy’s death and it was time.

How did your experience as a scriptwriter help you with writing Futurus Rex?
It both helps and hurts. For example, I’m great at writing exciting action sequences from doing so as a teleplay and screenplay writer. I also know how to not get bogged down with pages and pages of talking-heads dialogue or endless backstory that doesn’t move the story (or character development) forward. So did Dorothy. That is why Futurus Rex is a short, fast-moving action-adventure novel. However, I find that there are a lot of readers who love long talking-heads chapters and tons and tons of backstory and vast description of every crumbled ruin Arthur passes. You can’t please all the readers all of the time. However, on my own for the sequel, there will be more of that kind of thing without letting it become pointless. Thus, the sequel will be longer.

What do many beginning writers misunderstand about telling a story?
There is a ton! One of the things they must learn is to be a team player. You can’t let every word you write become precious to you.  Publishers, editors and (in the film/television/streaming world) producers and story editors WILL touch your golden words or ask you to change things—and they will sometimes have some stupid reasons. You have to decide where your lines for battle are and when to comply…or also how to defend your point of view with grace and make a convincing argument.

Looking back to the beginning of your writing career, what do you know now that you wish you’d known then?
Not to be intimidated by any negative reactions to my writing (whether screenplay, teleplay or prose) but to learn from them and discard those that simply aren’t relevant. Also, to consider the source and motivations of those making negative comments just as you consider the motivations of those who butter you up with too many positive accolades that aren’t sincere.

What is the best encouragement or advice you’ve received in your writing journey?
You can do it. You’ve got the talent. Write something every day.

What writing projects are you working on now?
After a bit more marketing work with a PR person for Futurus Rex, I’m starting on the sequel before the end of January. Then, I have another supernatural/horror/film noir-ish novel I started that I want to get back to.

Is there anything else you’d like readers to know?
The novel is available on Amazon and Barnes & Noble as e-books and paperbacks.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kat has a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author John L. Thompson

John L. Thompson is a graphic designer and an author of long and short fiction in several genres including crime fiction, thriller, and sci-fi. He published two books in 2021: Monkey Wrench, the second novel in his crime fiction Truck Stop trilogy, and the nonfiction release It’s a Lonely World: An Indie Author’s Journey (Writing Mistakes and How to Avoid Them). Visit John on his website at JohnThompsonAuthor.com, on Facebook and Twitter, and on his Amazon author page.


What sparked the story idea for the Truck Stop trilogy?
Working as a diesel mechanic for the better part of thirty years, writing the story came naturally. I worked at a truck stop a couple decades ago that resembled an old western honky-tonk. The supervisors were trying hard to hang on to the dying age of Outlaw trucking. They wore all the western clothing, the custom boots, the whole shooting match. They reminded me of characters out of the 1973 film Walking Tall except they resembled the bad guys…a lot. They ran the place like mafia henchmen. It seemed natural to include that fun fact in the story line. I show the dark underbelly of a chain of truck stops. Mix in a mob group, a couple of down-on-their-luck diesel mechanics looking for lost mafia money, and finally a woman with a hidden agenda, and you’ve got a story.

What is your elevator pitch for Monkey Wrench?
George Olsen’s life is one big lie, and he is proving to be a problem in the WITSEC program. All he wants is his old life back, but then again, there’s that mob group wanting him dead. When he hears about an old flame moving to town, he takes a chance to step outside the protective boundaries set by the US Marshals, only to find that people are still looking for him.

Who are your main characters? Will those who know you recognize you in any of these characters?
The main character is George Olsen. He has many names within the story due to the fact he hates life in the WITSEC program. He botches living in one place only to find himself in another state under a new name. This habit eventually leads to further issues. As far as using real life people as characters in my story, I did in Truck Stop (book one), but I mixed character traits to make it impossible to tell who is who if the real-life person reads the story. Some of my friends caught on to this and were happy to see they were in my book.

Why did you choose New Mexico as a setting for the book?
Monkey Wrench continues after the events in Truck Stop. Choosing New Mexico as a setting was natural selection. I keep with the adage of writing what you know. It was easier to write about the places mentioned. Even though Monkey Wrench takes place in several states, New Mexico was obvious. Not only do I live here, I try to center all my stories within New Mexico.

What is the most challenging aspect of writing a series?
The challenging aspect of writing this series is trying to remember all the details, such as character traits and plots from one book to another. I had to go back over Truck Stop for details of the crime in question. In another instance, I had forgotten a character’s last name. You would be surprised how often a writer can forget the small things. Detail is critical.

Is there a scene in the book that you’d love to see play out in a movie?
Not so much in Monkey Wrench as I would Truck Stop. I envision a single scene in Monkey Wrench where the main character Olsen is thrown in jail after a bar brawl. His background check is a bit spotty, and he is detained because the local cops believe he might be hiding who he really is. He confesses who he is and the cops think he is bluffing. At least until Olsen’s handler in the US Marshals shows up to bail him out. It is a mix of comedy, and it shows just how serious a predicament Olsen is in if he ever leaves WITSEC.

What would you like readers to know about It’s a Lonely World?
Basically, the premise behind Lonely World is that Indie Publishing is a lonely project for just about anyone involved in the self-publishing world. Many people believe that authors write the book and that’s it. Few people realize these same authors wear many other hats. Not only do they write the books, most will design their own book covers, perform editing, learn the marketing angles, and finally try to sell a few books. Some authors are proficient at selling their books, but the fact is, the majority of Indie authors fail in selling their books. This is discouraging for many and some give up on the dream of being an author. Lonely World is kind of a motivational book for authors. Eventually, I’ll have to update the material, but it points out my own personal successes and failures.

What prompted the push to begin this project?
I started writing and publishing stories some fifteen to twenty years ago. I met many, many great writers within the Indie community who were just awesome people to talk with. Many encouraged newer authors to keep writing and trying to publish. Fast forward to present time, I find many of those authors no longer in the writing world. The reasons are numerous as to why. Some had passed away, some found the journey too damn difficult to balance with marriage and a 9-to-5 grind. Others just gave up chasing the dream of being an author. I wanted people to know that there are those out here who really want you, the writer, to succeed.

This is your first nonfiction release. What unique challenges did the work pose for you?
Actually, writing Lonely World was natural. I didn’t feel like there was any stress to writing it. I wanted to be open and honest, but not discourage people from wanting to be a successful writer. I wish for anyone wanting to be a writer to keep chasing the dream and never let go. I have seen people struggle for years to be a published writer and also become a success, so I know it can happen.

What was the expected, or unexpected, result of writing It’s a Lonely World?
The best feeling in the world is being told, “Hey, I bought your book, read it and liked it. I even continued writing when I was about to give up.” I can appreciate those kinds of compliments.

Who are your favorite authors? What do you admire most about their writing?
There are many to note, but off the top of my head, I admire Philip Jose Farmer, Barry Sadler, Ray Bradbury, Robin Moore, Dashiell Hammett, Carsten Stroud, Ian Fleming, and Philip K. Dick. The reasons are numerous but these authors are literary giants who left a huge footprint within their genres. I love to read their stories and have for decades now. They told stories that were worth reading and learning about character and world building that are believable and relatable.

What kinds of scenes do you find most difficult to write?
Romantic aspect. It is truly difficult to write a believable and relatable romantic perspective in any story line. At least for me, anyway. Most importantly, I don’t want to write scenes that are too graphic in nature. I must have balanced the romantic aspect well enough in Truck Stop. Everyone has said it is believable.

What writing projects are you working on now?
I have multiple stories in the oven. One book I’m working on that has my interest is a graphic novel, which will be completed sometime next year. I’m not going to spill the beans yet on title or subject. I have an agreement with the artist to withhold info until he gives me the green light. Let’s just say, the story is one awesome ride in the making. I’m also working on a sci-fi thriller titled Puzzle Man. It is a story that I have had on my mind, and on several computers, for the last ten years. It is going to be a “Rip Van Winkle” kind of story, and perhaps a little bit of my own personal story thrown in.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kat has a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Cassie Sanchez

Cassie Sanchez is an award-winning author of romantic fantasy. Chasing the Darkness (Morgan James Fiction, November 2021) was her debut novel and the first book in The Darkness Trilogy. Book two in the series, Embracing the Darkness (October 2022), is described as the weaving of “a complicated, compelling story…a powerful saga of change, redemption, and transformation.” Visit Cassie on her website at CassieSanchez.com, on Facebook and Instagram, and on her Amazon author page.


What would you like readers to know about the story you tell in The Darkness Trilogy?
The Darkness Trilogy, starting with Chasing the Darkness, is about a man’s journey of self: his purpose, his worth, and his values. It’s a romantic fantasy full of magic, sword fights, and love.

What unique challenges did this work pose for you?
As a debut author, navigating the publishing world, building my platform, and marketing were very challenging with the first book. With the second, the challenge was that there were now expectations that weren’t there before. Imposter Syndrome is very real and has a tendency to rear its ugly head, often.

What sparked the story idea for Chasing the Darkness? What about book two, Embracing the Darkness?
One day, my two sons were playing a video game and a character in that game got my attention. The creativity bug struck, and I wrote a scene about an assassin betrayed by his team and left to die in a dungeon. This became chapter four of Chasing the Darkness and from there the story evolved. Embracing the Darkness is a continuation of my main character’s story, but now he faces new challenges yet with old temptations and habits tightening their grip.

You published the first two books in the trilogy about a year apart. How did the books come together?
I began writing Chasing in early 2020 and signed with Morgan James Publishing in February 2021. The eBook released in November and the paperback released February 1, 2022. I was already working on the second book when the first released, but I’d say it took me around a year and half to write each book from start to finish, including the editing and cover design process.

Who are your main characters? Did they surprise you as you wrote their story?
Azrael, the Angel of Death, also known as Jasce Farone, is my main character. He’s a morally gray assassin who’s fiercely loyal and yet has some anger management problems. Kord Haring, my gentle giant, became a fan favorite, which surprised me. He is a very likable character and honestly, I’m not sure how I did that. He’s the wiser, older brother of Kenz Haring, the love interest in the story. I’ve found that many women love Kenz while quite a few men are annoyed by her (including my husband). She’s got a chip on her shoulder and a need to prove herself but would do anything to protect her family.

What was the most difficult aspect of world building for the series?
Probably the fact that I did it backwards since the world developed as I wrote the story. I assume most fantasy authors already have their world and magic figured out before their fingers hit the keys. I had my magic system down, so to speak, but the world grew as my characters traveled across it. The one thing I did have planned was the Desert of Souls. In this desert grows a plant that suppresses magic. It was a way to add tension with the setting.

With two books in the trilogy published and the third in the works, what has been your favorite part of putting this project together so far?
I love the writing (or should I say the rewrite/editing phase). The first draft is so hard for me. I also love meeting new people at book signings or Comic-Cons. Of course, winning awards or getting positive reviews adds a lot of joy to the process.

When did you first consider yourself a writer?
I still struggle with calling myself an author, but I’m getting better at it. Once I saw my name on the cover of Chasing the Darkness the reality began to set in. Now that I have two books under my belt and the third in its beginning stages, it’s easier to say, “Hi, I’m an author.”

What marketing techniques have been most helpful to you?
Instagram (Bookstagram) has been hugely successful for me. I had learned to engage and post consistent content about myself and my brand way before I ever talked about my book. I was on Instagram for around nine months before I mentioned Chasing the Darkness. I’m now trying to build some momentum on TikTok but coming up with content is a challenge.

Do you have a message or a theme that recurs in your writing?
Redemption, identity, and forgiveness are themes that occur in the first two books, and I imagine will also run through the third.

Tell us about your writing process and/or your writing routine.
I’m more of a plotter than a pantser but still give myself a lot of wiggle room to let the creativity flow. My best times for writing are in the morning. By the afternoon, my brain is usually fried. And I absolutely need coffee and my writing playlist to write.

What writing projects are you working on now?
I’m currently working on the third (and final) book in the series. It will be called either Defeating the Darkness or Destroying the Darkness. Which one do you like better?

Is there anything else you’d like readers to know?
Stop by my website to learn more about me and my books at www.cassiesanchez.com. Also, sign up for my newsletter to stay in the loop of all things Darkness and get two short story prequels for free.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kat has a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Mary A. Johnson

Mary A. Johnson, Ph.D., is a counselor who semi-retired from private practice to focus on writing nonfiction. In 2015, she published her first book, A Caregiver’s Guide: Insights into the Later Years (PMJ Associates, Inc. Press). Her newest release is the memoir Love and Asperger’s: Jim and Mary’s Excellent Adventure (Atmosphere Press, 2021). You’ll find Mary on her website at MaryAJohnsonPhD.com, on Facebook, and on her Amazon author page.


What would you like readers to know about the story you tell in Love and Asperger’s?
I tell the true story of falling in love with a person who has Asperger’s Syndrome and the excellent adventure that followed.

While writing the memoir, were you ever afraid of revealing too much about your life?
It was a sobering experience to make myself vulnerable by sharing intimate details of our life together. Telling the story, even years after it happened, was an emotional journey in which I had to put the project aside at times, to regain my composure. I had some hesitancy about some of the things I included, but I wanted the story to be factual, as a memoir ought to be, so some details needed to be shared. I left out some things that would have been true (but possibly hurtful to some people) because the purpose of the book was a positive one, to share information about Asperger’s and mine and Jim’s life. My motivation to be positive kept me writing, past the tendency to insert tangential stories.

Tell us how the book came together.
My second husband, Jim, asked me to write the book. I promised him I would, so I was bound by my promise. I began it a few weeks after his death, using notes of memorable events, backed up by emails we exchanged. I read over fifty books by both experts and ordinary people who had experience with Asperger’s, broadening my knowledge base. Even as a licensed counselor who had diagnosed many clients with Asperger’s, I had a lot to learn!

I realize the pandemic was a terrible thing, and I don’t diminish its horror to many people, but for me, it was a time of isolation without distractions, which enabled me to finish the book. My first draft, after over four years, was in excess of 600 pages! Lots of editing by myself, beta readers, and professional editors whittled it down to a manageable length. I contracted with a hybrid indie publisher that provided cover design from my photo and did the final formatting.

Do you have a favorite quote from the book you’d like to share?
A favorite quote, which provided the title for me, was one from Jim when someone asked about a move we were preparing to make. “It will be Jim and Mary’s excellent adventure!” Jim replied.

Did you discover anything surprising while doing research for this project?
I was surprised by the wealth of information available now about autism, including Asperger’s Syndrome, and the varying opinions of experts about the condition.

How did you come up with the title of the book?
I answered this for the most part in a previous question, but I added “Love and Asperger’s” to attract readers who were interested in the topic. At first, I had the title reversed, with “Jim and Mary’s…” before the “Love and Asperger’s.” Then one of my beta readers said, “Reverse the components of the title, to grab readers’ attention who are interested in Asperger’s.” Wise decision, and another reason to have honest betas on your team!

What was the expected, or unexpected, result of writing Love and Asperger’s?
I could never have predicted the overwhelming positive response to the book. I was fortunate to have David Steinberg of the Sunday Albuquerque Journal feature it as Book of the Week in June, and have received many emails from that article, as well as several speaking engagements. I have been asked to give a 90-minute presentation for OASIS on April 2, 2023 at 10:00 a.m. Another unexpected result was the constant request for an audio version, which I hadn’t planned to do. I have finished the recording, and the final product should be available by Thanksgiving, but for sure before the end of the year.

When you tackle a nonfiction project, do you think of it as storytelling?
Yes, I see memoir as storytelling, and I think readers expect to have a storyline of some kind to follow.

Do you prefer the creating or editing aspect of writing? How do you feel about research?
I prefer the creating aspect, as I believe most authors do. The editing has to be done, but to me, it is the really hard, boring part—catching any mistakes, as well as rearranging or cutting entire portions. I love doing research and learning, so I have no problem there.

What does a typical writing session look like for you?
A typical writing session is a whole morning or afternoon of uninterrupted time in which I have nothing else planned.

Is a memoirist’s responsibility to the truth of the facts or to her perception/feelings about the past?
Both, I believe. Intentionally inventing facts makes it a novel. I’m pretty firm about that. The author is entitled to report perception/feelings, in fact, should, to give a reason for writing the memoir, but in cases of being factual, should attribute any deviation from the generally accepted truth to be her perception or memory of an event. Memory can be tricky unless events can be documented by outside sources. I was fortunate to have many, many emails Jim and I exchanged, giving me documentation for events and the dates of the events.

What is the best encouragement or advice you’ve received in your writing journey?
I enjoy hearing from people who don’t know me. I feel their input is unbiased, based on the writing alone. I’ve been greatly encouraged about this book by having several people tell me my book saved their marriage or changed their lives. That is encouragement to continue writing!

What writing projects are you working on now?
I’m into genealogy, especially now that we have DNA evidence of relationships, so I’m gradually writing a family history for my descendants. The project I’m working on for publication is a memoir about my dad, that will be titled Wash Your Face with Cold Water. Rather than a chronological format, I’m playing with an essay format, to see how that feels.

Is there anything else you’d like readers to know?
I think I’ve said enough, but I want them to know Love and Asperger’s: Jim and Mary’s Excellent Adventure is my second published book. My first was A Caregiver’s Guide: Insights into the Later Years published in 2015. Lois Duncan, my dear friend, prolific writer, and long-time member of SWW, served as my encourager, editor, and also wrote the foreword to that book. I’m sure some members of SWW still remember Lois, who died in 2016. I miss her very much.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kat has a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




Author Update 2022: Joyce Hertzoff

Author Joyce Hertzoff writes mystery and speculative fiction with strong female characters eager to earn a place in their world. In 2020, she completed her four-book Crystal Odyssey fantasy series, and in 2022, she released Winds of Change, book two in her series of science fiction Portal Adventures. You’ll find Joyce on Facebook, Twitter, and Pinterest, as well as on FantasyByJoyceHertzoff.com and HertzoffJo.blogspot.com. Read more about Joyce in her 2015, 2017, 2019, and 2021 SWW interviews, and visit Amazon for all of her books.


What is your elevator pitch for Winds of Change?
The portals from Nokar to other worlds are changing and the inhabitants of those worlds are disappearing. Will Anabet Haines and the other portal travelers discover why and find a way to restore them?

What unique challenges did this work pose for you?
I had some creative problems concerning finding a solution to the plot situation at the end, but the biggest challenge was formatting the manuscript to meet Amazon/Kindle’s exacting requirements.

What prompted you to write this second installment in your portal series? How did the book come together?
I enjoyed writing A Bite of the Apple, the first book in the series, and I knew I had more to do with the characters. I needed a situation where most of them would participate in the action and in the conclusion. I think I started writing this soon after Apple was published but set it aside a few times before I finished the first draft. I finally finished it and submitted it to a couple of critique groups. At sixty-one chapters, it took a long time for them to get through it. Then the editing began.

I used Fiverr for the cover after I found I had no idea what I was doing creating a cover in Canva. The Fiverr artist I picked was able to take my first stab at it and transform it into the final cover. She sent me covers for both the eBook and the print version and knew how to modify them to meet the KDP requirements.

Who are the main characters, and what do you like most about each of them?
The main character is Anabet Haines, called Bet. She’s a spunky nineteen-year-old farm woman who’d been recruited to be a portal traveler about six months before this story begins. She showed how smart and inventive she could be in the first book of the series where she had several situations to deal with. But she’s also a bit naïve and unsure she can do everything she’s asked. Quint is a young man from another world, Lamady, where his mother is one of the councils of ruling Mothers. He’s the youngest of several brothers and determined to prove he’s the worthiest. He’s also an advocate for the portals and the use of portal keys and magic. He’s currently an apprentice to the mage Cass.

Aunt Gill is Bet’s aunt and an experienced portal traveler. She and the mage Morgan have become a couple. Monique Cho is a young woman from Earth who was Bet’s roommate in New York City in the first book. She writes historical novels and used Bet as the model for the heroine of her book. Bet meets her again in the oddest of places.

What was the most difficult aspect of world building for this book?
Because the characters visit several worlds in Winds of Change, I had to build several very different ones. I had to think of diverse parts of these worlds and how they differ from each other.

TheCrimsonOrbThe Portal Adventures series and The Crystal Odyssey series use science to make their storylines work. What elements of science do you include in Winds of Change?
The main scientific principle I used was that electronic vibrations can have many frequencies. In this case, though, their use is very different from how we use vibrational frequencies. I needed some kind of science to explain how portals work. I still haven’t decided how portal keys can allow travelers to pass through portals or even how the portals can take people from one place to another. We’re just scratching the surface.

What was your favorite part of putting this project together?
I enjoy writing about Bet and her growing awareness. There are more adventures in store for her. Who knows where she’ll go next?

Did you learn any lessons from writing/publishing this book that you can apply to future projects?
I’ve definitely learned more about how to format in Word and the differences in what works for a print book vs. an eBook. It’s more complicated than it used to be. I’ve also learned to let my imagination flow, not to force the story in a certain direction it will not go.

What’s your reading routine like? What’s on your to-read pile?
I read both eBooks (on my phone, often while I’m eating) and print books (in the bathroom — can I say that?). At the moment I’m reading two very different stories: Grand Ellipse, a hardback fantasy novel about made-up monarchies and republics and a race around the made-up world for glory and property; and The Brighter the Light about people in an Outer Banks beach resort following a character in the 1950s and her granddaughter in 2021. Waiting on my pile are an assortment of mysteries, science fiction and fantasy, books on writing and thrillers. On my phone I have books in the same genres. Then there’s my list of “Want to Read Books” on Goodreads.

What writing projects are you working on now?
Currently, I’m working on a time travel story set in southern Arizona, a mystery story set in a smallish city in 1890s England (which requires the most research), and a series of shorter pieces about the teenage members of a family who deliver goods and messages from planet to planet in a distant star system that was settled after the Earth was destroyed.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kat has a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Pamela Nowak

Pamela Nowak is an award-winning author of historical romance set in the American West. In 2021, Five Star Publishing released Never Let Go: Survival of the Lake Shetek Women, Pam’s debut in women’s historical fiction. The novel has been described as “[a] tale of bravery, sacrifice, and determination…rich with historical detail and a cast of unforgettable women who refused to accept their fate.” You’ll find Pam on her website PamelaNowak.com, on Facebook, Twitter, and her Amazon author page.


When readers turn the last page of Never Let Go, what do you hope they’ll take away from it?
I’m hopeful readers will feel a connection to the women who were involved in the incidents at Lake Shetek and recognize that each of them was uniquely empowered to navigate through all that happened to her. Too often, the raw facts of history fail to reveal what drove the individuals involved. I hope readers will laugh and cry and “feel” with these women.

What sparked the idea for the story?
Because the story is based on real events, I have to say history sparked the idea but the idea to focus on the women only has been with me, loosely, since I was an adolescent. I grew up just a few miles from Lake Shetek and learned about the historical facts when I was in grade school. Those events came alive when I toured the cabin sites along Lake Shetek at age eleven. Then in junior high, I took a class on Minnesota history and learned more. I even wrote three pages of a manuscript but tossed it because I had no original take that would make the story different from other fictionalized accounts. The history continued to intrigue me, shaping research projects in high school and in college.

Then I got married, raised a family, and started writing historical romance. But the story of the five women who survived the Lake Shetek events haunted me. Every time my hometown paper ran a story, it clambered for attention. In 2017, I made the decision to jump away from romance and follow the story.

How did the book come together?
When I made the decision to finally write it, I had a hefty amount of research material about the 1862 events already and the Minnesota Historical Society has a great digital collection — but there were several challenges. I needed to go through the primary and secondary accounts with a fine-tooth comb to reconcile the different recollections of the timeline of events. I also had to research the lives of each of the five women prior to 1862. Once the research was done, I had to craft individual personalities/goals and motivations/character arcs and fit that into the historical record that shaped the larger plot. And, because I had five protagonists, I had to generate five different voices within the novel.

In terms of a timeline, it took a year for the research and writing of the manuscript, then about three months for beta readers and final edits. With this book, because it was a different genre, I also spent nine months marketing it to agents and editors at larger publishing houses. In the end, the time period of the book proved problematic for them and I sold it to the publisher of my historical romances. It took about a year for the submission/contract/three-phase edits/ARC review process. That put me into the throes of COVID and a six-month delay in release.

Tell us about your main characters and why readers will connect with them.
There are five protagonists in Never Let Go: Laura Duley, Lavina Eastlick, Almena Hurd, Christina Koch, and Julia Wright. Each of the women had her own unique dreams for life and each had a journey westward that created hurdles in the way of her goals. When the Dakota attacked the isolated settlement, each woman had to dig deep to discover the power needed to emerge strong. I think readers will find a bit in each woman with which they can identify, and I’m hopeful I’ve done a good enough job with making the women real and emotionally accessible that readers will connect with all five.

Did what-if questions help shape this work?
What-ifs always help shape my work. To some extent, because the novel is based on real events, there is less room to play with what-ifs. But I still had to craft each woman’s motivations and character as well as to shape connecting scenes so, yes, exploration of possibilities was important.

What makes this novel unique in the historical fiction market?
It has five protagonists—not uncommon for epic novels, but most historicals center on one character. I also think that the book could have been classified as creative nonfiction due to the deep research behind it. Finally, because the fictional elements are so research-inspired and plausible, readers who are familiar with the actual events will likely not identify the fiction from the fact unless they are reading with that purpose.

What was the most rewarding aspect of putting the project together?
There were three huge rewards for me. The first was in seeing the women come to life the way they had lived in my mind for so long. The second was in my growth as a writer with this book. The third was in the reactions of Minnesotans who know the story and expressed their delight in experiencing the story emotionally rather than as dry fact.

Share a few surprising facts you discovered while doing research for the book.
As I reviewed the scholarly accounts, I learned researchers had made an error on the time events that began on the day of the attack. Secondary accounts were all off by two hours. I suspect that had to do with daylight savings time adjustments being made incorrectly and everyone else repeating the error. There were multiple references to sunrise, and it’s now very easy to look up historical times of sunrise online—something not available to earlier researchers. I also discovered that recollections about Across the River/Pawn (one of the Dakota involved) were largely shaped by bias and that there was nothing in the historical record to support him having tricked the settlers or even supported the attack.

For Never Let Go to work, what decisions did you have to make regarding historical figures or events?
The mid-nineteenth century was fraught with cultural bias. Those who wrote the history of the U.S.-Dakota War were shaped by those biases and by the emotions of having lived through the events. I knew this going in, but I made a conscious decision that I would use Julia as a viewpoint character to reveal information about the Dakota culture and tribal structure. For Laura, I stuck to her well-known prejudices. In this way, I hoped to both reflect the prejudices of the time and foster better understanding of the Dakota. I also had to make decisions about shaping Laura’s character to ensure she was sympathetic. This meant I couldn’t rely solely on primary account recollections about her because most of her contemporaries didn’t like her. I had to dig deeper to find the sources of the traits others saw as negative and draw out the positive traits others hadn’t seen.

Of all the books you’ve written, which one was the most challenging and which was the easiest (or most enjoyable) to write?
Every one of them has been both challenging and enjoyable, each in its own way. I’m always in love with my characters, their story, and the history I use. I’m always challenged by the push to improve my writing. But I think I’d have to say Never Let Go was the most challenging (because characterization had to be shaped around fact and scenes motivated to fit into real events) and the most enjoyable (because the story haunted me for so long) and easiest (because I had known the history for so long).

Looking back to the beginning of your writing/publishing career, what do you know now that you wish you’d known then?
That it’s okay to be frustrated because it means I’m learning and improving. If I’m not frustrated, then I’m not stretching myself as a writer.

What writing projects are you working on now?
I’m currently about one-quarter of the way through a manuscript centering on the Fool Soldiers, the group of young Lakota men who ransomed and returned the Lake Shetek captives. The research for their story has been fascinating, exploring what shaped these men and the untold stories of how they were treated after the rescue. My research into Lakota culture has brought rewards and new connections as I’ve touched base with some of the descendants of these men. My challenge is in telling their story as it should be told.

Is there anything else you’d like readers to know?
I love connecting with readers and am always up for both live and Zoom author appearances/library talks and book-club discussions. Much thanks to all who visited today to let me share! Please connect with me on my website or social media (Facebook/Twitter).


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kat has a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author E. Joe Brown

E. Joe Brown is an award-winning author of novels, short stories, and memoirs whose work is featured in the National Baseball Hall of Fame. His debut novel, A Cowboy’s Destiny (Artemesia Publishing, August 2022), is the first book in The Kelly Can Saga inspired by his grandfather’s stories about life on Oklahoma’s historic 101 Ranch. You’ll find Joe on his website EJoeBrown.com, on Facebook, and his Amazon author page.


What is at the heart of the story you tell in A Cowboy’s Destiny?
Circa 1917, a young cowboy in his late teens wants to chase his dream of becoming a “Top Hand” on the world famous 101 Ranch in northern Oklahoma.

What unique challenges did this work pose for you?
Combining some real happenings in my late grandfather’s life with the story I wanted to tell. My grandfather was a cowboy on the 101 as a teenager.

Who are your main characters, and why will readers connect with them?
Charlie Kelly is an ambitious young man with a strong desire to live by the cowboy code: “Your words your bond, your handshake is as good as a contract, and you’ve always got your buddies back.” Susan Kramer-Blackaby is a young, beautiful lady Charlie meets along the way. She’s also ambitious and has a mind of her own. She’s a strong-spirited young lady.

What part does your main setting play in the story?
The 101 Ranch becomes a character in the story as do several communities in Oklahoma before 1920.

How did the book come together?
During COVID I wrote the story and much more (about 400,000 words). At the same time, I was in discussions with Artemesia Publishing who became my publisher. We decided to go on contract in July 2021. We have worked together since then to release this first installment of Charlie Kelly’s story in August 2022.

What advice did your publisher give you in preparation for the release of your debut novel?
My publisher and I brainstormed several ideas on how I could enhance my chances at reaching a large readership. We agreed I should do the following:

  1. Create a Social Media presence utilizing active Web, Facebook, and Instagram sites to function as my primary communication tools. The Website functions as my hub. I have a social media professional working with/for me to insure I do things right.
  2. Develop a PR program to assist me in creating a brand. I have a professional publicist working with/for me.
  3. Use my short stories/memoirs as tools to acquaint more people with me. I have several already for sale on my website and my Amazon author page. I have a KDP publishing professional working with/for me. These eBooks have a wide variety of key words associated with them that help potential readers find me.

What was the most rewarding aspect of putting this project together?
I enjoy the storytelling/writing process.

Your writing takes several forms – short stories, novels, memoir, and songs. Is there one form you’re drawn to the most when you write?
I don’t know that I’m drawn to one stronger than the others, but I’ve been so fortunate to have many wonderful experiences in my life and I want to share them. So writing memoirs/short stories will always be something I will do.

How has the creativity and discipline you employ as a musician helped you in your writing journey?
You must do it. You can’t perform or create music just thinking about it. Practice – play – practice some more. Writing is the same. You must write – revise – and write some more.

What writing projects are you working on now?
Novel two of the Kelly Can Saga and some memoirs that will become eBooks.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kat has a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




Author Update 2022: Melody Groves

Author Melody Groves writes what she knows best: the Old West. In 2022, she released the sixth novel in her Colton Brothers Saga, Trail to Tin Town (Five Star Publishing), as well as the nonfiction book Before Billy the Kid: The Boy Behind the Legendary Outlaw (Two Dot Publishing). You’ll find Melody on MelodyGroves.net, Facebook, and her Amazon author page. Read more about Melody’s writing in her 2016, 2018, and 2021 interviews for SouthWest Writers.


What would you like readers to know about the story you tell in Trail to Tin Town?
The story is based on fact. I had to learn about herding cattle, but I enjoyed writing about each of the Colton brothers. I also enjoyed how they love each other and yet annoy each other—just like real brothers! And I loved writing the villain—it was a challenge to figure out how to make him more disgusting every day!

What other challenges did this work pose for you?
The biggest challenge was how much of the previous storylines from the other five books to include. Writing a series is always a challenge.

What was the inspiration for this sixth book in the Colton Brothers Saga?
Based on fact, California residents in the 1800s had been too busy mining for gold that they failed to raise beef. The last westward cattle drive occurred around 1895 from Arizona—they were going to transport the beef via railroad, but the railroad raised the price, so the cattlemen drove the herd themselves. I thought that was an interesting historical fact, plus I needed a story with all four brothers, thinking this might be their swansong, so to speak.

Which brother is the main point of view character in this installment?
This is James’ story—the second brother. The cattle drive was his idea and he’s always the one willing to try something new. He’s a risk taker but has so many demons. For him, simply surviving each day is an adventure. And in the past, things didn’t work out well for him, so I thought it was time to change that.

Why did you end the series with Trail to Tin Town?
Of course, never say…the end. There may be a seventh book, but I doubt it. My characters are ready to move on with their lives. It simply feels like the Saga is done. Their story is told.

Before Billy the Kid: The Boy Behind the Legendary Outlaw offers readers a new take on an Old West icon. How did you come up with the idea for the book?
I’ve been fascinated with Billy since I was a kid. I lived less than a mile from La Mesilla where he stood trial and I used to walk over to where he was tried (it was a bar when I was a kid and now it’s a gift shop). Even then I was mesmerized by this “outlaw” who was wronged in so many ways. I have numerous other connections to him and, even though he’s been written about hundreds of times, I had to put in my two cents. Plus, when I pitched the idea to an editor, she said, “Billy sells.”

Why do you think people continue to be fascinated with Billy the Kid more than 140 years after his death?
Billy is good for tourism. His infamy brings in millions of dollars. But also because he was such a kid with an interesting personality. And there’s enough mystique about him still and endless possibilities which make people wonder.

What was your most surprising discovery regarding Billy the Kid’s life?
Thinking about how, as a kid of 12 or 13, he would have felt to have a stepfather enter his life. Was he pleased, resentful, afraid, overjoyed? I was also surprised to discover he played harmonica. And that he was born in 1861, not 1859 as has been widely believed.

What was your favorite part of putting this project together?
My favorite part was connecting the dots. I think I’ve come up with why younger brother Joe had the middle name Bonney; why the Mom moved to Indianapolis; how they moved from Denver to Santa Fe to Silver City; why Billy chose to stay in Ft. Sumner when he knew Sheriff Pat Garrett was close by. And I think being a woman helped me truly “feel” Billy instead of simply looking at the facts.

With eight fiction and five nonfiction titles, you have a great track record for finding traditional publishers to take on your book projects, especially since you don’t have an agent. What’s your secret?
My secret? Being in the right place at the right time. And going to meetings and conventions. I credit SouthWest Writers and especially Western Writers of America for presenting me the opportunities to meet editors. The trick is to do your best and work well with these editors—a book is a team effort.

What do you consider the most essential elements of a well-written novel? How do these elements differ for a nonfiction book?
A well-written novel is all about character. Yes, a plot is nice, but it’s all about character. The more in-depth the writer gets into what makes a character tick, the better the novel. If a reader can’t relate to a character, especially one who’s only two-dimensional, then the reader will put down the book.

Nonfiction, I’ve learned, needs to contain information that is new and yet relatable to the reader. And yes, the characters, even though they’re real, need to be multi-faceted. Good writing is good writing, whether it’s fiction or not.

What is the most difficult aspect of writing historical fiction?
Putting my characters in events that really did happen. I’ve had to change timelines and even character ages, etc., to match with a historical event.

What writing projects are you working on now?
Currently, I’m working on two novels—a third book in the She Was Sheriff series, and the beginning of a series about a guy in Texas who wants to be a more successful outlaw than the James Brothers. I’m also doing several magazine articles.

Is there anything else you’d like readers to know?
I’m incredibly grateful and indebted to the people who’ve helped me along the way to achieve my dream of being a professional writer. We’re all in this life together and it doesn’t take much effort to help someone else.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kat has a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




Author Update: Avraham Shama

Avraham Shama is an award-winning nonfiction author who specializes in the Russian economy and in the spread of new technologies. His newest release, Cyberwars — David Knight Goes To Moscow (3rd Coast Books, May 2022), is a work of fiction based on true events that one reviewer calls “a thriller reminiscent of Cold War spy novels.” You’ll find Avi on his Amazon author page. Read more about Avi’s writing in his SWW 2017 interview.


What would you like readers to know about the story you tell in Cyberwars — David Knight Goes to Moscow?
The novel is about a New York University professor named David Knight who experiences a breakdown in 1999 after he is fired by his wife and by his employer. David moves to New Mexico to hide and repair his life at the University of New Mexico (UNM) in Albuquerque. Unexpectedly, he falls in love with a young Latina professor at UNM, and the C.I.A. sends him to Moscow to spy on the Russian economy. In Moscow, he accidentally discovers that Russia is preparing for a cyber war against the U.S. Upon his return home, he mobilizes the Agency to begin a counter cybersecurity program to defend his country. In the process, he redeems himself and deepens his New Mexico roots.

The novel is also a tender love story across the Hispanic and Anglo cultures, as well as about an unexpected transformation of David Knight to a patriot. The book is meant for ordinary people like you and me, interested in what is happening to the security of the U.S. and in what could happen to them in view of the Russian threat. It is also intended for readers who like reading about impossible love, and about self-redemption.

What unique challenges did this novel pose for you?
The novel is a work of fiction based on true events. My overall challenge was how much to reveal and still protect my sources. On the other hand, this format allowed me to take certain liberties in portraying the dangers of Russia’s cyber espionage.

What sparked the story idea for the book?
My work in Russia began in1988 and continued for many years during which I came to know many things about the country. But I did not think to write this book until years later. My motivation to write this book was wanting readers to know how President Vladimir Putin decided to invest in cyber weapons in 1999, how he later used these weapons to interfere with the U.S. presidential elections of 2016 and 2020, and how now he is using cyber weapons in his war on Ukraine, in addition to conventional arms. I also wanted to assure readers that, with the help of protagonist David Knight, the U.S. has developed its own cyber technology to counter Russia.

How did the book come together?
The book took longer than an elephant pregnancy from conception to delivery. It was conceived in Albuquerque’s Flying Star restaurant on a leisurely Sunday afternoon over many cups of tea with my friend Robert Spiegel. Then came the planning: detailed outlines of plot, characters, locations, even mood and rhythm, followed by writing first and second drafts. While writing the drafts, I began sending query letters to potential publishers. Then it was time to show the draft novel to five beta readers and incorporate their comments into the next draft. 3rd Coast Books offered me a contract, and the cycle of editing and rewriting started all over again until the novel was published recently and became available at Albuquerque’s Organic Bookstore, Barnes and Noble, and Amazon. Altogether, from start to finish, this novel took two elephant pregnancies.

Who are the main characters, and why will readers connect with them?
My main protagonists are ordinary people like you and me confronting extraordinary situations. Different readers are likely to identify with different characters. My characters include:

David Knight: A young, brilliant NYU economics professor, David plays by the rules but has zero experience in espionage. He is about to be promoted, when NYU and his wife fire him, resulting in his nervous breakdown. David moves to Albuquerque to rebuild himself, but instead, falls in love, and the CIA hires him to spy on Russia’s economy. In Moscow, he is constantly under surveillance and his translator, Alexa Abratova, seduces him. He doesn’t know how to handle these situations. Nevertheless, David obtains critical information about Russia’s plan to mount a cyber attack on the U.S. David mobilizes a U.S. counter-effort and, in the process, is transformed from a mild professor to a warrior who saves his country from the claws of the Russian Bear.

Alexa Abratova: Alexa is an ambitious Russian beauty recruited by the Russian Security to spy on David Knight and his country. She works at The Academy of the National Economy, hosting David. She is David’s translator. Alexa knows men and enters the U.S. through David’s pants. After arriving in the U.S., she breaks into the Albuquerque nuclear lab at Sandia National Laboratory to steal secrets, where David apprehends her. She agrees to spy for the U.S.

Toni Chavez: Toni is a young Latina. She grows up in the small, Hispanic community north of Santa Fe. As a child, she makes a painful transition from her Spanish heritage to a novel Anglo culture that paves her future. Toni has just taken her first job at UNM, where she meets David Knight and falls in love with him. She is an unintended trailblazer: first in her family to go to college, first Latina professor at UNM’s Political Science department.

Michael McDonald: Mid 40s. Mike has the deceptive appearance of a playboy, but he is smart and good at his craft. We meet him as a Sandia National Laboratory scientist who is invited by David to help with Alexa’s research. He is an antidote to Alexa. We later learn that he works for the Agency and is onto Alexa the spy from the moment she arrives in the U.S.

Yevgeny Turgov: Yevgeny is an old-school communist and Rector at the Academy, but everyone knows he is a leading member of the Communist Party, keeping tabs on everything. Yevgeny is unhappy with the widespread poverty brought by the economic restructuring. He expects the new Prime Minister, Vladimir Putin, to make Russia great again.

Sasha Pachenko: A washed-out Russian scientist with a Ph.D. in nuclear physics who works in the secret city of Chelyabinsk. He is now taking management courses at the Academy in Moscow. Sasha is developing the use of big data that could destroy Russia’s enemies, including the U.S. He seeks David’s help to move to America in return for helping the U.S. against the Russian cyber threat.

What are the main settings in the novel, and how did you choose them?
This novel takes the readers to many fascinating places in New Mexico, Moscow, and New York, all dictated by plot. In Albuquerque the reader is introduced to life in academia at UNM and its Student Union, the Duck Pond, and to eateries like Los Quates, Paul’s Monterey Inn restaurant, the hiking trails in the foothills of Albuquerque, and the secret existence behind the tall fences of Sandia and Los Alamos National Laboratories. In Santa Fe, the reader joins David in La Fonda bar to meet Sasha Pachenko and more. And in Antonito, David is introduced to life in the small Hispanic town where his girlfriend Toni grew up. In Moscow the reader experiences the Academy of the National Economy, stays in a Russian style Bed and Breakfast, visits the tourist sites, and inhales the special odor in the lobbies of many apartment towers. Other settings include New York City, where the reader gets a glimpse of life at NYU and in its faculty housing, not far from Washington Square, and dines out with David Knight and his colleagues in a real Italian restaurant.

When did you know you had taken the manuscript as far as it could go and that it was ready for publishing?
I have never felt that any of my six books (and more than fifty articles) were ever fully ready for publishing. There is such a finality to publishing that I am almost always reluctant to let go. As a result, I use a practical yardstick: when my writing is the best I can do for the moment and my publisher concurs, then I let go.

What was your favorite part of putting this project together?
By far the most rewarding part of writing and publishing this spy novel was the conception and planning stage, the part that began way before I put any word to paper. At that phase the novel was perfect, its plot flawless, its characters intriguing, and its narrative flowing.

Cyberwars: David Knight Goes to Moscow is a departure from your nonfiction work. Why did you choose to go in this direction?
I had written five books and numerous articles before this spy novel. They were mostly nonfiction, dictated by the mind and driven by facts, although my memoir, Finding Home: An immigrant Journey, and several of my short stories allowed me certain literary freedoms associated with writing fiction that I found pleasing. But Cyberwars is fiction based on true events. In this respect it is a departure from my other literary works. I chose this fiction route because it afforded me the privilege of creative writing, which I found liberating and appealing. There was another reason why this spy novel had to be written as fiction. Had I gone the nonfiction route, I could have harmed some of my sources, which I wouldn’t do.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy posts to a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




An Interview with Author Edwin Light

Edwin Light is a classical pianist who makes his debut as an author with Growing Up in the Colonial (December 2021), a memoir of his childhood lived in the Colonial Hotel in Copperhill, Tennessee. One reviewer wrote: “Edwin Light lovingly evokes the personalities that populated his childhood growing up in the family hotel in 1940s and 1950s….[A]t its heart, this memoir is a tribute to Edwin’s mother and grandmother, the lessons they taught him, and the love they shared.”


Why did you write Growing Up in the Colonial, and who did you write it for?
Friends told me over the years that the stories I had shared with them were interesting and they should be written down. After all, not everyone grows up in a hotel. And, I wanted to preserve for me and my relatives our family history.

What prompted the push to begin the project?
About ten years ago in Santa Fe, I was teaching piano to my friend, Glynn Anderson, a retired English teacher at Mt. Holyoke College in Massachusetts. I told her about my childhood experiences and she encouraged me to start writing my personal history. In a short time, we traded services: piano lessons in exchange for critiques.

Describe the Colonial Hotel and the place it holds in your heart.
The Colonial was and still is my home, even though the building is no longer standing. I fondly remember my seventeen years inside its walls: all the family gatherings at holiday times; waiting on tables in the dining room/greeting all the hotel guests who opened the world to me; a rat that disrupted a canasta party; my aunt’s suicide in the room next to mine; et cetera. The tug of home is undeniable. My mother and brother both died from Alzheimer’s disease; both begged to return to the Colonial and Copperhill, Tennessee in the last days of their lives.

Who is your favorite “character” in the memoir?
That would be my grandmother. Starting in 1913, when the Colonial was built, she prepared three meals a day for the guests and family while raising seven children, and she continued cooking meals through 1960. When her husband died in 1922, she became the proprietress of the Colonial and a single parent. When I came along in 1940, Grandma wrapped her arms around me too, and supported me in my endeavors. When she passed in 1971 near her 90th birthday, her descendants paid tribute to the matriarch who had brought comfort and joy and stability to our family for several generations.

Tell us more about the book and how it came together.
I began by scribbling a few stories. I had written, for English classes in high school and college, short compositions about my experiences and a few brief fictional pieces. Now I started thinking about writing a book for the first time. A daunting task! My friend, Glynn, whom I’ve already mentioned, nudged me onward. Over a five-year period, with many stops and starts, I penned a manuscript that skittered in many directions. That’s when I turned to several editors for help in taming my material. I knew I had content, but I also knew I needed to shape it. Three editors, all three here in New Mexico (two through SWW), gave me specific ways to deliver my story. I made numerous revisions. Thank you, editors. I learned, after the fact, that you need to establish in advance a budget for the publication of a book. Then I approached traditional publishers, but no interest was expressed with the exception of two editors who encouraged me to press on. One editor said, “Try self-publishing.” SWW guest online speaker Robin Cutler introduced me to self-publishing and to IngramSpark. I now have a contract with Ingram and through that company I connected with a book designer, Van-garde Imagery, that produced, much to my satisfaction, the cover of Growing Up.

Is there a scene or a story in your book that you’d love to see play out in a movie?
This story begins the week after my mother’s short honeymoon with her third husband, a boarder in our hotel. I was a high school senior at the time and I lived in the room adjacent to theirs with only a thin plasterboard wall between us. Mother and Bernard woke me up every night with the two of them arguing. Insecure Bernard (Grandma and I thought him to be unstable) insisted that mother, the Colonial’s manager, stop talking with the other men who lived in the hotel. Each night the tension mounted a little more until I heard mother say, “Bernard, where did you get a gun!” Bernard replied, “Now you’ll do what I tell you to do.” I panicked and couldn’t move. While begging Bernard to put the gun away, Mother must have been walking towards the door, because I heard her door open and close. I exhaled. She’d escaped his rage. The next day Bernard left the hotel without a gun, and soon after his brother placed him in a sanatorium. The marriage lasted less than two weeks.

What was your favorite part of putting this project together, and what was the most challenging?
I enjoyed writing the comical scenes, because I love making people laugh. Maintaining the chronology of the story often challenged me, even with family written records and tape recordings at hand. What’s the order in which things happened? And I couldn’t always remember the details of a scene. Sometimes though, after reflection, I returned to the situation as though standing in that space all over again. That was spooky.


KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kathy posts to a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.




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