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Author Update: Léonie Rosenstiel

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Léonie Rosenstiel is an award-winning author whose nonfiction can be found in various anthologies and other publications such as Los Angeles Times, Albuquerque Journal, Chicago Tribune, and Boston Globe. Her longer work includes biographies, reference books, and her personal journey of Protecting Mama: Surviving the Legal Guardianship Swamp (Calumet Editions, November 2021). Léonie’s newest release is Legal Protection: Affordable Options for Individuals, Families, and Small Businesses (January 2024), with a foreward written by Jack Canfield. You’ll find Léonie’s books on her Amazon author page. For more about her work, read her 2022 SWW interview.

What makes Legal Protection different from the other legal self-help books on the market?
Legal Protection shows people how to find the help they need, and have the peace of mind of knowing, in advance, that they have help available if (when?) they ever need it. It’s not an attempt to sell anyone a particular service or legal form. What I do is to show readers exactly what the best-known services offer (or don’t offer) and who can benefit the most from using them.

Who did you write the book for, and what did you bring to it that other writers couldn’t have?
I wrote it for those who seem to suffer most acutely in our legal system: middle class people. They’re not poor enough to get help from free law clinics but they’re not rich enough to have a stable of lawyers on retainer, either. I’ve watched a number of these sufferers spend all their disposable income—or even be forced to declare bankruptcy—to pay unexpected legal bills. Attorney billings can be just as draining of a bank account as devastating medical bills.

What do I bring to this subject that others don’t? Several generations of my family struggled through court cases and I grew up hearing their tales of woe. I was even involved, in peripheral ways, in some of those cases. When I started doing research on my family history, I discovered even more difficult and exhausting legal cases I’d never heard about before.

I’ve had more than a dozen attorneys of my own, over the decades. A couple of times, I felt obliged to put an attorney on retainer, so I know, first-hand, what that does to a bank account. I’m not an attorney. However, I’ve come to consider myself an expert consumer of legal services.

You must have discovered hundreds (if not thousands) of interesting facts while doing research for this book. How did you sift through it all and decide the most useful information to include in the book?
I started with the five top-rated legal services of 2023, as evaluated by Forbes Magazine. Then I added a few others that people mentioned to me, and that I knew had been around for decades. Then I decided to leave out one (not among the top services) that is only available to federal employees.

In reviewing the services, I took a critical attitude. Did the firm have a consistent philosophy? If not, what changed, over the years? Some had been merged into big conglomerates. Others had critics not allowed to post on their corporate websites. Those critics had started their own sites to complain—and these included both clients and attorneys!

What would you think of a legal service that claims to let people file their own legal forms, but in the fine print it says it has no idea whether the forms are valid, and you must have the help of an attorney before you file them? I made some discoveries that I consider scandalous, but you’ll have to read the book to know what they are. I hope I’ve managed to let the facts speak for themselves.

What was the most difficult challenge of putting this work together?
There were times when I wanted to warn people not to use a particular service, even though it was one of the top five, according to Forbes. Again, I did the research, asked some probing questions, to try to make readers think about what the information actually would mean to them as consumers of legal services, and then allowed the facts to speak for themselves.

Tell us about the journey from inspiration to completed book.
A little over a year ago, I was at a writers retreat with Jack Canfield, author of The Success Principles and co-author of the Chicken Soup for the Soul® series. He’d looked at and endorsed a previous book of mine, Protecting Mama. The manuscript I showed him at that retreat was negative about adult guardianship. He understood why, but he wanted me to be offering people some hope also.

I went home, agonizing over how I could possibly do this when the situation seemed so bleak. Finally, I decided to do some deep research, starting from the beginning of the problem, which always seemed to be misunderstandings about the law or a lack of access to the right attorney at the right time. How could ordinary people have available legal help and not go bankrupt? That’s what made me search for solutions. This isn’t a long book, and once I got started, I found myself in “the zone” because my zeal to get the word out seemed to give me extra energy.

What did you learn in writing/publishing the book that you can apply to future projects?
If you feel absolutely stumped, what you need is probably hiding in plain sight. As with many mysteries, you’ve already seen the clue that solves the case. However, you didn’t realize, when you encountered it, how important it was and how it was connected to the rest of the puzzle. Look again at the problem as if you’re encountering it anew. You’ll be amazed at the new connections you can find, and the new conclusions you can draw!

Of all the nonfiction books you’ve written, which one was the most challenging and which was the easiest or most enjoyable to write?
The most challenging book? It’s a photo finish between Nadia Boulanger and Protecting Mama. I was so comparatively young when I wrote Nadia Boulanger! I felt I had a great deal of responsibility on my shoulders. I was writing about a cultural icon and needed to find a place of neutrality to tell a balanced story. To get the job done, I conducted over 300 interviews and traveled for several years.

Protecting Mama was equally challenging. The events I described were emotionally fraught for both my mother and me. I was so close to the subject, emotionally, that I worked very hard to take several steps back so I could see the patterns and not get stuck in the smaller events.

Have you ever wanted to write fiction?
I’ve written short fiction, and even won a few awards for it. One of my attorneys inspired me to start a sci fi novel some years ago. It’s tentatively titled Tensor Calculus. I’ve only written a few chapters and I’m still not sure whether I’m going to finish it.

What can fiction writers learn from nonfiction writers?
This would only apply to fiction writers in known genres, or “regular” literary fiction, and not to those who want to write experimental works: Make things real for your readers. They should be able to smell, feel, taste and/or hear what you’re showing them. If you met these characters at a party, would they be good companions? Do you love them or hate them? People are almost never monolithic. Assuming that this is true, do your bad characters have some good qualities and your good characters have some bad qualities?

What has writing taught you about yourself?
If I answered this question, the response would be so long that I’d be writing another book.

What writing projects are you working on now?
I have five nonfiction books in various stages of completion right now. They have no titles yet. One relates to AI. Another is a book about how families might be able to avoid a run-in with the court system intent on taking over their beloved elders. Two manuscripts describe various events (in prior generations) that helped to lead my mother, eventually, toward a devastating commercial guardianship.

KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kat has a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.



An Interview with Authors Chris Allen & Patricia Walkow

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Chris Allen and Patricia Walkow are both award-winning authors and editors of fiction and nonfiction who discovered each other’s work as members of Corrales Writing Group. Their individual articles, essays, and short stories have been published in a variety of venues that include newspaper columns and anthologies. Chris and Pat’s first novel collaboration is Alchemy’s Reach (2023), a murder mystery with a touch of romance. You’ll find Chris on Facebook and her SWW author page. Look for Pat on PatriciaWalkow.com, Facebook, and her Amazon author page. For more about Pat’s work, read her 2016, 2020, and 2023 interviews for SouthWest Writers.

What is your elevator pitch for Alchemy’s Reach?
Detective Jennifer Murphy’s life is torn asunder when lightning splits the sky and a rifle shot splits the air. Only her dog, Fi, understands what happened.

What formed first in your minds that grew into the story idea: a character, a setting, a what-if question? How did you proceed from there?
The idea for Alchemy’s Reach came from a true event, a mass murder, that happened in southeastern New Mexico in 1885. We set our story in the present day in that setting and created characters that had ties to that prior event. A strong female character and giving the reader a sense of place were important to us. Our main character, Jennifer Murphy, is a deputy sheriff in Lincoln County where she lives on a ranch of rolling hills she and her younger brother, Ethan, inherited from their parents. We wanted the reader to understand how independent Jennifer is, how competent she is. We also wanted to highlight the sights, scents, and sounds of Lincoln County.

You two have collaborated before on writing projects. How did you divide the responsibilities of writing/producing this book? What was the greatest challenge in the collaboration process?
We previously collaborated to write short stories with both current and previous members of the Corrales Writing Group. Each of those stories has been published. Alchemy’s Reach is the first time it was just the two of us.

As with any collaborative effort, it is important for all parties involved to be committed to the project. It means working to reach common ground regarding what the story is about. Although we did not have major differences regarding our story in Alchemy’s Reach, we learned to give a little, get a little, and in the end, create a third voice that belongs neither solely to Pat nor to Chris.

As we discussed our story, one of us would volunteer to write a part, and the following week we’d review it, revise it, and then assign the next chapter. Sometimes one person wrote several chapters in a row; sometimes we simply wrote one at a time. There is also administrivia involved when authoring a book. For example, Pat developed a timeline for the story; Chris kept the character sketches up-to-date. Regarding research of the physical location or anything else related to our story, we would decide who would do what. It was pretty painless, but that goes back to our agreeing on what the book was about in the first place.

How did the book come together?
It took us about two years to write the book, mostly during the pandemic. We presented each chapter to our critique group — the Corrales Writing Group — for review and revision. Often, this was accomplished by Zoom. We edited the book ourselves multiple times by reading it as well as having the computer read it to us. We sent the book to five or six beta readers for their comments and suggestions.

We have both published through KDP but were each involved in other writing projects, so we decided to seek a publisher. We received two publishing offers and decided to go with a vanity publisher, which was a mistake. The chosen publisher provided the cover art and did some additional editing. We thought that though it cost some money, it would free us to attend to our new projects. We signed a contract with Austin Macauley for an e-book, paperback, and audiobook, and the audiobook is still pending. Not all the reviews we read about this company were positive, yet not all were negative. We took a chance. With our own experience publishing books, we learned we are far better at it than the publisher we chose, and we will not choose that route again.

Tell us about the main characters in Alchemy’s Reach.
Jennifer Murphy: Co-owner of Montaña Vista Ranch and Deputy Sheriff of Lincoln County, New Mexico. She is our main character. Loves both her job and the ranch. Ethan Murphy: Younger brother of Jennifer Murphy; co-owns the ranch, does not like ranch life; takes odd, dangerous jobs away from home. Pablo Baca: Ranch manager, hired long ago by Jennifer and Ethan’s father. Pablo has known Jennifer and Ethan since they were born. Rose Baldwin: Office administrator for the Lincoln County Sheriff’s Office. She has been like a second mother to Jennifer and Ethan all their lives. Fi: A black Labrador Retriever. Ever faithful. Belongs to her and Ethan…but mostly, Ethan. Jeff Reynolds: Owner of the local hangout (bar and restaurant) called The Rusty Keg. Sheriff Cooper: Jennifer’s boss and sheriff of Lincoln County. Detective David Chino: Mescalero Apache and New Mexico State Police Detective. Joe Stern: Klamath Native American and friend of Ethan.

Why did you choose New Mexico as the setting for the book?
The inspiring event occurred in New Mexico, and since it is such an exotic and beautiful state, we chose to set the story here. The mass murder that occurred at Bonito City provided us with some background genealogy for our main character, Jennifer Murphy, and her brother. In Alchemy’s Reach, the fictional town of Alchemy was flooded when Lake Fortuna was built. In real life, Bonito City was drowned when Bonito Lake was created. The lake still exists today, and it has recently been dredged, removing years of silt.

What was your favorite part of putting this project together?
We worked well together, and the discussions of character and plot inspired each of us to be more creative. Building on each other’s ideas led to improved scene development, better character development, and twists in the plot which, as individuals, we may not have thought about. No matter what problem we encountered, talking it out and coming up with alternatives always worked.

What kinds of scenes did you find most difficult to write?
Chris: Really none posed any issues.

Pat: No type of scene presented a problem. As always, we had to ensure we were consistent with what came earlier in the book. An example of that would be:  how come my character has blonde hair in Chapter 1 and all of a sudden, we are saying she has black hair in Chapter 26?

What is the best encouragement or advice you’ve received in your writing journey?
The input from Corrales Writing Group has been invaluable. Even if we don’t feel a specific critique is appropriate for our styles, we find the members’ comments often spur us to review our work and make it better.

What writing projects are you working on now?
Pat: I’ve sent my novel-in-progress, The Far Moist End of the Earth, to beta readers.

Chris: I am currently working on two books, both science fiction, with my husband Paul Knight. One book, The Music of Creation, is out for review by a publisher. The other, The Mirror of Eternity, is going through the critique process with Corrales Writing Group.

KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kat has a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.



An Interview with Authors Sue Boggio & Mare Pearl

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Sue Boggio and Mare Pearl are novelists whose collaborations weave family, friendship, and hope into award-winning literary fiction. Their newest novel, Hungry Shoes (University of New Mexico Press, September 2023), is described as “an emotional journey through the scar tissue of complicated lives” and “a celebration of compassion, hard-earned wisdom, and the joy we can create.” You’ll find Sue and Mare on their website at BoggioAndPearl.com and on their Amazon author page.

Sue and Mare, you met in 1963 as youngsters and formed an immediate friendship that’s followed you throughout your lives. At what point did you both decide you wanted to write novels together?
In the 1980s we lived across the country from each other. We wrote letters that included one of us starting a story and mailing it to the other to continue the story — back and forth until the story became too long and fat to fit into an envelope. At that point, one of us would come up with an ending. In 1988, Mare moved to Albuquerque where I lived and we decided to educate ourselves about the craft (and business) of novel writing. Along with reading books on the subject and subscribing to industry periodicals, we joined SWW and attended meetings and all the great SWW conferences in the 1990s. In 2001, we were finalists in the novel competition with Sunlight and Shadow, published in 2004 by NAL/Penguin, and we were on our way!

Your latest novel is Hungry Shoes. What was the inspiration for this story?
Hungry Shoes was inspired by our long careers working at UNM Children and Adolescent Psychiatric Center, and our dedication to milieu therapy. Milieu therapy means the environment the kids are immersed in is a 24/7 intensive therapeutic process. Hungry Shoes shows how powerful milieu therapy was when we worked in such a program in the 1980s and 1990s. We’ll never forget the young people (and colleagues!) we had the privilege to work with and wanted to honor them in a fictionalized version of that inspiring world.

Was there anything surprising that you discovered while writing this book?
One of the challenges in writing Hungry Shoes was finding the best way to include pertinent scenes from Maddie and Grace’s pasts to show how and why they ended up needing inpatient psychiatric care. This required us to stretch ourselves in determining the structure of the novel, and how to handle time. Instead of the usual straight chronological stream of events, we inserted those past scenes into the present-day arc of their hospitalizations. The past scenes show particular times of chaos, abuse and neglect each girl experienced through their seventeen years of life. Showing these past arcs was much more powerful than telling them, say in therapy sessions. This gives the reader much greater insight and empathy when the girls’ experiences are addressed in their present day scenes. The scenes from the past are purposefully placed to connect with and inform what’s happening in the present-day arc of their three-month hospitalizations. It took a lot of trial and error before we arrived at the structure that finally worked the best, and the surprising discovery was that we were able to pull off what we envisioned!

Tell us how and why you chose the title Hungry Shoes.
In the early 1980s, a boy from Zuni Pueblo in my (Sue’s) care used the term to describe worn-out shoes that separate at the toe creating a mouth. (A lot of kids needed shoe glue to hold their shoes together until new ones could be obtained.) After learning the term was used commonly in Zuni Pueblo, I tucked it away as a title for a future book about milieu therapy. There is a scene in our book showing how the expression was used and its metaphorical representation of kids who have been abused, neglected, etc.

Why will readers connect with your main characters Maddie and Grace?
We created Maddie and Grace to have different issues, and be distinct from each other, but we wanted both of our lead characters to have the capacity to respond to therapy even after tough lives, and be intelligent and strong, and be able to form a genuine bond with each other that facilitates both of their healing journeys.

Maddie is more impulsive and expresses her pain and emotions directly. She’s more prone to “act-out” while Grace holds her pain more inside of herself. When the reader discovers what each girl has experienced via the scenes from the past, along with discoveries made in therapy, they are able to understand and connect with them. We also made sure to make them more well-rounded than their past wounds. We show them caring about their peer group members and staff, we show their humor and tenderness and bravery as they strive to get better.

What message do you hope to convey to readers of Hungry Shoes?
Our message is that there is an inpatient treatment model called milieu therapy that can (and did!) help kids turn their lives around if we as a society are willing to fund the necessary ingredients, which are:

Time enough to trust the adult staff to disclose their issues and connect with them as a source of support. Time for their families to learn new ways of parenting via family therapy and parent education (length of stay needs to be weeks/months instead of the current usual 3 days that insurance will cover.)

Staffed with highly-trained and well-paid professionals in a multi-disciplinary team approach offering a varied menu of therapies and individualized programs (art, music, recreational, etc.).

Physical environment that is designed for children while maintaining safety (i.e., playgrounds, flowers, grass, trees—natural beauty—supervised playtime and structured activities) instead of a stereotypical locked hospital ward.

Hungry Shoes shows all of this better than can be briefly described.

As coauthors, how do you manage expectations with each other? What is that process like?
We’ve been creating together since we were ten years old. It is instinctual by now to play to each other’s strengths. We’re each other’s greatest fans so our collaboration is based on mutual respect and trust. Before we start a project, we discuss EVERYTHING and keep notebooks as we define our themes, design settings, create characters and their arcs. We each choose POV characters and divide up scenes to write each week. (In the case of Hungry Shoes, I wrote Grace’s POV scenes and Mare wrote Maddie’s.) We get together weekly and read our scenes aloud to each other for feedback and to decide what scenes should come next. We always know our novel’s ending but how we get there allows for discovery along the way. A first draft takes about nine months. Then we do an entire read through out loud together before tackling rewrites and editing, first individually, then merged into one manuscript that Sue edits with continual input from Mare until we’re ready to share it with our first readers and eventually our agent for more revisions.

Not every difference of opinion is contentious, but as authors we bring our own ideas to each story. How do you navigate those differences?
We are constantly discussing different ideas, testing them out on each other. If one of us likes something the other doesn’t, we talk it through some more, but we give each other a lot of freedom and autonomy to run with an idea to see how it works—especially if it concerns our own POV character. Often a third option better than either of us thought of previously will be born from our discussions—the magic of collaboration. One of our bylaws is the good of the project comes before either of our egos. Honestly, it’s easier and a more natural process than you might imagine. I (Sue) write novels on my own in between our joint projects and it’s twice the work and half the fun.

Do you allow an underlying structure to guide your writing process or is this something you discover as you work?
It can vary depending on the needs of a particular project but we use structure and pacing techniques that we’ve learned from studying screenplay writing. (Hungry Shoes began as a screenplay.) We use index cards detailing each scene and mount them on a big story board, moving scenes around to find the best progression. This visual is key to our process, especially merging two writers’ scenes into one seamless narrative.

What writing projects are you working on now?
At age ten, it was the Lennon/McCartney collaboration that incited our creative journey as partners. Countless books have been written about The Beatles, so we wanted to write a novel capturing their lifelong impact on the lives of two young fans, Sadie and Max, called And Your Bird can Sing. After family tragedy leads to not only physical distance but total estrangement, Sadie and Max try to navigate adulthood without the one person they counted on always being there. Through the best and worst of times, Beatles music is the soundtrack of their lives. When life offers them a rare second chance, they come face to face after 26 years apart. At age 40, is their connection still alive? Or has it receded into their pasts, a pleasant childhood memory forever lodged in an era that has vanished as surely as the miraculous band itself? Our agent is currently beginning submissions of And Your Bird Can Sing—fingers crossed!

Is there anything else you’d like readers to know?
Thank you so much for this opportunity to talk about our work! You can email us via our website: www.boggioandpearl.com. We enjoy attending book club discussions in person or via zoom.

Su Lierz writes dark fiction, short story fiction, and personal essays. Her short story “Twelve Days in April,” written under the pen name Laney Payne, appeared in the 2018 SouthWest Writers Sage Anthology. Su was a finalist in the 2017 and 2018 Albuquerque Museum Authors Festival Writing Contest. She lives in Corrales, New Mexico, with her husband Dennis.



Author Update: E. Joe Brown

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After retiring from careers in the United States Air Force and civil service, E. Joe Brown began a third career as a writer. He is now an award-winning author who focuses on historical fiction and memoir. A Cowboy’s Fortune (Artemesia Publishing, January 2024) is his newest fiction release and the second book in The Kelly Can Saga set in early twentieth century Oklahoma. You’ll find Joe on his website EJoeBrown.com and Happy Trails blog, as well as on Facebook and his Amazon author page. For more about his work, read his 2022 SWW interview.

Distill the story you tell in A Cowboy’s Fortune into a few sentences.
The main characters, Charlie and Susan, are recently married and we follow them as they take charge of The Kramer Group (business empire of Walter Kramer, Susan’s father) and grow as people as they expand the business. They deal with some very bad people along the way.

For those who aren’t familiar with book one in the series, A Cowboy’s Destiny, tell us about your main character.
Charlie is a young ambitious cowboy who meets his future bride Susan as he travels across Oklahoma heading to the Miller’s 101 Ranch, the largest and most famous ranch in the state. Charlie proves himself as a cowboy, a man, and a leader at the 101.

Did your characters surprise you as you wrote their story?
Yes. I had ideas as I began, but I let my characters tell me the story as we moved through the pages.

Two books into The Kelly Can Saga, what have you found are the most challenging aspects of writing a series?
The research required to keep the story honest to the time frame as I incorporate real people into the storyline.

Is there a scene in either of your books you’d love to see play out in a movie?
Actually several. There are action scenes where Charlie shows his character, and there are scenes where you see his romantic side and Susan’s response that would jump off the screen in my opinion.

What makes this novel unique in the historical fiction market?
I don’t know of any other novel that focuses the reader on what was happening as society transitioned from ranching, farming, and rural life into what we call the Industrial Revolution. At least not in Oklahoma.

Was there anything surprising you discovered while doing research for this book?
The oil business and the overall population exploded during this exciting period in my home state of Oklahoma. After World War I many folks came West and homesteaded 160-acre parcels.

What did you learn in writing/publishing A Cowboy’s Fortune that you can apply to your future projects?
I continue to learn more about time management as an author. It takes a lot of time to write, revise, edit, and market a book.

What is the best compliment you’ve received as an author?
People have told me time and again how much the enjoy the storyline and how readable my writing style is.

Do you prefer the creating or editing aspect of writing? How do you feel about research?
I love the creative side and truly enjoy research. I’ve always enjoyed history.

What advice do you have for writers still striving for publication?
Attend conferences and conventions and meet publishers. It helps when you develop a relationship with a publisher.

What writing projects are you working on now?
I’m writing book three of at least five books in The Kelly Can Saga. I’m also working on more memoirs.

Is there anything else you’d like readers to know?
I appreciate my readers more than I have the words to express.

KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kat has a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.



Author Update: Vicki Kay Turpen

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Author Vicki Kay Turpen is a retired teacher of English, the Bible as literature, and drama who co-founded the Durango Lively Arts Company in Colorado. She has published dozens of articles for The Christian Science Publishing Society, and in 2019, released her first novel, The Delicate Balance (co-authored with Shannon Horst). Her newest release, Opelika Opiate (June 2023), is set in Alabama “where cars, men, and race collide to unhinge the life of a young woman.” You’ll find Vicki on her SWW author page and her Amazon author page for Opelika Opiate.

What would you like readers to know about Opelika Opiate?
Opelika Opiate is the result of my own disappointment with leaders in today’s world. There is a lack of education and brotherly love and a tendency toward anger and blame. My story is based on an actual experience I had when I was fifteen. I was stranded in a run-down motel with my grandmother. She was allowing her emotions and brain to stupefy her and halt all normal functions. She refused to get out of bed and drive us home. For years, I never thought back on that experience or the man who tried to rape me then. Now the world news can be full of women and men accusing each other of harmful actions.

As I was growing up in the American south with its unjust and unequal laws and social life, I was so disappointed with even my own relatives who allowed prejudice to rule their lives. Until we all begin seeing ourselves as more than sexual objects and see ourselves and each other as equal human beings there will never be real equality and harmony in our world.

Your first novel, The Delicate Balance, was a science fiction story exploring climate change. Opelika Opiate is not only a different genre but it seems to be a huge departure from your first book. What inspired you to take this new direction? What themes do you explore in the story?
My experience with the man who tried to rape me was over 70 years ago. I never told my grandmother (who later was healed of her problems and became a loving and helpful friend). I never told my parents. I never shared the experience with anyone or allowed shame, blame, or hatred to rule over me. However, my heart goes out to women and men who allow themselves to become life-long victims to their own thinking, and then much later take revenge. Why has forgiveness and love so disappeared from our lives? I decided to write about my own decisions, hoping my story would encourage young people today never to think of themselves as victims.

Who is your main character? Why is she the best choice to carry your story?
The main character in Opelika Opiate is Karla Sue. She is a 15-year-old taking care of her depressed grandmother. The story came from the real experience I had in 1953. The incident with my grandmother and all of the heat, rain, fear, and actions with other characters is based on my experience. The forward of the book is written by the author (me) in explanation of her memories. The actual characters, except for Karla Sue, are fictional, but the actions are based on how Karla Sue handles the attack. Then the story states why she refuses to think of herself as a victim for the rest of her life. That reflects back on the opening statements by the author. I suppose you could say there are two protagonists, the author and Karla Sue, but they are the same person at 15 and later at 80.

How did the book come together?
I began writing Opelika Opiate while on vacation with my daughter Kelly. My daughter-in-law Toni helped me with complicated technical aspects. A good friend who is an artist did the sketches for the book, and I created the cover. It was published by Austin Macauley last year.

Choosing a book’s title can be a complicated journey. Tell us why you chose the title for your newest novel.
In choosing the title for Opelika Opiate I was also expressing my deep feelings concerning our increasing delusions about drugs. Look around today, one opiate is supposedly recreational, when the combination of several others or just one can cause death. Many opiates that are used just for pain never really heal, and our leaders are boasting about the money gained by legalizations. I was hoping to discourage the reader not to sleep away his or her life with the use of drugs. I wish to encourage them to never destroy their ability to think, reason, and lead creative lives.

For your first book, you shared the writing responsibilities with a co-author, your daughter Shannon Horst. What was it like this time, writing a novel on your own?
I loved writing with my daughter, it was fun. I also enjoy doing my own writing. I found out when I retired from teaching that writing was a very happy way to spend special time alone with my thoughts. I write the same way I directed theater. I chose characters, like I did for a play or musical. I see them in real life-moving through their lives either in conflict to their own thought or in conflict with others, or in instances that bring harmony. They are in my consciousness and often tell me how they feel and how they are trying to deal with life. Often the ideas are ones I never have thought about, they come directly from the character.

What writing projects are you working on now?
I just finished writing a historical novel that takes place in Louisville, Kentucky in 1900. It is called Kat’s Dilemma and is based on events that occurred in my great-grandmother’s life. It answers the question, “What was it like to be a woman then?” Katherine Amelia (Kat) faces the belief she has no individual rights or no freedom to make decisions for herself. I did a lot of research and discovered shocking facts, laws, and attitudes concerning women. Kat’s intelligence, her searches through books, and her determination to be a real person eventually create her happiness and success. My next book is a memoir entitled Mike and Me and Music about marriage and family.

KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kat has a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.



2023 New Releases for SWW Authors #1

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Chris Allen, Parris Afton Bonds, Melody Groves, and Patricia Walkow represent the diverse membership of SouthWest Writers (SWW) with books published in a variety of genres in 2023. Their new releases couldn’t fit in this year’s interview schedule, but look for 2024 interviews or updates for many of these authors.

A list of interviewed SWW authors with 2023 releases is included at the end of this post.

Alchemy’s Reach (August 2023) by Chris Allen and Patricia Walkow. Jennifer Murphy, deputy sheriff in a small town in New Mexico, has closed her heart to love. She throws herself into her job as well as running the ranch she and her brother, Ethan, inherited from their parents. Ethan’s wanderlust has taken him away in search of odd jobs. When he returns home, Jennifer entices him to stay for a while by telling him about Alchemy, a ghost town, once drowned by a reservoir, but now exposed by drought. Local barflies think there is treasure buried there. Others believe it is cursed. Intrigued, Ethan packs up his dog, Fi, and heads to the town. What happens at Alchemy will change Jen’s life forever, but will it open her heart to love?

You’ll find Chris Allen on Facebook and her SWW author page. Look for Patricia Walkow on PatriciaWalkow.com, Facebook, and her Amazon author page.

Answering The Call (Motina Books, May 2023) by Parris Afton Bonds. It’s never too late to have the adventure of a lifetime. With her 70th birthday looming, Lauren Hillard thinks there has to be an easier way. She has long felt her family has simply stowed her away like a precious heirloom. She’s had it – she is done. Lauren makes the snap decision to answer the call to adventure and move to affordable, exotic Mexico. Exotic, like the much younger David Escobar, attorney and former criminal. Soon she wonders if it’s wise to answer calls from a treacherous family member who wants to have her committed, a ruthless organ harvester, and her captivating but high-risk attorney.

Visit Parris on her website and her Amazon author page.

Lady of the Law: A Maud Overstreet Novel (Wolfpack Publishing, March 2023) by Melody Groves. Women in the 1870s have little control over their lives and the women of Dry Creek, California, look to Sheriff Maud Overstreet, a thirty-something spinster, as an example of women’s progress. Following a disastrous fire that leveled the town’s school, Maud appoints a woman as fire chief. Inspired, several women step forward to run their own businesses, much to the consternation of the male town councilors. While searching for the school arsonist, Maud takes on the role of campaign manager for two of her friends, both vying to be Mayor. Toss in more fires, a wild romance, a rowdy town dance, establishing a school for Chinese girls, and mysterious threatening notes, Sheriff Overstreet faces each challenge with determination. She is, after all, a Lady of the Law.

Showdown at Pinos Altos: The Colton Brothers Saga (Wolfpack Publishing, March 2023) by Melody Groves. Andy Colton, the youngest of the Colton brothers, leaves Mesilla to pursue gold mining in New Mexico’s Black Range. However, he finds little gold and is captured by a runaway slave while fleeing from a band of Apache. When news reaches Mesilla that the Apache have raided Santa Rita and Pinos Altos—areas where Andy was last known to be—his brothers Trace and James set out to search for him. After the slave sells Andy to the Apache, a fight ensues between the Coltons and the Apache in Pinos Altos in an explosive showdown not soon to be forgotten.

Look for Melody on her website MelodyGroves.net. You’ll find all her books on Amazon.

Holes in Our Hearts: An Anthology of New Mexican Military Related Stories and Poetry (May 2023), edited by Jim Tritten, Dan Wetmore, and Joseph Badal. Holes in Our Hearts provides snapshots of military life and how the military has affected lives. It is written from the perspective of New Mexico active-duty military members, veterans of the Army, Marines, Navy, Air Force, and Coast Guard, as well as their family members and caregivers. Some of the writing represents the first time many authors have revealed their innermost thoughts to anyone. Some of the stories are written by established authors with numerous publishing credentials. All are worth the time to learn why we continue to honor the military on behalf of a grateful nation. This collection of prose and poetry was gathered and created by SouthWest Writers and funded through a grant from the State of New Mexico Arts and the Military Program.

For a list of contributing authors, visit the Holes in Our Hearts book page on the SWW website. The anthology is available on Amazon.

SWW Author Interviews: 2023 Releases

Marty Eberhardt
Bones in the Back Forty

William Fisher
The Price of the Sky: A Tale of Bandits, Bootleggers, and Barnstormers

Patricia Gable
The Right Choice

Cornelia Gamlem
The Decisive Manager: Get Results, Build Morale, and Be the Boss Your People Deserve

Joyce Hertzoff
Train to Nowhere Somewhere: Book 1 of the More Than Just Survival Series

Brian House
Reich Stop

T.E. MacArthur
The Skin Thief

Nick Pappas
Crosses of Iron: The Tragic Story of Dawson, New Mexico, and its Twin Mining Disasters

Marcia Rosen
Murder at the Zoo

Lynne Sebastian
One Last Cowboy Song

JR Seeger
The Enigma of Treason

Suzanne Stauffer
Fried Chicken Castañeda

Jodi Lea Stewart
The Gold Rose

Patricia Walkow
Life Lessons from the Color Yellow

R. Janet Walraven
LIAM: The Boy Who Saw the World Upside Down

Donald Willerton
Death in the Tallgrass

Linda Wilson
Waddles the Duck and
Cradle in the Wild: A Book for Nature Lovers Everywhere



An Interview with Author Kate Harrington

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Author Kate Harrington channels her optimism for a hopeful future into her science fiction novels for young adults. Her most recent release is Planet Quest (March 2022), book two in her award-winning Pawn Quest trilogy that follows a group of teens marooned on a hostile planet. Look for Kate on her website at KateHarringtonWrites.com and on her Amazon author page.

Planet Quest is a finalist in the 2023 New Mexico/Arizona Book Awards. What else do you want readers to know about this second book in your trilogy?
Three teens, linked to a mystery back on Earth, land on a strange planet with ten others, but where are the people? Ran, the only teen not recovering from SpaceSleep, goes in search and ends up trapped. But nothing’s going to stop him from rejoining his friends. This is a young adult sci-fi adventure.

Who are your main characters, and what do they have to overcome in the story?
In Pawn Quest, book one, machine-empath Ran, researcher Pel, and impulsive Hallie each comes up against different aspects of a mystery of disappeared persons. The AI that holds answers propels them off Earth, but is it for their safety or to be rid of them? In Planet Quest, a hostile planet, an old alien shipwreck, and non-communicative adults challenge the teens to discover and use their inner strengths.

From inspiration to publication, how did Planet Quest come together?
Over more than half my lifetime, the story grew in the background of raising kids and pursuing a career. I was always revising and never finishing. A couple years before Covid (BC?) I got depressed. It seemed I had a choice: to quit altogether—or—to self-publish something still incomplete. Choosing to publish provided a huge sense of relief and the freedom to move forward.

Publication fell into place relatively quickly. Chatting with Lois Bradley at a conference gained me a wonderful jacket designer. A presentation at Bubonicon identified E. M. Tippetts for book formatting. A church friend added me to her copyediting clientele. I took Sarah Baker’s Continuing Ed class on self-publishing and Rob Spiegel’s blogging class — though I’m still not into self-promotion. My IT son sat shotgun while I uploaded various files online. And none of it would have happened without invaluable feedback over the years from critique groups and individuals.

What was the most difficult aspect of world building for the Pawn Quest books? What was your favorite part of putting this project together?
The most difficult part of world building was staying ahead of the future; our world is changing so fast. Actually, my favorite part was writing the companion book Ty’s Choice (December 2020), also a New Mexico/Arizona Book Awards finalist. I wanted to know more about a ten-year-old boy who appears in Pawn Quest. With the background of future Dodge City already formulated, and keeping to a single point of view, the book came together much faster than anything else I’ve written.

What sparked the initial story idea for book one, Pawn Quest? When did you know the storyline or characters were strong enough to carry a series?
My heart was set on finding a library job when my boys reached school age. Instead, I found myself pregnant again and started writing to fill the gap. I had this view of teenagers on a strange planet, but no idea how they got there. About the same time, I read about a parent whose child had been unfairly taken from her. The strong emotion that article evoked got attached to those kids on that planet and kept me seeking answers.

I never intended more than a single volume, but the story ran away with itself. Pawn Quest answers who the teens are and how they arrive on the planet. Planet Quest covers their first ten days. In the final volume, Quantum Quest, they’ll have to overcome challenges related to that initial mystery back on Earth before they can return home.

Tell us about any challenges this work posed for you.
I wanted to publish on IngramSpark, but it was such a challenge I ended up with Amazon. I’ve since managed (with Rose Kern’s help) to load all three titles on IngramSpark.

When did you know you wanted to be a writer? And when did you first consider yourself a writer?
I discovered both my loves—libraries and writing—in junior high school. I don’t think I dared call myself a writer until after retirement.

What topics or themes does your book touch on that would make it a good fit for the classroom?
I’ve jumped over a lot of present/future problems with AI and social media technologies. It’s easier to solve them in retrospect. An interesting discussion might be how to get from where we are to the more equitable (but flawed) society I describe, or to any other society the students might imagine.

Who are some of your favorite authors? What do you admire most about their writing?
I love Diana Wynne Jones for her humor, imagination, and ability to connect with children’s emotions. Space opera authors Lois McMaster Bujold and the team of Sharon Lee and Steve Miller are great world builders and storytellers. And so many others…

What writing projects are you working on now?
While working on book three of the Pawn Quest trilogy, I’m also revising two verse novels — fairy tale retellings set in an ancient past — which I’d love to see published.

KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kat has a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.



An Interview with Author T. E. MacArthur

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Artist and historian T. E. MacArthur is the award-winning author of two steampunk series — The Volcano Lady and The Gaslight Adventures of Tom Turner — as well as A Place of Fog and Murder, a dieselpunk/noir-punk Lou Tanner P.I. Mystery. The Skin Thief (Indies United Publishing House, March 2023) is Thena’s newest release and her first paranormal romance thriller. You’ll find Thena on her website at TEMacArthur.com, on Facebook, and her Amazon author page.

What would you like readers to know about the story you tell in The Skin Thief?
Agent Tessa Lancing believed she knew all about death — until she met Death itself. Tessa has one last chance to prove herself to her employer, a disavowed secretive agency, or face literal termination, and she’s desperate to do what she must to succeed. When assigned to a doomed mission already littered with dead bodies, she drags Jack de Sombras, an accused traitor who’s also her old partner and unrequited love, out of his self-made tomb and back into the field. By teaming up with Jack, she expects to make quick work of the situation. She’s wrong…With an ancient evil and Death itself after them, can they survive their last mission together?

What was the inspiration for the book?
The Skin Thief started as my Pandemic project. I mean, what the heck: stay at home, nothing to drag me out of the house, nothing to distract me or to take up time. Of course, I can write 100 books, am I right?  I was wrong. That time of isolation drained me of all my energies, most assuredly, my creative energy. I was not alone. Still, more than a little determination got the plotting, false-starts, and research going. I also discovered the pure joy of Zoom workshops and meetings. I could go on about that, but I’m trying not to get too far off topic.

The book began as my homage to the British Avengers TV show (and was also inspired by the X-Files, with a heaping spoonful of both Tony Hillerman and Dean Koontz). In fact, my two protagonists call each other Steed and Peel once in a while. I tried to get that humor and weirdness, yet it wasn’t quite working. At that point, I backed up and asked, “What do you do (better) with two great new characters?  Where do you want them to go?  What kind of antagonist is the right match?” Why yes! That led to a complete re-write.

Did you know from the beginning that you wanted The Skin Thief to be a paranormal romance thriller?
Not even close. I ran the first iteration of The Skin Thief past a potential, and very time-generous agent who called it a Romantic Suspense. I knew there were some romantic elements but putting that in the genre label surprised me. Once I did a whole re-write, I embraced the romantic while not making it the center of the plot. “Will they” or “won’t they” is meant to enhance the thrill, not to overwhelm or distract from it.

Were there any challenges you faced when wrapping all those elements together?
My biggest concern was to make sure that I’d written a solid paranormal thriller, then to see to it that any romantic parts fit and moved the story smartly, and last (although not at all least) I needed to make sure that the facts flowed.

I could point to the biggest challenge being the fact that I hadn’t been in the Four Corners area (where The Skin Thief is set) in such a long time. I didn’t want to do the area or the people there an injustice by getting the details wrong or suggesting that the whole place was a paranormal cesspool. People of many ancestries have lived there over thousands of years. There are still so many mysteries about the ancient populations to modern observers. I didn’t want to do a disservice to any of the above.

My “ancient evil” is one of those evils that always seems to pop up everywhere. You spray, and you spray, and they just keep coming back.

Who are your main characters, and why will readers connect with them?
Who doesn’t love a cowboy? I suppose it depends on the man, doesn’t it? If he’s a cowboy with dangerous secrets and a questionable past, I suppose Jack de Sombras might not be your cup of tea. Then again, he is terribly smart, brave, and charming, even if you don’t know what his motivations are.

Tessa Wells Lancing has PTSD. She’s a bright bulb with a kick-ass attitude. If it can be done, Tessa either will do it or give it nothing less than her best. Can she help it if she wisely got therapy and the doctor put her on the path of parapsychology? Was it her fault if Death took a liking to her?

Two imperfect intelligence agents, working together again, to save lives. What’s not to like?

Do you share traits with any of your characters? Or are any of your characters based on people you know?
Every author writes him or herself into their characters. I think in this case, my characters have my sense of humor and Tessa has my interest in the paranormal but otherwise they are whole and completely their own people.

You’ve written in many genres: Mystery, Paranormal, Science Fiction, Thriller, Steampunk, to name a few. Do you prefer one genre over another?
While we’re focused on the The Skin Thief for this interview, I’m also working on my second series, the Lou Tanner Mysteries — set in 1935 futuristic San Francisco. I’m flopping back and forth between two very different styles, yet all in a similar genre. Thrillers.

Thrillers make me happy. While I like a good whodunit, I like the chase even more than the solution. And I love a good ghost story. I’d say right now, I’m split between writing paranormal and writing futuristic pulp detectives.

What I mean by futuristic pulp is called Dieselpunk. Like Steampunk (Victorian Science Fiction, ala Jules Verne), Dieselpunk takes history from between the world wars and asks, “What if?” In my case, I ask, “What if in 1935, technology includes robots and automated taxis to go along with a female, Raymond Chandler-like detective?” I adore the slang, the innuendo, the Art Deco/Noir setting, Jazz Age life. Chandler has a certain phrasing that is classic and profoundly descriptive.

Why did you choose your particular settings for The Skin Thief?
When I was eight years old, my family moved to Colorado Springs. I wasn’t what one might call “popular.” Okay, I was the odd kid, the weirdo, the California girl. I got bullied very badly. I found solace in being alone and using my imagination. I would sit in my backyard, with its view of Pikes Peak and Cheyenne Mountain, and look at the strange light in between them called the Shrine to the Sun. Every night, there it was, waiting in the darkness that was granite and conifer. Far away, enough that we never visited, but close enough that a neighbor or two mentioned it. It was a few years before I learned it was the Will Rogers Shrine to the Sun, a tribute to his writing.

Meanwhile, there I sat, imagining what a Sun Shrine might be like, filling in with jungle-covered Aztec ruins or lost ancient Egyptian travelers. Things an eight- or nine-year-old thinks. We had cliff dwellings too, although those weren’t quite like Mesa Verde. I wanted nothing more than to find ancient peoples as if finding myself within them. To me, they were unknowable — as was I.

My sneaky way home, that avoided where the bullies waited for me, went through a grove of trees where I would imagine great escapes, powerful witches, and talking trees. I suppose in a way, I can appreciate that the bullies forced me on an imaginative path — although I’m loathe to give them any credit.

Can you share with readers what writing project you’re working on now?
A new, re-edited second edition of A Place of Fog and Murder: A Lou Tanner Mystery will be released on October 25th by Indies United Publishing House LLC. Like The Skin Thief, it will be available on all the basic and familiar places. For now, I’m working on sequels to both The Skin Thief and A Place of Fog and Murder. Whichever tickles my fancy each day gets my attention. Both are due in 2024.

Where can readers find your books?
I am on Amazon, Kindle, Barnes & Noble, Draft2Digital, and Smashwords. Go to Books2Read for links to all retailers.

Anything else you’d like readers to know?
After visiting Albuquerque in 2022 for the Left Coast Crime convention, not to mention a side trip to Santa Fe, I fell in love with the Southwest again. I also met the SouthWest Writers group and am so glad I joined.

Su Lierz writes dark fiction, short story fiction, and personal essays. Her short story “Twelve Days in April,” written under the pen name Laney Payne, appeared in the 2018 SouthWest Writers Sage Anthology. Su was a finalist in the 2017 and 2018 Albuquerque Museum Authors Festival Writing Contest. She lives in Corrales, New Mexico, with her husband Dennis.



An Interview with Author Donald Willerton

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Donald Willerton is the award-winning author of the ten-book Mogi Franklin mystery series for middle-grade readers plus four novels in various genres for adults. His most recent adult release is Death in the Tallgrass: A Young Man’s Journey Through the Western Frontier (July 2023) that has been described as “a beautiful, smart, engaging, enraging book…gentle and thoughtful and fierce.” Look for Don on his website at DonaldWillerton.com and on his Amazon author page.

What would you like readers to know about the story you tell in Death in the Tallgrass?
The novel centers around the kidnapping of a 10-year-old boy, Sam, by Comanche warriors in 1870. Sam is declared dead soon afterwards. Lucy, his six-year-old sister, goes on with a wealthy but rocky life until her son, Harry, in 1904, discovers that the family history may have been a lie and Sam may have lived. Following what he thinks are clues to Sam’s life, Harry goes on a wagon trip that begins in Las Vegas, New Mexico, crosses Texas, turns around at Fort Sill, Oklahoma, and retraces its route until it ends on the Goodnight Ranch, east of Amarillo, on the rim of the Palo Duro Canyon.

This is real country. My childhood home was close to the book’s Beale Wagon Road where it crossed the Canadian River; I have photos of wagon swales almost two hundred years old. I picnicked in the same riverbed where Kit Carson led his troops to the First Battle of Adobe Walls in 1864, and I have stood in the meadow where the Second Battle was fought in 1874. I helped harvest wheat in Oklahoma (west of Fort Sill), climbed in the Wichita Mountains, and have driven through the original Goodnight-managed JA Ranch in the canyons of the Palo Duro. I’ve taken the hair-raising road down the Canadian River Escarpment east of Las Vegas to get to Conchas Lake.

As my young, smart, arrogant, rich Harry Bonner rides on that wagon trip, I hope it’s obvious that falling in love with the country is as fundamental to his growing up as it was to my growing up. My passion for Texas sunsets and rain clouds continues after a lifetime.

What challenges did this work pose for you?
My biggest challenge was learning to stop putting in historical anecdotes about the history of the areas and characters mentioned in the book. I wrote long historical passages only peripherally related to what was happening, and at one point, had to delete thousands of words to clear out the clutter to regain my story. That’s one problem with research — sometimes reality is more interesting than fiction.

Another challenge was developing an authentic-sounding spiritual mysticism surrounding Sam’s life during his seven-year Comanche captivity. That mysticism brings Harry in touch with his uncle and drives home the cruel and unjust life that he fought against, which is key to the plot. In some instances, authenticity took precedence over accuracy, but it’s all close to being real.

This is a departure from your middle-grade mysteries and your three other novels — two that move through history to tell their stories (one with a haunted house as a main character) and a third book that is a contemporary morality tale. What inspired the idea for your newest release?
Three years ago, I read The Unlikely Pilgrimage of Harold Fry by Rachel Joyce. I was dazzled by how rationally a character could unexpectedly go out one day on a walk to the Post Office box and not return until 400 miles later. Along the way, he finds redemption, forgiveness, and the love he had so desperately missed in his life. Joyce’s story gave me the construct of a journey allowing disparate stories to be blended with the main action while preserving the emotional cohesion of the characters. Tied in with echoes of Lonesome Dove by Larry McMurtry, I had a solid time period and context to make my story about Sam, Lucy, and their dysfunctional family work.

Tell us about your main characters and why you chose them to tell your story.
I created the characters of Sam and Lucy in my seventh middle-grade mystery novel, The Lady in White, about 12 years ago. They existed only as ghostly apparitions, but were key in giving my middle-grade readers the spookiness I desired. For some reason, I couldn’t stop thinking about a ten-year-old boy who grows into a seven-foot Comanche warrior. Sam and his sister reappeared in a more real form in Smoke Dreams, along with the haunted house, but their lives were, again, revealed only in backstory. After failing at writing a sequel to Smoke Dreams, I found a story framework that allowed them to be flesh and blood. My other main characters are Harry, the son of Lucy who sets off on a quest to trail Sam after his capture, and Alice, the lady wagon master who is the trip leader and is responsible for most of Harry’s growing up.

How did Death in the Tallgrass come together after your initial inspiration?
I had the history of the kidnapping from the middle-grade novel, the desire to feature Sam and Lucy in a larger context, and the construct of a journey to build words around, but it was not until I imagined the wagon trip that the basics of the story fell into place. It permitted me to use dreams, backstory narration, and remembrances to characterize the missing thirty-four years of Sam while I described the daily action of Harry and Alice. It took about two years to write and rewrite, including two early submissions to a publisher that I withdrew (ever wake up one day and discover that what you’ve written sounds simply awful?). I finally found my center for the context, actions, crises, and emotions, and produced a workable draft I was happy with. I decided to self-publish, probably because I was too embarrassed to submit a third time.

Through Reedsy, I hired an editorial reviewer who confirmed the strength of the story and its goodness, and the characters with the depth I had intended. He also corrected many errors and story conflicts. After incorporating his suggestions, I hired (again through Reedsy) a copy editor who did an excellent job of helping me clarify, delete, simplify, and resolve all of the loose ends to make the story feel right and complete. I did not finalize the last chapters until after having done both edits, but, by then, I knew exactly what they needed to do. My cover came from a media artist who responded to an internet request through Reedsy. Given a list of my ideas and only a brief description of the novel, she sent an initial design that nailed it on the first try. I was lucky.

Why did you choose Death in the Tallgrass as the title of the book?
I had several initial ideas, but my first official title was The Biggest Cowboy in the World, which I thought was clever, eye-catching, and was drawn from the novel’s text. An early reviewer (an honest, true-to-God, steeped in history, Texas cowgirl with family ties going back to Charlie Goodnight) thought it was silly and would alienate Western-loving readers. She suggested using “tallgrass” in the title which was a common descriptor of grass in the Great Plains. I liked the word, read some about the preserved areas of grasslands in the Plains, and added “death” to make it dramatic.

What was your favorite part of putting this project together?
Editing, to me, is using the authority to change anything I want, with a heavy emphasis on deleting whatever I can’t explain. With my latest book, both editors were so affirming of the storyline that I was overwhelmed by their encouragement. Afterward, editing was like polishing a jewel — every change made it better, and I fell even more in love with what I had written.

Of the fourteen books you’ve written, which one was the most challenging and which was the most enjoyable to write?
The most challenging was The King of Trash. The story addresses the problems of ocean pollution and of homelessness, but by the end of the book, I could propose no meaningful solution for either. Even though the novel has a satisfactory ending, I feel a sense of lost opportunity.

The most enjoyable novel was The Lost Children, the second of my Mogi Franklin Mysteries. Beginning with a naturally endearing incident of three children mysteriously disappearing in 1891 in Ouray, Colorado, I added an old mining story out of the Gold Rush days of California that gave the tale a unique and gripping solution. In the end, combining the emotions and the facts gave me a story that grabs the heart of the reader.

Do you prefer the creating or editing aspect of writing? How do you feel about research?
I like editing. It allows me to identify and confess all the errors I find, and to feel redeemed when I correct them. Research is a natural requirement to make my writing credible and authentic. I’ve never had trouble being appreciative of non-fiction.

Do you have a message or a theme that recurs in your writing?
I’ve always written my middle-grade mysteries as a combination of history, geography, and adventure, hoping the readers will learn about the Southwest as well as being entertained. My adult books have been less deliberate, but I hope my characters show their need to live by grace.

What writing projects are you working on now?
I’ve begun a Dan Brown-ish type of mystery involving the Large Hadron Collider in Switzerland and the Shroud of Turin.

Is there anything else you’d like readers to know?
An audiobook (my first) is being produced for Death in the Tallgrass. I’m anxious to hear how it sounds, and how it is received by listeners. I hope those who listen will leave reviews.

KLWagoner150_2KL Wagoner (writing as Cate Macabe) is the author of This New Mountain: a memoir of AJ Jackson, private investigator, repossessor, and grandmother. Kat has a speculative fiction blog at klwagoner.com and writes about memoir at ThisNewMountain.com.



An Interview with Author R. Janet Walraven

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Award-winning author R. Janet Walraven, M.Ed., has written a children’s book, a World War II romance based on her parents’ lives, and two nonfiction books inspired by 35 years of K-12 teaching experience. Through her decades-long career, Janet developed a passion for connecting all of the players in the education field and believes it is possible to experience joy in teaching and in learning. Her mentoring book, Connect for Classroom Success, won the Silver Award with Readers’ Favorite International Book Awards. Janet’s newest nonfiction release is LIAM: The Boy Who Saw the World Upside Down (February 2023). You’ll find her on Facebook, Instagram, and Twitter/X. Look for her books on her Amazon Author Page.

Your newest book is an inspirational nonfiction story about a boy who was almost lost within the educational system. What would you like readers to know about LIAM: The Boy Who Saw the World Upside Down?
LIAM is a story of hope for those who have been academically misdiagnosed as well as marginalized. The true story is about a student I had many years ago. It’s been rolling around in my head for a long time.

Did this work present any challenges for you as a writer?
Two huge challenges. The first was finding my student from 40 years ago to get his permission for me to write the story. That took some detective work. We finally connected. His response was, “If the story can give hope to others, let’s do it.” I am grateful for his approval. The second challenge was putting myself back in the trauma of the situation; Liam felt the same way.

What did you consider your biggest challenge as an educator? What do you consider your greatest success?
My greatest challenge was finding a reading program that really works. I searched for 16 years and finally found what can change the lives of the 85% of students who don’t read correctly. If I win the lottery, I’ll get the Read Right program into every school in the USA. If Read Right had been available for Liam at the time, he could have become an excellent reader in a short time.

What I learned from Liam was that my job as a teacher was to connect with each individual student to help them realize their potential. I believe that everyone has a genius; the teacher’s job is to help them find it, set goals, and reach for the stars.

If you could offer one piece of advice for parents struggling with this type of situation, what would it be?
Don’t ever give up on your children. Don’t allow anyone to diagnose and label your child. If educators aren’t searching for a solution, be the advocate for your child. You will be amazed if you stay on that journey. Hope is out there. Keep believing, searching, asking for help, keeping hope in your heart. Liam was fortunate to have loving, supportive parents. They accepted him just as he was and did all they could to find solutions for him.

You’ve written in many genres: Children’s, Essay, Historical Fiction, Inspirational, Memoir, Narrative Non-Fiction/Education, Poetry, Romance. Has your nonfiction writing enabled you to make the transition into writing other genres easier?
I find it difficult to label my nonfiction as well as fiction. Both of my nonfiction books are true stories, but since I have to change character names, it becomes fiction of a sort. In writing Rainbow of Promise, the book about my parents’ romance, I used their real names. Though it’s historical fiction, the stories were true. I wrote the dialogue as close as possible to their personalities and the stories they told me.

I usually write from my own experiences—people I know as well as situations others have shared with me. Once in a while, a story pops into my head without my knowing where it came from; it seems to dictate to me. That’s a strange feeling but fun!

When you tackle a nonfiction project, do you think of it as storytelling?
Absolutely! My first book, Connect for Classroom Success: A Mentoring Guide for Teachers K-12, is mostly dialogue between students, parents, colleagues, and me. Who wants to read a boring textbook? I wrote it because so many teachers don’t have a mentor and give up their career in three to five years. The stories I tell are there to help teachers, parents, students, all the team players, find joy in teaching and learning. Storytelling is the best way. I wanted the book about Liam to be personal, including the struggles I had right along with him. Dialoguing is my favorite way to tell a story.

Of all the books you’ve written, is there one that was the most enjoyable to write?
I love being in the writing zone. Hours go by without my knowing where I am or what time it is. I found the most joy in writing the World War II romance about my parents’ love story. My goal was to be as true to the stories they told me while growing up and to reveal their true personalities. I enjoyed being in their heads, re-creating dialogue and situations as close to reality as possible. I’m working on a prequel to the story.

What does a typical writing session look like for you?
I write when I feel compelled to get a story out of my head and into a manuscript. Once I get started, it’s hard to stop. I have a nice setup—a quiet room with a computer on a desk facing a window, music without lyrics that fits the story, and a timer that tells me when I need a break. I usually ignore when it dings. I never have what others call writer’s block. I have so much in my head that I want to get out onto paper, there’s no time for a block. I write for the joy of writing, not to get rich or famous. I do appreciate reviews!

What first inspired you to become a writer?
I wrote my first serious poem as a senior in high school. My psychology teacher took us on a field trip to a nearby mental institution—a trauma that shook me to my core. On the way home, I wrote a short poem—the only way I knew to respond. After that, I found writing poetry came from deep within, whatever the circumstance. When I was twenty-five, my father was killed, supposedly accidentally, but I couldn’t reconcile myself to it. After several starts, hoping for a catharsis, I finally found my voice. I entered the story in the SouthWest Writers’ Contest (2001) and was awarded second place in Mainstream Short Story for Realistic Fiction. At that time, SouthWest Writers held conferences where we were able to meet with the judges. That was the validation I needed to pursue writing. Thank you, SouthWest Writers!

What advice can you offer other authors?
Write from your heart. Take advantage of writing seminars. Learn the rules of writing well enough to know when to break rules. Find a writing partner or group you feel comfortable with, but don’t take critiquing personally. Learn what you can from others but stick to your own voice. Writing takes a great deal of patience. I work with a writing partner plus two others who critique my manuscripts. Editing takes even more patience. A true writer is never done; rewrite and edit until you can finally say, I’ve got it as good as it gets. Then after publishing, you think of more to add or how you could have changed something. That’s what nice about self-publishing; you can always make changes or corrections in another edition. I don’t backtrack unless a typo or content mistake needs to be corrected. Otherwise, I move on to my next project, and that’s exciting.

Since you write across many genres, is there a genre you enjoy reading the most and why?
I like believable stories that fit my mood at the time—biographies, memoirs, true-to-life stories, well-written novels, and mysteries only if they make me laugh out loud. I don’t like violence and am not much into fantasies unless it’s metaphorical. I journal self-help books; that makes me slow down my fast reading in order to capture what I want to learn. After teaching the Holocaust for twenty-five years, I keep telling myself that I can no longer allow myself to sink into that horror. But another comes along, and I feel compelled to read yet another.

Do you have any other works in progress that you can tell us about?
Two projects are exciting. The first is a prequel to my WWII romance. It’s a story about my maternal Volga-German grandparents who emigrated from Russia in 1912. That’s taking a lot of research. I love researching because I learn a lot of history while picking the brains of my cousins, searching old photos and papers, and am grateful for the internet. My second project is writing a set of poetry books with varying themes and styles. I have most of the poetry written. Editing and organizing takes time.

Is there anything else you’d like readers to know?
For each of my nonfiction books sold, I gift a book to a teacher or parent.

Su Lierz writes dark fiction, short story fiction, and personal essays. Her short story “Twelve Days in April,” written under the pen name Laney Payne, appeared in the 2018 SouthWest Writers Sage Anthology. Su was a finalist in the 2017 and 2018 Albuquerque Museum Authors Festival Writing Contest. She lives in Corrales, New Mexico, with her husband Dennis.



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